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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
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  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

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    © DR - Julia Roberts /PRETTY WOMAN p6

    20/12/2011 20:32

     © DR - Julia Roberts /PRETTY WOMAN p6


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    © DR - PRETTY WOMAN de Garry Marshall (1990 ) p7

    21/12/2011 09:09

     © DR - PRETTY WOMAN de Garry Marshall (1990 ) p7


    Index 253 reviews in total 

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    Lien vers toutes les reviews

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    Such a dream, just you DO NOT think

    Author: Aleksandar Nedelkovic from Serbia and Montenegro
    30 April 2005

    Obviously similar to Shaw's "Pygmalion", but updated, more modern.

    A lovely dream, one very old: rescuing a prostitute from the street. (Not in Woody Allen's sickish-moody way.) However, if you wish to dream this one, be sure you do NOT start to think very logically . . . She is healthy, not on drugs, not on alcohol, not even a smoker; no syphilis, no gonorrhea, no AIDS wounds on her legs, nothing, she is just perfectly absolutely healthy. Body and mind. She is not a criminal, not inclined to steal anything, she even values love and dignity more than money. Oh, she has no pimp, who would be the other man (other than Richard Gere) in her life; nobody to protect her from smart types who walk off without paying; the pimp would explode the whole romance instantly. (Instead, a girl friend.)

    She has a golden soul, full of goodness, and loves art, and feels for art. High-society types around them appear silly, artificial, stuffy. (Different forks.) She is natural. She even was a good student (!) and . . . might be again? She loves to bathe, and half the time we see her happy in the bath tub (which is a powerful signal and symbol for CLEAN, CLEAN; she even sings so super-ultra-charmingly in the bath; she wants to wash off the foolishness of her previous few months of street. And she can do it.But with all those qualities, WHY would she ever become a prostitute in the first place? Don't think, don't think. Just dream, it is lovely.

    Just has that special something....
    9/10
    Author: triple8 from Conn
    27 August 2003

    What is it about this movie that made it such an instant mega smash when it was released? I'm not sure if it's The incredible chemistry between Gear and Roberts, the smart dialog, the storyline-combination of all of the above-etc etc. But I do think These days, so few GREAT romantic comedies get made. Pretty woman is great. I enjoyed every moment of this and have seen it many times.

    I haven't read any IMDb reviews of this yet, I wanted to comment first. This is a lovely story of hope and the true purity of falling madly in love-there are so many movies that try to be romantic and inevitably come across looking forced and contrived. The story and acting in Pretty woman, while very obviously being "Hollywood" to a tee, are so natural and free flowing, that it's just a joy to watch this. It's also great to see(in what's not usually the case) a romantic comedy that gets it right, in every area from casting to dialog to pretty much everything from start to finish. Great movie!

    88" of therapy!!
    8/10
    Author: m_madhu from chennai, india
    18 November 2001

    "the bad stuff is easier to believe. you ever notice that?" - vivian

    ok, so pretty woman is a romantic movie, its cliched, its corny, its sappy. but hey, beyond all that is a special movie with some very special performances. julia roberts as vivian ward is absolutely adorable, one of the most lovable characters of alltime. and those long legs help - like she says - " 88" of therapy for the bargain price of $3000"

    the movie has many memorable lines and if you fall in love with the movie you will go back to it again and again. this is easily the best romantic comedy movie of the 90s. though many movies have hence tried to recreate its charm, nothing has quite succeeded to replace this movie as the pinnacle of the genre.

    and this ofcourse is high praise from someone who hates the genre. the story ofcourse is very predictable and cinderella like. however this is beautifully told and the on-screen chemistry between the very dashing richard gere and julia roberts is simply sensational. an absolute must for fans of romance, comedy, any kind of light hearted movies or for those who are big fans of julia or richard. watch this movie.an enjoyable 8!

    Very funny, heart-warming, romantic film with star-studded performances
    10/10
    Author: Grace Zeh (filmgirlgz@gmail.com) from Chantilly, Virginia, USA
    17 November 2005

    Wow! Richard Gere and Julia Roberts give magical performances as a shrewd businessman and a lovely prostitute. I was really moved by the blend of humor and romance. The romance was what really moved me. I thought that Edward (Richard Gere) and Vivian (Julia Roberts) looked good in the attire they wore to the opera in San Francisco. Oh, boy, if you ask me, Julia Roberts did, indeed, look like a pretty woman in this movie. PRETTY WOMAN really tugged at my heart and soul and made me laugh at times. Don't say I have a twisted sense of humor, but I laughed really hard when Edward yelled at Stuckey (Jason Alexander) to get out of his hotel room.

    If I ever travel to Beverly Hills, I'm going to stay at the Regent Beverly Wilshire, that is, if I can afford it. Before I wrap this up, I'd like to say that I think Richard Gere and Julia Roberts each deserved an Academy Award for their performances. Now, in conclusion, I recommend this star-studded hit to anyone who's a fan of Richard Gere or Julia Roberts. You'll laugh, you might cry, you'll be touched, and you'll want to see this box-office smash over and over again.

    The Last Gasp for 1980s Style Flair.
    Author: tfrizzell from United States
    25 August 2003

    Pure Hollywood fluff story that is so smart and sports such a dynamite cast that it becomes one of the more wonderful films of the period. "Pretty Woman" is pop culture at its finest as Julia Roberts (in an Oscar-nominated, icon-making role) is a prostitute on the mean streets of Los Angeles who gets a big financial break one night when she meets up with cold, but lonely business guru Richard Gere. They immediately create a bond and have a night of passion which soon becomes a week-long partnership with Gere and Roberts posing as love interests (and of course $3000 is involved as well). Could it be possible that Roberts, a lady with a heart of gold in spite of her background, is just the thing Gere has been needing in his life?

    A trumped-up adult-oriented version of "Cinderella" is probably the best way to describe "Pretty Woman". The old Hollywood story gets a glossy new look thanks to director Garry Marshall (doing arguably his finest film-making work). Gere and Roberts make for one of the more attractive pairs the cinema has ever seen. They just shine beacons of light on one another it seems. The fact that both are very good performers definitely enhance their appearances though. A smashing soundtrack and that vivid 1980s style (even though this was released in 1990) make "Pretty Woman" one of the big winners of the last few years. 4 stars out of 5.

    Wonderful Cinderella / Pygmalion tale, hooker style
    9/10
    Author: roghache from Canada
    8 March 2006

    What can I say that hasn't been said? This immensely popular, modern fairy tale romance is a fantastic 'feel good' must see. I can't resist watching it every single time it comes on TV. To tempt you if you haven't seen it...it's the story of a feisty, good hearted hooker named Vivian Ward, who is hired for a week by a wealthy businessman, Edward Lewis, to serve as his escort at a number of business related social functions. Needless to say, the relationship doesn't stay 'just business' for long.

    Rather than the plot itself, the beautiful Julia Roberts makes this movie...and not simply because of her 88 inches of leg! Always endearing in her roles, she is at her absolute MOST endearing portraying Vivian in this picture. She brings a real vulnerability to the role, showing us that just like everyone else, prostitutes do indeed floss their teeth! Richard Gere pulls off quite convincingly the role of Edward, the ruthless, calculating millionaire businessman, who takes over companies only to sell them off piece by piece, quite unmindful of the interests of any people involved.

    To give Gere credit, I was quite impressed that he actually plays the piano in one of the movie's scenes.Naturally, given Vivian's membership in the 'oldest profession', there is sex early on...though I, old fashioned and strict as I am, wouldn't hesitate to let my young teen see this movie. (There's worse in TV commercials today!) Oddly, the most truly intimate moment in this film is not during the more explicit sex but rather, simply a kiss.Ohhhh, lots of romantic scenes, from a picnic in the park to jetting off in a private plane for a Big Night on the Town. And etiquette lessons...

    Vivian displays charming, amusing, curious innocence when she experiences with Edward her first opera (all the while looking knock out gorgeous in a stunning red gown), her first polo match, and her introduction to escargots. As the movie progresses, she is transformed Pygmalion style, from the street smart hooker provocatively dressed in tall black boots and mini skirt, to a sophisticated looking, elegantly gowned and coiffed young lady. But it's merely appearance...Vivian's heart of gold and her vulnerability both remain unchanged.

    The status conscious snobbery of Beverly Hills dress shops and ritzy hotels, judging people by wealth and class, is well depicted here. When Vivian goes shopping for a 'more appropriate' wardrobe at some exclusive Rodeo Drive boutiques, she is not 'well received' by the sales ladies, who like all too many of us, are overly inclined to judge by appearance. You'll want these snobs to get their comeuppance. Actually, perhaps the most touching relationship in this entire film is the one between Vivian and Barney, the quite proper but kind desk manager at the high class hotel (where she is sharing a penthouse suite with Edward), who is able to see beyond appearance. He develops a genuine fondness and even more importantly, respect for her.

    Other characters of interest...Kit is Vivian's appealing and sympathetic room-mate, also a hooker (Vivian's a loyal friend), and Stuckey is Edward's sleazy and despicable business colleague, portrayed by Seinfeld's Jason Alexander, a TV show which I must confess is not my favourite. As events unfold during the film, it becomes clear that, while Edward might not understand too clearly the meaning of 'prostitution', Vivian clearly does. And, it's another shining film illustration of that pearl of wisdom from Eliza Doolittle (of My Fair Lady) who enlightened us, 'The difference between a flower girl and a lady is not how she behaves, but how she is treated.' Or, in Vivian's own words, 'People put you down enough, you start to believe it'.Great Cinderella movie...don't miss it.

    An entertaining motion picture that had women calling out the delights of true love...
    9/10
    Author: Righty-Sock (robertfrangie@hotmail.com) from Mexico
    1 April 2000

    "This is Hollywood where people come to fulfill their dreams! Some dreams come true and some don't! Believe in your dreams!"While visiting Los Angeles for a week, Edward Lewis borrows his friend's car and gets lost on Hollywood Boulevard... He asks a hooker for directions... She proposes to help him for 5 dollars... For $20, she accepted to show him where the stars live...Edward invites her to join him in his hotel suite, but not for sex...

    Enjoying her company, he offers her to be his 'date' for a series of business activities including a strategic dinner and a pool match... Out of the 'bargain,' she gets $3,000 cash, a classier wardrobe and a visit to the opera...All the characters of the film are convincing, original and sympathetic, feeling comfortable with each other... Director Gary Marshall did a great job...

    Ideal for the role is Richard Gere... He plays the terrific rescuer who 'free' Vivian from the streets conducting her to his penthouse suite... He is handsome, charming and shy... 'Henry Higgins' at his best... But Edward Lewis is a millionaire... He buys companies that are in financial difficulty... He takes them apart and sells the pieces for more than he paid for the whole... "It's strictly business", he tells Vivian... "You and I are both such similar people. We both screw people for money." Edward's only defect is that he hurts what he loves... He wins a certain imaginative power by how painful that treason is...

    Julia Roberts plays Vivian Ward, an attractive and smart hooker with a heart of gold... She gives her character a great sense of humor, charming Edward with her honesty... She is intensely appealing and amusing, making any man feel comfortable...Into the snobbish clothing store, she delivers a great exit line, just devastating the saleswomen... The song is terrific as the scene... In the hotel lobby, she walks in a 'killer' red dress... She learns which fork to use in the formal dinner meeting, projecting an escargot through the air... At the opera she innocently asks: "Where's the band?"

    There's more than a touch of Eliza Dolittle in her role, specially when she decides she wants more from Edward than money... She gets the perfect rescue scene with a limousine, a fire escape, a balcony, birds, music and red flowers...Hector Elizondo turns a supporting role into more than that... He plays the formal, intolerant hotel manager... He takes an affection to his best customer's "niece" and trains her on which fork to use at a fancy dinner... His amusing performance as Edward's smooth competent hotel manager nearly shapes Roberts and Gere...

    Ralph Bellamy is incredibly good as the aging millionaire, creator of a small company Edward is trying to take to pieces...Laura San Giacomo plays Vivian's pal roommate, her first role since she played the amorous sister in "sex, lies & videotape.""Pretty Woman" is a contemporary Hollywood fairy tale, a sweet romantic comedy, an innocent love story in the middle of self-interest and agreement... It remains as an entertaining motion picture that had women calling out the delights of true love...Keep on dreaming!

    A LOVABLE Cinderella STORY
    10/10
    Author: prima ballerina (runawaybride10) from Mexico
    29 November 2005

    I love this movie...like a Cinderella story for adults, with facts of the real world: a human (and man) fairy godmother for example, a prince, everything!!! About Julia, what can I said? I'm a very big fan, and the way She transforms a prostitute into a princess is phenomenal, She make it real too. Richard Gere was a 80's prince charming, no perfect but with a lot of things that make you said: "I want one for home". Maybe if you are 20 or younger you'll be no identify with the music, but for oldie's: "It must have been love" and "What women do" will take you to your best times! If you like romantic stories, that make you smile, cry and dream, this is the ideal and No.1!!!!

    Only In Hollywood Movies Do Hookers Look Like This
    6/10
    Author: ccthemovieman-1 from United States
    27 January 2007

    This was the ultimate example of Hollywood glorifying prostitutes and showing them to be gorgeous (and basically good-hearted) women. I do NOT speak from experience but from number of real-life cop-friends I can tell you this: you average hooker looks the OPPOSITE of Julia Roberts (or Melanie Griffth or Elizabeth Shue and all the rest of the hooker-hotties Hollywood throws at us.)

    Hokey? Definitely, but it's still a fun movie which has entertained most people who have watched it the past 15 years. Roberts and Richard Gere certainly make a handsome couple. Hector Elizondo almost steals the show with his minor role as "Barney," the hotel manager. He is definitely the most humorous character in the film.It's a funny, charming and romantic film that was a big hit. Just don't believe it when Hollywood continues to glamorize the worst aspects of society, something it always does.

    A great love story
    8/10
    Author: rbverhoef (rbverhoef@hotmail.com) from The Hague, Netherlands
    16 August 2003

    Sometimes you have a romantic comedy that is remembered for a long time. Movies with Audrey Hepburn, 'When Harry Met Sally...', little parts from other Meg Ryan-movies and... 'Pretty Woman'. Of course we have the famous song and the real launch of the Julia Roberts career that help a little but it just is one sweet and very funny movie.

    Julia Roberts is great in romantic comedies and especially with this movie (and 'Notting Hill') she proves this. With Richard Gere she has a perfect chemistry and in the end that is all we want to see. That Roberts is a prostitute and Gere a very rich man, living in a penthouse, make things only more interesting, joke-wise. One of the better romantic comedies made in the past and definitely one to watch again. And again. And may be again.






    © DR - PRETTY WOMAN de Garry Marshall (1990 ) p8

    21/12/2011 09:16

     © DR - PRETTY WOMAN de Garry Marshall (1990 ) p8


    Trivia (part1)

    Showing all 55 items
    Jump to: Director Cameo (1) | Spoilers (2)
    *
    Edward (Richard Gere) snapping the necklace case down on Vivian's (Julia Roberts) fingers, was improvised by Gere, and Roberts's reaction (laughter) was totally natural. The filmmakers liked it so much, they decided to leave it in.
    *
    The necklace that Vivian wears to the opera really cost $250,000. While filming, a security man from the jewelry store equipped with a gun was constantly standing behind the director.
    *
    The opera Richard Gere takes Julia Roberts to is La Traviata, which is about a prostitute who falls in love with a wealthy man.
    *
    Richard Gere is actually playing the piano. He also composed the piece of music that is played.
    *
    During the lovemaking scene, Julia Roberts got so nervous a visible vein popped out of her forehead. Director Garry Marshall got into bed with Julia and Richard Gere. Marshall and Gere massaged her forehead until the vein disappeared. Julia also broke into hives and was given calamine lotion until they were finally able to shoot the scene.
    *
    While shooting the scene where Vivian (Julia Roberts) is laying down on the floor of Edward's penthouse, watching old I Love Lucy (1951) re-runs, in order to achieve a genuine laughter, Director Garry Marshall had to tickle Roberts's feet (out of camera range) to get her to laugh so hysterically.
    *
    The red coat that Vivian wears was bought for $30 from a movie usher in the street shortly before filming.
     
    The movie was originally titled '3000' (after the amount of money Vivian & Edward finally agree upon for her week of service), but later changed to Pretty Woman, after the Roy Orbison track used in the soundtrack.
     
    Sandra Bullock turned down the role of Vivian.
    *
    During the scene where Julia Roberts sings along to Prince in the bath tub sliding down and dunking her head under the bubbles, Julia came up and opened her eyes and saw that everyone had left even the cameraman (who got the shot).
    *
    Richard Gere started off much more active in his role, but Garry Marshall took him aside and said "No, no, no. Richard. In this movie, one of you moves. And one of you doesn't. Guess which one you are?"
     
    *
    In Spain, Pretty Woman is one of the most successful movies ever shown on TV. As of July 2014, there have been 19 re-runs of the movie on TV, and it has always had ratings between 14.9% and 55.6%
    *
    Burt Reynolds was offered the role of Edward Lewis but declined. He jokingly said on the Piers Morgan show in 2012 that after he saw the film and the love-making scenes with Julia Roberts, that he made a mistake in not taking the part.
    *
    Julia Roberts's head was superimposed on Shelley Michelle's body for the poster. Richard Gere's hair is brown on the poster, but graying in the movie.
    *
    The film's budget was not limited, therefore producers could acquire as many locations as possible for shooting on their estimated USD 14,000,000. The majority of the film was shot in Los Angeles, California, to be specific, in Beverly Hills. The escargot restaurant scene was filmed at the Rex, now called Cicada. Filming of the Beverly Wilshire Hotel lobby interior was shot at the now torn-down Ambassador Hotel. Filming commenced on July 24, 1989, but was immediately plagued by countless problems, including issues with space and time. This included Ferrari and Porsche, who had declined the product placement opportunity of the car Edward (Richard Gere) drove, because they did not want to be associated with soliciting prostitutes. Lotus Cars UK saw the placement value with such a major feature film. This gamble paid off as Esprit sales tripled between 1990 and 1991. The company supplied a Silver 1989.5 Esprit SE, which was later sold. The film's primary shooting was completed on October 18, 1989.
    *
    In the shots of the city in the very beginning, you will notice that some of the neon letters in the hotel where Vivian lives are burned out. The only remaining lighted letters spell "HO", a slang synonym for prostitute.
    *
    According to the DVD director's commentary, the piano key sounds that are made during the lovemaking scene on the piano had to be dubbed in because the actual keys that were randomly hit by Julia Roberts and Richard Gere as they did the scene made such a discordant sound that it was unusable in the actual movie.
     
    *
    Julia Roberts was far from the first choice for the role of Vivian. It was offered previously to many successful A-list actresses including "brat pack" member Molly Ringwald (who starred in Seize bougies pour Sam (1984), Breakfast Club (1985), and Rose bonbon (1986)). Ringwald turned it down because she felt uncomfortable with the content in the script, and did not like the idea of playing a prostitute. She has since stated in several interviews that she regrets turning the role down.
    *
    Ralph Bellamy's final movie.
     
    Director Garry Marshall shares a fear of heights with Richard Gere's character, Edward Lewis.
    *
    The car that Edward picks up Vivian in belonged to producer Nancy Gross.
    *
    Christopher Reeve was originally considered for the Edward Lewis role. Denzel Washington and Daniel Day-Lewis were also considered.
    *
    John Travolta auditioned for the role of Edward.
     
    Demi Moore turned down the role of Kit.
    *
    Al Pacino turned down the role of Edward after a screen test with Julia Roberts. Other actors considered for the Edward role were Daniel Day-Lewis, Denzel Washington, Tom Berenger, Christopher Lambert and even Charles Grodin.
     
    When Stuckey slams the door to his car they actually had to replace it, because the window broke.
    *
    Brooke Shields auditioned for the part of Vivian, but she was fired by director Garry Marshall. She later said, that she wanted to play a mature role. She considered that it was the biggest mistake of her life.
     
    Albert Brooks and Sylvester Stallone turned down the role of Edward Lewis.
    *
    When Edward is reading to Vivian in the park, he's reading from William Shakespeare's Sonnet 29: "When in disgrace with fortune and men's eyes."
    *
    In the dinner scene when Vivian flings the snail across the room, the waiter says, "It happens all the time." Garry Marshall cast the same actor The Princess Diaries years later and gave him the same line.
    *
    Winona Ryder did an audition for the role of Vivian, but had to turn down, because director Garry Marshall felt that she was too young for the character.
     
    Drew Barrymore tried to audition for the role of Vivian, but had to turn down because director Garry Marshall felt that she was too young for the part. *
    Jodie Foster, after she won her first Oscar in Les accusés (1988), she was very interested in playing the role of Vivian.
    *
    According to an interview in 2009, director Werner Herzog was approached by Richard Gere to direct the film when it was still a dark drama. He politely declined.
     
    In the original plans, Vivian was supposed to be addicted to cocaine and part of the deal is was she couldn't do drugs during the week. And at the end of the movie, Vivian was supposed to find Kit had overdosed on drugs while she was with Edward.
    *
    Daryl Hannah turned down the part of Vivian as she felt it denigrated women.





    © DR - PRETTY WOMAN de Garry Marshall (1990 ) p9

    21/12/2011 09:22

     © DR - PRETTY WOMAN de Garry Marshall (1990 ) p9


    Trivia (suite et fin)

    Voted #4 Must See Movie of all time by listeners of Capital FM in London.

    *
    Dennis Quaid was considered for the role of Edward Lewis.
    *
    Kristin Davis did an audition for the role of Vivian but turned it down.
    *
    In the final scene, Edward "serenades" Vivian with a recording of an aria from La Traviata. The aria has a vocal solo followed by the theme on strings and trumpet. That arrangement was not from the original opera but adapted for the movie.
    *
    Uma Thurman auditioned for the role of Vivian.
    *
    Jennifer Connelly reportedly turned down the role of Vivian.
    *
    The three tableaux used during the opera scene are when Violeta meets Alfredo at a party, Violeta abandons Alfredo at his father's request and the final scene where Violeta dies.
    *
    Sarah Jessica Parker was offered the role of Vivian, but she disliked the part. However, Parker would play a sexy character many years later, Carrie Bradshaw, on the popular TV series Sex and the City (1998).
    *
    Valeria Golino was originally offered the role of Vivian but turned it down. She was the finalist along with Julia Roberts.
    *
    Christopher Lambert was considered for the role of Edward Lewis at the time Molly Ringwald was in the running to play Vivian.
    *
    All of the scenes filmed on Rodeo Drive were done on Sundays because the city has strict filming rules on that street.
    *
    When they filmed the scene with Vivian talking about wanting to be a princess who's rescued from a tower, they still hadn't written the movie's ending where Edward "rescues" Vivian.
    *
    The sports car that Richard Gere borrows at the beginning of the movie is a Lotus Esprit.
    *
    The original script by J.F. Lawton was contributed to by Robert Garland, Stephen Metcalfe and Barbara Benedek.
     
    *
    It was originally planned that the opera scene would be shot in San Francisco, but, an earthquake forced them to relocate to the history museum by USC.
    *

    Director Cameo 

    Garry Marshall:  the voice over of the man digging through the trash outside of "Stallone's" house (dubbed due to poor sound quality).
    *

    Spoilers 

    The trivia items below may give away important plot points.

    The movie was initially intended to be a dark drama about prostitution in Los Angeles in the late 1980s/early 1990s. The relationship between Vivian and Edward also harbored controversial themes, including the concept of having Vivian addicted to cocaine; part of the deal was that she had to stay off it for a week. She needed the money to go to Disneyland. Edward eventually throws her out of his car and drives off. The movie was scripted to end with Vivian and her prostitute friend on the bus to Disneyland. These traits, considered by producer Laura Ziskin to be detrimental to the otherwise sympathetic portrayal of her, were removed or incorporated into the character of Vivian's friend, Kit. These "cut scenes" have been found in public view, and some were included on the DVD released on the movie's 15th anniversary. One such scene has Vivian offering Edward, "I could just pop ya good and be on my way", indicating a lack of interest in "pillow talk". In another, she is confronted by drug dealers outside of The Blue Banana, and rescued by Edward and Darryl. One example of a changed plotline was when Edward breaks into the bathroom to find Vivian flossing her teeth instead of doing drugs as he had feared. In the original script she was doing drugs.
    *
    You can see Richard Gere moving his tongue around inside his mouth as he is at the door of the penthouse yelling at Stuckey when he fires him and throws him out of the penthouse after catching him molesting Vivian. This is because Gere actually knocked a crown off of a molar during the scene, according to the director's commentary by Garry Marshall on the DVD.





    © DR - PRETTY WOMAN de Garry Marshall (1990 ) fin

    21/12/2011 09:32

     © DR - PRETTY WOMAN de Garry Marshall (1990 )  fin


    Distinctions et récompenses (source Wiki)
    *
    Nominations
    1991 : Nomination à l'Oscar de la meilleure actrice — Julia Roberts
    Récompenses
    1991 : Golden Globe de la meilleure actrice dans un film musical ou une comédie — Julia Roberts

     

    Distinctions et récompenses(source IMDb)
    Showing all 8 wins and 11 nominations

    Academy Awards, USA 1991

    Nominated
    Oscar
    Best Actress in a Leading Role
    Julia Roberts

    Golden Globes, USA 1991

    Won
    Golden Globe
    Best Performance by an Actress in a Motion Picture - Comedy/Musical
    Julia Roberts
    Nominated
    Golden Globe
    Best Motion Picture - Comedy/Musical
    Best Performance by an Actor in a Motion Picture - Comedy/Musical
    Richard Gere
    Best Performance by an Actor in a Supporting Role in a Motion Picture
    Hector Elizondo

    BAFTA Awards 1991

    Nominated
    BAFTA Film Award
    Best Actress
    Julia Roberts
    Best Costume Design
    Marilyn Vance
    Best Film
    Arnon Milchan
    Steven Reuther
    Garry Marshall
    Best Screenplay - Original
    J.F. Lawton

    BMI Film & TV Awards 1991

    Won
    BMI Film Music Award
    James Newton Howard
    Won
    Most Performed Song from a Film
    Per Gessle
    For the song "It Must Have Been Love".

    César Awards, France 1991

    Nominated
    César
    Best Foreign Film (Meilleur film étranger)
    Garry Marshall

    David di Donatello Awards 1991

    Nominated
    David
    Best Foreign Actress (Migliore Attrice Straniera)
    Julia Roberts

    Golden Screen, Germany 1991

    Won
    Golden Screen
     

    Golden Screen, Germany 1990

    Won
    Golden Screen with 1 Star
     

    Jupiter Award 1990

    Won
    Jupiter Award
    Best International Actress
    Julia Roberts

    Kids' Choice Awards, USA 1991

    Won
    Blimp Award
    Favorite Movie Actress
    Julia Roberts

    People's Choice Awards, USA 1991

    Won
    People's Choice Award
    Favorite Comedy Motion Picture

    Writers Guild of America, USA 1991

    Nominated
    WGA Award (Screen)
    Best Screenplay Written Directly for the Screen
    J.F. Lawton






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