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© DR - BANLIEUE13 de Pierre Morel (2004) p6
18/12/2011 19:25
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© DR - BANLIEUE13 de Pierre Morel (2004) p7
18/12/2011 19:31
David Belle / Bibi Naceri (le chef des méchants)
et Dany Verissimo la fille avec le gros flingue
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| Index |
149 reviews in total |
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GREAT action movie
 Author: Matt from United States
14 June 2005
People people people...anyone expecting Citizen Kane out of this movie needs to have their head examined. BUT...if you were looking for a thrilling, fast paced roller-coaster, that's what you will find.For the past year, I have been seeking out alternatives to American cinema because it has become so formulaic and awful. I troll IMDb and eBay to see what else is happening in the world. Sure, B13 is derivative, but it is certainly more exciting than another "re-imagining" of a 70s cop show.
The opening sequence took my breath away. I was half-way through the film before I felt it was sage to dart to the kitchen for a drink. I said to my wife "THIS is the movie I've been searching for." Even the subtitles were good. The verbiage and spelling were very authentic and slang-conversational. It did not feel forced as many foreign films do. It was definitely subbed with the British market in mind, as some of the banter evoked thoughts of Lock, Stock or Layer Cake or Football Factory.If I want a truly compelling story, I'll look elsewhere, but check out B13 for the some great fight scenes, excellent scenery and mind-blowing athleticism.
 Author: lyre12 June 2006
This film takes everything that has been learned in the last 100 years about how to make an action movie and distills it into a perfect 85 minutes.The stars are true athletes, including David Belle, the co-founder of the sport of Parkour. He has spent 18 years perfecting his skills, which means that most of the spectacular stunts are real, not done with special effects.The plot is action-movie perfect as well: A criminal kingpin, a damsel in distress, an honest cop, a noble criminal, corrupt officials, double crosses, nearly superhuman enemies. And at stake: honor, truth and the lives of millions.
There are hardly any extraneous elements, few scenes that don't make sense, no characters that do something really stupid when they should have known better. Every loose end is wrapped up in a very satisfying way. And there's even meaningful social commentary. All (though I said it before) in 85 minutes.Why do other action movies drag on for two or even three hours and have long slow spots? Why do other action movies have plot holes big enough to walk through?
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Why do some of them lack drama, get silly and end up feeling like a waste of time? Why can't they all be as taut and tightly written as this one? Because it's hard. It's hard to reach this level of perfection. It's hard to make a movie in which every scene counts. It's hard to get the plot, the acting, the action and the emotions right.It's so hard it took 100 years. But here it is. Don't miss it.
What is there to like about this movie? Well, the plot is pretty good, even though I'd have much more trouble suspending my disbelief if it would not have been French. In the wake of all the ruckus in France, this movie feels pretty realistic as a social commentary.The stunts(Parkour) are amazing. Smooth, fluid motion and crisp, no-bullshit camera-work makes it a real treat to the eye. The fighting scenes are cool too, and they at least partially real(for unreal, watch Hard Target or any other Van Damme movie. For real, watch Heat) and not as repetitive and drawn-out as the usual ones.
The whole ghetto atmosphere works really well. Concrete and poverty works fine as scenery. Dialouge seemed good too from what I got from the subtitles.What's there to dislike? Well, character development is the same-old. Two different guys team up and saves the day, overcome their differences and live happily ever after. It has been done before, but at least it's done well here.The music is consistent and fitting, so that's more of a matter of taste.Otherwise, the movie is pretty much solid. Minor flaws, but on the whole a treat from the moment it starts to the end. Not something you add to the DVD collection, maybe, but certainly worthwhile. -7/10
The place : France.The time : after 2010.
The plot : The French government has erected giant walls around the poorest and most dangerous neighborhoods. Inside these walls its a veritable jungle, with the strongest (and ofter most corrupt) ruling.This is the directorial debut of Pierre Morel. He has worked as the cinematographer on Danny the Dog (a.k.a. Unleashed) and the Transporter. If this movie gives you a sense of deja vu, don't worry just flow with it.The movie follows the recent Ong Bak trend of action movies in that there is very little plot or a somewhat lacking storyline but is compensated for by bone crunching and realistic action/athletic sequences, albeit in this case with a French flavor.
After the opening "fly through" of the barrio we get a glimpse at one of the protagonists, Leito (David Belle). Leito is a neighborhood kid who does a good impersonation of Daredevil (minus the blindness, white stick or red outfit). While surround by crime, Leito manages to keep honest and actually fights back against the neighborhood drug lord, Taha.This is the first 20 minutes of the movie, and it was simply awesome. David Belle is co-founder of a sport called Parkour. It is some Euro-Asian fusion of martial arts and running. There was a Nike commercial (?? - it was definitely a sneaker ad) where this man kept jumping off of random things. The whole point was he didn't stop, no matter what was in his way. It seems to be some improvisational running, where you figure out ways to get around things.
This opening sequence involves a lot of running at full speed and some fighting inside, outside and on top of an apartment building. The pace for the sequence is fast and awe-inspiring.We are then transported 6 months into the future, where we are introduced to our second protagonist, Damien (Cyril Raffaelli). Damien is the decorated, "straight as an arrow" cop. He follows order and does whatever is necessary (within the law) to get the job done. Damien's 20 minute introduction takes place in an illegal casino. This is the actual sequence that reminds me the most of Ong Bak (the mêlée combat).
It has a similar style (of course without Tony Jaa's proficiency), complete with the bone-wrenching "oomphs". Cyril may seem familiar to fans of the action genre. He has been in numerous actions flicks as well, staring in Kiss of the Dragon and as a stunt man in the Transporter and Brotherhood of the Wolf.The first two sections of the movie contain the character development, while the last section handles the plot. A new type of bomb has been stolen. It has a 24 hour detonation timer on it that is activated once the case is opened. Damien is sent in to defuse it (namely to enter a code that defuses the already active bomb). The bomb is somewhere in B13 and Leito is "volunteered" to be his guide.
The movie was definitely enjoyable, yet lacking much of a story or a finale. I was reminded of Ong Bak and especially of the Transporter. These movies (along with B13) seem to have a rather simplistic finale. The world is a generally good place where a few bad apples take advantage of the good. Most of the time, the good simply do not know the "bad people" exist. They just need someone to tell them and then collectively the good "do the right thing" (which is always done through lawful and sometimes legislative means). There are other movies (like most of Jackie Chan's movies) that have similar endings. This is not so much a criticism as an observation.There were some scenes that made me go "huh".
Why does everyone have their names on the doors ? I'm sure each of the characters probably also have their names sewn into their boxers. I did enjoy Taha's Tony Montana impression. It was quite a funny scene. Lastly, I would have liked a more extended fight scene with Yeti, but otherwise, was a good sequence. Outside of the action sequences, there were some instances of gun-play. This was definitely not John Woo, but I was reminded of the Professional (Besson does have writing credits).I thoroughly enjoyed this fast paced action, buddy movie (reminded me of 48 Hours or Rush Hour - except without the comical cop/con routine). I highly recommend this movie for action fans.
-Celluloid Rehab
The French answer to Ong Bak coulda been the final word, with superior production values and a serviceable if not exactly profound story-line (how much story can you get in an 80 minute film that's 50% action though?). Unfortunately it's let down by "Hollywood style" over-editing of the action scenes. David Belle & Cyril Raffaelli have *real* skills, and showing them off is the raison de etre of the film - so why chop most of the best moves into 3 separate shots, so we can't really appreciate them? It's a tribute to the performers and Raffaelli's choreography that they're still amazing to watch! I'd love to see a re-edit that simply removes the unnecessary insert shots and shows the moves in their full glory. Despite this objection, I still rate the film 8/10 :)
In 2010, the dangerous districts in the periphery of Paris are surrounded by walls, and the dwellers do not have school, hospital and even police in the area, which are ruled by drug lords. In the 13th District, Leito (David Belle) is a honest man that lives in a clean building and does not permit drug dealers nearby his neighborhood. When he destroys one million Euros in heroin of Taha Bemamud (Larbi Naceri), the criminal abducts Leito's sister Lola (Dany Veríssimo) and the corrupt police arrests Leito. Six months later, the tough and honest Capt. Damien Tomaso (Cyril Raffaelli) is assigned to find and deactivate a stolen bomb that might destroy the 13th District and the two million dwellers. Together with Leito, they have to face the gang of Taha and disclose a despicable secret behind the robbery of the bomb.
The unknown "Banlieue 13" was one of the best surprises I have had this year. It is pure adrenaline and certainly one of the best action movies I have recently seen. The greatest attractions are the performances of David Belle and Cyril Raffaelli. I have just read in IMDb that David Belle is co-inventor of the sport known as Parkour, "which consists of moving freely in a natural area, including climbing on buildings and taking on whatever is in the way". Cyril Raffaelli is also stunt coordinator and stunt. Together, they are awesome, with amazing choreography that recalls Jackie Chan when he was young, and certainly are among the best I have ever seen in the cinema. The direction and the story are also good, hooking the attention until the very last scene. Just as a curiosity, in the beginning of the movie, the guys are watching a Brazilian soap-opera with Regina Duarte and Antônio Fagundes. My vote is eight.
 Author: Darkangel2 from United Kingdom
25 August 2006
I don't know quite what I just saw! I'll have to watch it a few more times (and i will) before I make a proper review, but for now let me just reveal that the action was so intensely awesome, that I actually forgot to breath, and found myself short of breath just watching it.I have watched action films from the east for years, and have been continuously intrigued and impressed with their inventiveness. But without a doubt in my mind I have just sat through a film that has raised the bar for the Action Movie genre. The action stunt work is flawless, and utterly amazing. These guys are insane, in the best possible way. And whilst they do what they do best, you just cannot take your eyes off them.I feel so excited after this film I could be sick. No joke!
Author: reemsh121 from United States
24 May 2006
i just saw an advanced screening of this in l.a. for this organization genart. This movie from the very beginning is very captivating with the smooth shots that flow and literally "jump" with the characters is amazing. it keeps you in the movie the whole time and the action scenes are the most unique i've seen since matrix, but a whole lot cooler. the movie is in french and has subtitles but actually adds to the movies authenticity and cool factor. its great hearing the actors speak in their native languages and it ends up making you want to learn french. the two leads are quite the french hotties and martial arts masters.
Its a simple enough plot with some twists to it. and less than 90 minutes its well worth your money. i plan on owning this once its out on DVD and definitely am waiting to see it again in theatres when it does come out. i'm not an action movie buff at all but this movie definitely kept my attention with the quick wit and humor from the characters and the quick but focused action. it was really mindboggling stunts that i kept saying ohmigod to. so definitely well worth a watch and recommendation to your friends.
Author: jean-no from Paris
26 June 2006
In the usual big-budget American action movie of those days, there would be, besides the action, a love story and a bad boy redemption. No such crap here, this movie is much close to "Escape from New York" (I'd say it is even a little kind of a remake) than to an usual action blockbuster. There is not a lot of moral but some kind of a political message about the french suburbs. Anyhow the action is great, the acting is surprisingly good (even if I'm sure that the young Dany Verissimo - the girl - is not very well used). So ? Worth watching. Violent, like kids schoolyard games, not horrific (no torture, no blood), not "adult" (even if Dany Verissimo happens to be a famous adult movie actress), but not too unbelievable either : while you watch, you're in, you believe in all, the action and the plot.
Author: Richard from Toronto
10 September 2005
*** This review may contain spoilers ***
I saw this film at the 2005 Toronto International Film Festival.
Banlieue 13 is set in Paris of 2010, where the poor and the undesirable have been forced into ghettos walled off from the rest of the city and controlled by criminal gangs. One of these gangs, led by crime boss Taha (played by Bibi Naceri, who co-wrote the screenplay with Luc Besson), hijacks a truck and gains possession of a neutron bomb that is accidentally triggered to go off in less than 24 hours. Undercover cop Damien (played by Cyril Raffaelli) is forced to team up with ghetto rebel Leito (David Belle) to retrieve the device. Leito, meanwhile, has his own agenda with Taha, who is holding Leito's sister hostage as punishment for Leito destroying Taha's drugs.
Produced by Luc Besson, the film is the directorial debut of Pierre Morel, who has acted as cinematographer on a number of Besson-produced/written films, including The Transporter and Unleashed (aka Danny the Dog). Cyril Raffaelli (who attended the screening) is a long-time associate of Besson, mainly working stunts or as a body double in a number of movies such as Double Team and Ronin before moving on to acting in films such as Kiss of the Dragon (where he can be seen fighting Jet Li in the climax) and Crimson Rivers 2.
David Belle is an interesting choice in that he is the founder of Le Parkour, a movement where people try to move from point A to point B as fast as possible, in the most fluid manner as possible, without stopping, and always moving forward, never backward. It is big in Europe, and has even made an appearance on this side of the Atlantic in an episode of CSI: NY. The movement originated out of work his father did, but parkour is adapted to an urban environment.
This film is amazing. If you've seen the street chase scene in Ong-Bak: The Thai Warrior and thought that it was a refreshing change from all the wire work present in most action films today, that pales in comparison to the chase scenes in Banlieue 13. Watching David Belle escape from an apartment building while chased by thugs is like watching poetry in motion. The movements are so graceful and fluid, and the things he does are amazing, because it is very evident that he's performing the stunts himself and that there's no safety equipment involved.
He scales the sides of buildings 20 stories up, he jumps from rooftop to rooftop, he even slips past thugs in a narrow hallway by bouncing up the walls. And not to be outdone, Raffaelli has some great martial arts scenes, especially a long sequence in a backroom casino.Plot-wise, the movie isn't necessarily anything new, with the obvious parallel being John Carpenter's Escape from New York. But the action in the movie is so amazing it is well worth seeing.
Notes from the Q&A with Cyril Raffaelli: - The movie was a quick shoot, taking only about three months, and the film was in theatres two months after that.- Every action scene in the movie is real; there is absolutely no wire work of any kind. It is also evident in the movie that there are also no mattresses or nets in any of the shots.- Raffaelli and Belle have talked amongst themselves about a sequel and would love to do one, but there's no serious talk of anything right now.
- Besson was originally going to make one movie with Raffaelli and a different one with Belle, but then decided to put both of them together.- Raffaelli start martial arts when he was very young, and then his mother put him into circus school. He ended up combining the two, which led him to become a stuntman. He's now been in almost 70 films, 10 of them with Europa, Luc Besson's company.- He's been a body double for Jean-Claude Van Damne in Double Team.- Raffaelli's work in Kiss of the Dragon led to the role in Banlieue 13.
- He is very into martial arts and action films of all kinds from all over, but when he is making or choreographing a film, he likes to read the entire script to get a sense of the character, and tries to be realistic in the stunts and the combat, unlike a lot of US films.- Raffaelli tried to show the differences between Leito and Damien in their fighting styles; Leito, being from the street, has a rougher style, more boxing-like, while Damien, being from the more civilized part of Paris, has a cleaner, more calculated style.
- Since Belle had no background in acrobatics or martial arts, Raffaelli took him to Thailand and trained him over a two-year period.- Raffaelli doesn't do parkour himself in the pure sense, but has used elements of it in a chase scene he choreographed for Crimson Rivers 2, plus as a stunt professional he feels he is supposed to be able to do anything (he's certified in scuba diving, skydiving, horseback riding, driving cars trucks motorcycles).- He has trained in multiple martial arts, including karate, Tae Kwon Do, Brazilian ju-jitsu, and combat-style kung-fu (of which he was the French champion in 1997). He had to give up the kung-fu competitively because it was interfering with his film work.
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© DR - BANLIEUE13 de Pierre Morel (2004) fin
18/12/2011 19:42
Trivia
Showing all 15 items
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In the scene where Leito ( David Belle) is being chased near the beginning of the film, the way in which he does it in is in fact an activity called Parkour and was invented by Belle himself, influenced by his father Raymond Belle. There weren't any special effects (wirework, computer graphics...) used in 90% of the Parkour scenes. *
David Belle nailed the stunt where he jumps up and smashes through the tiny window above a door in just two takes.
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The whole movie took 10 months for production (idea, script, casting, filming, etc), January 2004 - October 2004.
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Dany Verissimo-Petit spent two whole days on a roof in the freezing cold in ripped clothes, handcuffed to a bomb.
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Several members of the gang in B13 wear American National Football League (NFL) jerseys from the New York Giants, New Orleans Saints, and the New York Jets. The production did not secure permission from the NFL Players Association to display any player's name, thus per the recommendation of the studio's lawyers, the names on the back were digitally removed before the film was released theatrically.
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Even though Bibi Naceri co-wrote the script, he still had to audition for the part of Taha along with other actors. *
The casino sequence took 6 days to film.
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The bomb code is: 9293709B13
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The movie features an unspecified extract from the UFC (Ultimate Fighting Championship) series by Zuffa, LLC.
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Tony D'Amario was originally considered for the part of Taha, but finally got an offer to play K2.
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Distinctions / Récompenses
Showing all 1 win and 1 nomination
Golden Trailer Awards 2006
Won
Golden Trailer |
Best Foreign Action Trailer
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St. Louis Film Critics Association, US 2006
Nominated
SLFCA Award |
Best Visual/Special Effects
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©-DR-Dany Verissimo
19/12/2011 05:10
Dany Verissimo est une actrice française, née Dany Malalatiana Terence Petit le 27 juin 1982. Elle a d'abord été actrice pornographique sous le pseudonyme Ally Mac Tyana[1] et a aussi utilisé le pseudonyme Ally Verissimo pour des téléfilms érotiques sur M6, avant de s'orienter vers une carrière plus classique.
Née d'une mère malgache et d'un père français, directeur financier chez Air France, Ally grandit entre la France, les États-Unis et le Nigéria. Souhaitant entamer une carrière de comédienne, elle débute une carrière d'actrice pornographique qui durera seize mois[2], de 2000 à 2001, durant lesquels elle apparaît dans cinq films (dont certains ne sortiront qu'en 2002). Elle choisit alors pour pseudonyme Ally Mac Tyana en référence, d’une part, à l’héroïne de la série Ally McBeal pour sa frêle corpulence et ses points communs avec le personnage, et, d’autre part, à son second prénom, Malalatiana[3]. Elle reprend le patronyme « Verissimo » en 2003, après la fin de sa carrière pornographique[1].
AB Productions lui propose d'animer deux émissions sur la chaîne XXL[1]. M6 s'intéresse ensuite à elle et lui offre de tourner dans trois films érotiques et dans un épisode de la série policière Brigade des mineurs[1]. Elle fait aussi une première apparition dans un long métrage au cinéma, La Sirène rouge, puis joue un des rôles principaux du film Banlieue 13, produit par Luc Besson.
Dany Verissimo est alors reconnue comme une actrice prometteuse parmi 17 autres selon le magazine Elle de mai 2006[4] et fait ses premiers pas sur le tapis rouge lors de la Mostra de Venise en septembre 2006 pour la présentation en sélection officielle hors compétition du dernier film de Alain Robbe-Grillet intitulé C'est Gradiva qui vous appelle, dans lequel elle tient le rôle de Belkis aux côtés de James Wilby et Arielle Dombasle.
Elle est l'égérie de Piero Guidi, marque de mode milanaise, pour sa campagne publicitaire en 2008[5].
Filmographie
Cinéma
Actrice
- Sous le nom de Dany Verissimo
Productrice
2008 : Finding de The Salto Brothers, avec Robert Dauney, Gabriella Wright, Terence Bulley
Télévision
Téléfilm
- Sous le nom d’Ally Mac Tyana
- Sous le nom d'Ally Verissimo
- Sous le nom de Dany Verissimo
Série télévisée
- sous le nom d'Ally Mac Tyana
- Sous le nom de Dany Verissimo
Cinéma pornographique
- Sous le nom d’Ally Mac Tyana
Comme actrice
- 2014 : En passant pécho (épisode 5 et 6)
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©-DR-Dany Verissimo (2)
19/12/2011 11:01
25 mai 2005 | par Didier Verdurand
Toute habillée dans Banlieue 13, Dany Verissimo a pourtant réussi à attirer l'attention sur elle, grâce à une véritable présence. Pour une première apparition dans le cinéma dit traditionnel, c'est un coup d'essai réussi qui ne demande qu'à être confirmé. Seulement il semblerait que de nombreuses portes restent fermées pour celle qui fut connue un temps sous le nom d'Ally Mac Tyana. Rencontre avec un espoir au tempérament bien pimenté.
Q-Quelques mots sur ton enfance ?
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R-Je suis d'origine malgache par ma mère, née en France et j'ai grandi à Vitry-sur-Seine. Ayant une famille éparpillée dans le monde entier, j'ai beaucoup voyagé. Mes parents s'étaient séparés avant ma naissance et je me suis retrouvée partagée entre deux mondes, celui de mon père à Neuilly et celui de ma mère dans un HLM. L'écart s'est encore plus creusé quand je suis rentrée en internat chez les bonnes soeurs et que je rentrais le week-end dans la cité. J'ai toujours eu le cul entre deux chaises.
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Tu as commencé le X à quel âge ?
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J'avais dix-huit ans et demi. Cela faisait déjà un moment que je voulais faire du cinéma. Si on ne sort pas des Cours Simon ou Florent, on se fait vite recaler, surtout si on vient d'une cité, à cause de préjugés. Un concours de circonstances m'a emmené au X, je ne me suis pas réveillée un matin en me disant « Tiens, si j'allais sucer des bites ? » Des gens m'ont dit qu'il fallait coucher pour réussir et dans un esprit à la fois de révolte et d'agacement, j'ai voulu leur dire « Vous voulez voir mon cul ? Vous allez le voir en gros plan. » J'étais partie pour faire de l'érotisme et je suis tombée sur John B. Root qui m'a dit que je ne correspondais pas au type recherché et que je n'avais pas d'autre choix que passer au porno pour me faire remarquer. Je n'avais pas d'attaches, je quittais un petit ami violent, ma mère m'avait mise à la porte à l'âge de dix-sept ans, j'étais un peu paumée. John a recréé autour de moi une « cellule familiale » dans le sens que j'avais quelqu'un qui gérait mes papiers, mes looks, mes plannings, j'était d'un coup encadrée. J'ai rencontré grâce à lui des personnes intéressantes comme Gaspard Noé, des gens talentueux qui ne rejettent pas le porno et qui sont devenus des copains.
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Ta carrière fut très courte !
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Oui, mon contrat d'exclusivité a duré seize mois. Je n'avais pas du tout envie de faire carrière dans le X. Puis AB Production m'a proposé d'être chroniqueuse sur XXL. Je m'étais tout de suite dit que cela durerait le temps de me faire remarquer, de faire partie de l'entourage audiovisuel du public, pour pouvoir faire mon entrée dans le cinéma. Si je ne pouvais pas rentrer par la porte, je rentrerais par la fenêtre. Depuis que je suis une gamine je rêve de faire ce métier.
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Tu as gardé de bons contacts avec le milieu du porno ?
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Dans l'ensemble, oui, j'aime encore quelques acteurs et actrices. D'autres essaient de se rapprocher par intérêt. Je reçois des invitations aux soirées Dorcel mais je n'y vais pas, je n'ai rien à voir avec ces gens-là. Quand j'étais dans le milieu, ils me considéraient comme un ovni parce que j'étais avec John qui se trouve en dehors du système. Au passage, cela me faisait rire jaune d'être comparée à Clara Morgane parce qu'elle était avec Coppula, un des leaders sur le marché, très loin devant B Root donc nous n'étions pas dans la même catégorie. J'ai vu des chiffres complètement absurdes dans Entrevue sur les productions de B. Root. Lorsque j'ai commencé avec lui, il n'était pas loin de déposer le bilan.
Comment as-tu atterri sur Banlieue 13 ?
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Quelques mois après avoir quitté XXL pour des raisons salariales et aussi parce que j'étais tombée enceinte, Canal + m'appelle me disant que la boîte de Besson, EuropaCorp, cherchait à me joindre et qu'il fallait que je les appelle. La directrice de casting me dit alors qu'elle voulait me rencontrer avec Alexandre Aja, à l'origine réalisateur du projet Banlieue 13. Le tournage devait débuter en septembre 2002, un mois avant que j'accouche donc je suis repartie sans espoir mais ravie d'avoir pu discuter avec un metteur en scène réputé. Ils m'ont rappelé quelques mois plus tard me disant qu'un des comédiens s'était blessé pendant les répétitions et que le tournage était repoussé. J'ai passé des essais et j'ai su deux mois avant le départ que j'étais engagée.
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À quel moment Luc Besson est-il intervenu ?
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Lors du dernier essai. J'étais très impressionnée et il m'a clairement dit qu'il voulait ne parler que des points négatifs pour être constructif, tout en dépiautant son orange, sans me regarder… (Rire.) Puis il m'a dit qu'il voulait que je fasse appel à quelque chose de douloureux que je voulais sûrement oublier. Il voulait retrouver la rage qui m'habitait quand j'ai commencé dans le porno. Avec le succès, j'avais pris un peu la grosse tête et m'étais assagie donc ça m'a secoué et j'ai tout donné. EuropaCorp a proposé aux comédiens un coach pour la comédie, pour justement se conditionner et j'ai eu un préparateur sportif, je ne voulais pas me faire doubler. Ils donnent les moyens de faire du bon travail.
Besson était-il présent sur le plateau ?
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Non, au contraire, il nous a laissé très libre. Cette démarche est intelligente car nous voulions naturellement l'honorer de sa confiance qu'il nous avait accordée. Pierre Morel est aussi chef-opérateur, il a éclairé Le transporteur et Danny the dog, et connait très bien la technique. Il est le metteur en scène de Banlieue 13, pas Luc Besson.
La mayonnaise prend mieux que dans d'autres productions d'EuropaCorp…
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Luc Besson est fin psychologue en plus d'avoir du flair. Il a présenté Cyril Rafaeli à David Belle, le courant est passé immédiatement entre eux deux, il a réécrit les scènes avec mon personnage en pensant à moi, il y a un air de ressemblance entre David et moi, il a choisi Tony D'Amario, énorme de générosité, Bibi Naceri qui n'était alors que « le frère de Samy Naceri » et qui est en train de lui passer devant, a participé à l'écriture…Tout s'est très bien emboîté. J'étais la seule nana parmi tous ces mecs qui faisaient deux ou trois têtes de plus que moi mais ils m'ont tous considéré comme la frangine. Une spectatrice m'a demandé si cela n'avait pas été trop dur mais franchement, quel plaisir d'être au milieu de vingt mecs super bien bâtis qui sont des amours avec toi ! Pendant la promo du film, tout le monde croyait qu'on était potes depuis dix ans tellement l'ambiance était excellente. On se retrouve encore une fois par mois pour dîner au restaurant ensemble.
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On te voit peu finalement dans Banlieue 13 mais j'ai l'impression que tu es celle dont on parlait le plus. Il semblerait que tu aies déjà de nombreux fans…
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Je pense que si une suite se tourne, on me verra plus à l'écran. Banlieue 13 est resté quatre mois à l'affiche en Nouvelle-Calédonie, il a très bien marché en Europe de l'Est, cartonné en Inde, la Chine l'a acheté, le Japon a mis une option dessus… Forcément, la question d'en faire une suite se pose. Pour en revenir à mon public, je suis en contact avec lui car je suis très accessible. Quand le film-docu de B Root, Ally, est passé sur Canal + en octobre, j'ai reçu plus de 150 mails de fans par jour, à qui j'ai répondu un par un. Certains dans le métier me reprochent d'ailleurs cette accessibilité, me disent que je devrais rentrer dans le star system, aller à des soirées jet-set. Je tiens à garder ma simplicité et mon naturel, tu ne m'y verras jamais !
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Déjà, on voudrait te voir plus souvent au cinéma.
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Si mes fans ne me voient pas plus souvent dans des films, c'est parce qu'il y a peu de gens comme Besson qui osent choisir des inconnus pour des premiers rôles. Aujourd'hui les films se font en fonction de leur rentabilité éventuelle, le phénomène bankable est arrivé en France, c'est-à-dire que les productions se développent la plupart du temps autour de stars ou de gens connus. Je fais des castings la semaine, et le week-end, je suis serveuse…
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…Où ça ?
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Je tourne entre le House of live, rue de la Boétie et le Mustang Café à Montparnasse. Seulement, ne me dérangez pas si je suis dans le rush ! (Rire.)
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Comment se passent les castings ?
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On me dit souvent que je suis trop typée pour le rôle.
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Ce n'est pas un peu raciste sur les bords ?
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Je me le demande... Quand on regarde dans l'éventail cinématographique de nos comédiens, il y en a peu issus d'autres origines que françaises. Mon prochain challenge est justement de m'imposer dans cet univers fermé. Cela ne peut que l'enrichir de s'ouvrir plus. On dit toujours à mon agent après avoir passé des essais « Non, mais elle est touchante. » J'en ai rien à foutre d'être touchante, je veux tourner ! La blonde aux yeux bleus avec le grain de beauté au-dessus des lèvres part avantagée... Heureusement, le public est présent et me soutient, j'ai souvent des témoignages de sympathie dans la rue qui me motivent. Honnêtement, sans le public, je me serais déjà suicidée. Ma vie a basculé depuis peu, je n'ai plus de mari, plus de maison, et je suis en train de me reconstruire grâce aux témoignages d'affection de mes fans.
Propos recueillis par Didier Verdurand.
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Vous pouvez lui envoyer un mail à cette adresse : danyverissimo@hotmail.fr (23 ans le 27 juin !)
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