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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
  • 103 commentaires postés
  • 1 visiteur aujourd'hui
  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

    Garçon (73 ans)
    Origine : 75 Paris
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    © DR -INTERVISTA de F.Fellini (1987) fin

    20/12/2012 19:03

    © DR -INTERVISTA de F.Fellini (1987)  fin


    Pas trouvé grand chose qui me plaise sur ce film.Des photos certes...mais  pas ce dont j'avais envie...Je n'ai pu me résoudre à poster celles d'Anita vieillissante...quant à Marcello Mandrake Mastroiani tout luisant de gomina...euh...merci ça ira !

    *

    To sum up a life of film making

    Author: batzi8m1 from Watsonville, California
    8 November 1999
    So to sum it all up, Fellini seems to be saying in this film, he lived for movies. Like a long train ride as a passenger, a lover, a player, a commentator he lived through it all and 
    had his moments. When Marcello Mastroianni says to Anita Eckberg while watching the fountain scene from La Dolce Vita with the party at her mansion that for one moment they made magic, it seemed to sum it all up. For the actors, the film maker and for us the audience, there were moments that were magic. This film is a great movie makers collage of his memories of his life. If it had been cinematic itself it would have taken away from the message. Life at its very best can yield a few magic moments, and those lucky enough to make those moments of magic can appreciate the rest of it all that serves as the backdrop. Like the film studio around which Fellini's life revolved and which gave him all those great memories he shared with us here.

    Was the above review useful to you?  
    11 out of 11 people found the following review useful:

    a magic, nostalgic film

    Author: Jaap Parqui (jaapparqui@zonnet.nl) from Leiden, the Netherlands
    13 April 2003
    Intervista is one of the best films I've ever seen. The strong sense in all Fellini films that reality is like a big, sad circus is even stronger in this film because fact and fiction, past 
    and present become so confused. The fictitious carnival appears to be reality. And isn't that maybe quite a realistic view?There is not only the usual sense of nostalgia: because the film looks back at decades of Fellini nostalgia, the nostalgia is double. Who can watch the older Anita and Marcello looking back at La Dolce Vita with dry eyes?* The only possible critic could be that the film is, like all Fellini movies, little coherent, but then, isn't that as well like life itself?Intervista maybe isn't the most famous Fellini films, it certainly is one of the better ones and with that one of the best films in cinematographic history.

    *

    Récompenses: (voir plutôt sur IMDb)
    Prix particulier du festival de Cannes 1987 - Prix du public - Grand prix du festival du film de Moscou.


     






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