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© DR -INTERVISTA de F.Fellini (1987) p8
20/12/2012 18:51
La Diva
Cast
Anita Ekberg : elle-même
Marcello Mastroianni : lui-même
Federico Fellini : lui-même
Sergio Rubini : Sergio
Antonella Ponziani : Antonella
Maurizio Mein : l'assistant-réalisateur
Paola Liguori : Katya
Lara Wendel : l'épouse
Antonio Cantafora : l'époux
Nadia Ottaviani : la Vestale
Pietro Notarianni : le dignitaire fasciste
Christian Borromeo : Christian
Adriana Facchetti : la femme qui accompagne Sergio
Eva Grimaldi : l'aspirante actrice
Armando Marra : le célèbre réalisateur
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One of Fellini's most underrated, most personal and most interesting films
Author: TheLittleSongbird from United Kingdom
22 August 2012
For me, it does fall short of Fellini's most classic movies like Nights of Cabiria, La Dolce Vita, 8 1/2, Amarcord and La Strada. But it is one of Fellini's better later films along with Ginger and Fred and When the Ship Sails On, and I connected more to Intervista than other Fellini's like Casanova, Juliet of the Spirits and especially Satyricon. Intervista is superbly directed by Fellini, restrained yet insightful, and the visuals are gorgeous.
*
The music is brightly characterful and sweepingly beautiful, and the basic story is very interesting in its balance of past and present blurring, studio reality and cinematic illusion as well as being packed with numerous jewels of the screen. It is also one of Fellini's most personal in its nostalgic themes, and balance of humour, surrealism, restless action and beauty.
*
But what makes it especially so is the poignant climax, a beautifully staged reunion between La Dolce Vita stars Marcello Mastroianni and Anita Ekberg. Overall, I knew right from the title what to expect, and I got exactly what was promised from the title and summary. Not one of the classics of Fellini, but underrated and interesting. 9/10 Bethany Cox
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© DR -INTERVISTA de F.Fellini (1987) p9
20/12/2012 18:55
Fellini adapte à l’écran un roman de Kafka “L’Amérique”.Des journalistes japonais viennent l’interviewer sur sa façon de travailler et sur ses anciens films. Le réalisateur leur explique les mécanismes du métier et leur montre les studios de Cinecittà, les décors.Fellini ouvre les portes de la clé de toute sa vie, de son univers merveilleux qui renvoie à la mythologie fellinienne par une succession d’échappées à l’intérieur de sa mémoire, de ses souvenirs.
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what a way to go!
Author: (spookygrinder@aol.com) from Los Angeles, CA
25 June 2001
I don't know what the reviewers were thinking, but with Ebert leading the pack, it might be safe to say that they weren't thinking at all. Intervista is an amazing film. It takes the shape of a fake documentary, in which Fellini looks at, and pokes fun at, his entire career. In the end it is an homage, not to himself, as other reviewers have suggested, but to film itself. Praise for a medium which never ceases to amaze viewers and film makers alike with it's capacity to project and create our dreams.
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© DR -INTERVISTA de F.Fellini (1987) fin
20/12/2012 19:03
Pas trouvé grand chose qui me plaise sur ce film.Des photos certes...mais pas ce dont j'avais envie...Je n'ai pu me résoudre à poster celles d'Anita vieillissante...quant à Marcello Mandrake Mastroiani tout luisant de gomina...euh...merci ça ira !
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To sum up a life of film making
Author: batzi8m1 from Watsonville, California
8 November 1999
So to sum it all up, Fellini seems to be saying in this film, he lived for movies. Like a long train ride as a passenger, a lover, a player, a commentator he lived through it all and had his moments. When Marcello Mastroianni says to Anita Eckberg while watching the fountain scene from La Dolce Vita with the party at her mansion that for one moment they made magic, it seemed to sum it all up. For the actors, the film maker and for us the audience, there were moments that were magic. This film is a great movie makers collage of his memories of his life. If it had been cinematic itself it would have taken away from the message. Life at its very best can yield a few magic moments, and those lucky enough to make those moments of magic can appreciate the rest of it all that serves as the backdrop. Like the film studio around which Fellini's life revolved and which gave him all those great memories he shared with us here.
Was the above review useful to you?
11 out of 11 people found the following review useful:
a magic, nostalgic film
Author: Jaap Parqui (jaapparqui@zonnet.nl) from Leiden, the Netherlands
13 April 2003
Intervista is one of the best films I've ever seen. The strong sense in all Fellini films that reality is like a big, sad circus is even stronger in this film because fact and fiction, past and present become so confused. The fictitious carnival appears to be reality. And isn't that maybe quite a realistic view?There is not only the usual sense of nostalgia: because the film looks back at decades of Fellini nostalgia, the nostalgia is double. Who can watch the older Anita and Marcello looking back at La Dolce Vita with dry eyes?* The only possible critic could be that the film is, like all Fellini movies, little coherent, but then, isn't that as well like life itself?Intervista maybe isn't the most famous Fellini films, it certainly is one of the better ones and with that one of the best films in cinematographic history.
*
Récompenses: (voir plutôt sur IMDb)
Prix particulier du festival de Cannes 1987 - Prix du public - Grand prix du festival du film de Moscou.
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© DR -Anita Ekberg
20/12/2012 19:07
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© DR -Cinéma italien-Années 50-Sophia Loren
21/12/2012 05:06
Le début du commencement :
à 16 ans dans "Si Si, Era lui..!" en 1951
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Sophia Loren
(née Sofia Villani Scicolone) le 20 septembre 1934 à Rome, est une actrice italienne.
Elle a été une des actrices incontournables du cinéma italien,
et a tourné dans de nombreux films depuis les années 50.
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