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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
  • 103 commentaires postés
  • 1 visiteur aujourd'hui
  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

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    Origine : 75 Paris
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    © DR - WATERWORLD de Kevin Reynolds (1995) p9

    04/01/2012 10:55

     © DR - WATERWORLD de Kevin Reynolds (1995) p9


    Trivia

    Showing all 44 items
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    If the icecaps melted, the oceans would only rise a few hundred feet; not enough to flood civilization into a floating oblivion.
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    It is rumored that director Kevin Reynolds and Kevin Costner had a huge squabble over the film, resulting in Reynolds walking off the project and left Costner to finish it. Reynolds was quoted as saying that "Kevin should only star in movies he directs. That way he can work with his favorite actor and favorite director".
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    Kevin Costner was put up, at a cost of $4,500 a night, in an oceanfront villa with a butler, chef, and his own private swimming pool. In contrast, crew members were forced to live in uninsulated condominiums that were subject to temperature swings of up to 50 degrees. This inequity of accommodations contributed to on-set hostility and low morale.
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    Prior to Titanic (1997), this was the most expensive movie ever produced.
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    Kevin Costner personally invested $22 million of his own money into the film.(Thank u Kevin i like it vm) 
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    The picture on the wall that Deacon refers as "Old Saint Joe" is actually Joseph Hazelwood, infamous captain who crashed the Exxon Valdez oil tanker into the Alaskan landscape, negligently discharging millions of gallons of crude oil. The base of the Smokers is the Exxon Valdez, as evident when it sinks. The stern rises and the word "Valdez" is visible. The real Exxon Valdez was repaired and renamed the Sea River Mediterranean. It is used to haul oil across the Atlantic.
     
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    The map tattoo on Enola's back is in Chinese traditional characters (or Japanese Kanji). The characters in the middle surrounding the arrow are actual coordinates for longitude and latitude. While one number is not quite readable, the others give almost exact coordinates for Mount Everest, which is Latitude 27° 59' N Longitude 86° 56' E. The movie coordinates give: Latitude 27 or 28° 58' N Longitude 86° 56' E.
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    The atoll set was over 1/4 mile in circumference.
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    For the Japanese premiere, Kevin Costner had his private plane flown to Tokyo. However, he failed to get permission to store his plane at the airport for the duration of his trip. He asked the Navy if he could use their airport at Atsugi. They agreed, contingent on Costner showing the movie there, and making a personal appearance.
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    Jeanne Tripplehorn refused to strip for this film, even though she had done nude scenes before (and would do them after this film). However, she insisted on choosing her body double, as she wanted the naked backside shown to resemble her own. She had the three finalists come into her trailer and drop their robes. She described it as such an odd experience that none of them could stop laughing. In between takes of the nude scene, Tripplehorn remained off-camera to offer a robe or towel to the double.(ben oui mais elle a accepté de simuler une sodomisation dans BASIC INSTINCT !!?) 
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    Joss Whedon flew out to the set to do last minute rewrites on the script. He later described it as "seven weeks of hell".
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    Tina Majorino was nicknamed "Jellyfish Candy" by the crew after she was stung three different times by the creatures during production.
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    The 1,000 ton floating set used up all the available steel in the Hawaiian Islands. When more was required, it had to be flown in from California.
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    LOGO GIMMICK: The Universal Studios logo, the planet Earth, was given a close-up, and as it got closer, the continents began to fade away until there was nothing left... but water.
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    One script (later rejected) called for a second moon to appear in the sky, intimating that the cataclysm which created Waterworld was gravity-related, rather than warming.
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    Jeanne Tripplehorn and Tina Majorino were nearly drowned on their first day of filming when the trimaran they were on sank, dragging them behind it.
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    The script underwent 36 different drafts which involved six different writers.
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    The language Kevin Costner speaks to the lemon-stealing drifter early in the movie is Hindi.
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    Kevin Costner insisted that his friend Kevin Reynolds be given the director's position, or he would quit. Later, Costner had a falling out with Reynolds over the film's direction.
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    The sunken city visited by the Mariner and guest is actually a digitally edited Denver, Colorado. The "Norwest Building" (roughly shaped like a cash register) can be seen in one shot.
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    Kevin Costner was on the set 157 days, working 6 days a week.
    *
    The 1,000 ton floating set did not have any restrooms, nor were there any on any of the 30 boats used by the cast and crew. The result was that filming had to halt so those in need could be ferried to a barge anchored near the shore which had several portable toilets on it.
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    The boat that Kevin Costner used in the movie sold to a Turkish Businessman called Hakan Uzan. After the bankruptcy of the Uzan family the boat was confiscated and later auctioned by the state.
    *
    Although the exact year that the film takes place is never mentioned, Production Designer Dennis Gassner has suggested it takes place in 2500.
    *
    Widely considered to be one of the biggest box-office bombs of all time. Although it grossed $255 million from a $175 million production budget, this does not factor in marketing and distribution costs, or the percentage of the gross that theaters keep (which is up to 45% of a film's box office takings). The film came to be nicknamed "Kevin's Gate" after La porte du paradis (1980) and "Fishtar", after Ishtar (1987), two previous mega bombs.
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    Samuel L. Jackson turned down the role of Deacon in order to be in Une journée en enfer - Die Hard 3 (1995).
    *
    The child's name, Enola, is "alone" spelled backwards.
    *
    The studio didn't spend any money researching weather patterns off Hawaii's Kona coast, where the film was shot. If they had, they would have learned that the area was subject to 45 mph winds, which constantly blew the set out of position and ruined shots.
     
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    The most remembered line from the film, "Dryland is not a myth; I have seen it", is never spoken in the film itself.
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    Anna Paquin was the first choice to play Enola.
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    The shoot was shut down 3 times due to hurricane alerts.
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    Co written by David Twohy, who cited "Mad Max 2: The Road Warrior" as a major inspiration.
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    Gene Hackman, James Caan and Gary Oldman all turned down the role of the Deacon.
    *
    It has been reported that Roger Corman passed on making this film because he felt it could not be made for less than $3 million.
    *
    A French science fiction graphic novel called Aquablue, created in 1988 by writer Thierry Cailleteau, explores very similar themes as this movie, although it's set in the future where mankind can traverse space, and it takes place not on Earth, but on a hostile water planet called Aquablue where a survivor from a crashed space cruiser and his robot must survive.
     
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    The original screenplay by Peter Rader was pitched as an children's adventure film. In Rader's screenplay the Mariner was a human and the chief defender of the Atoll, whose embarrassing secret was that he enjoyed painting pictures of seahorses; Helen had two of her own children along with the adopted Enola, and the Deacon was a campy, silly villain who dressed up like King Trident, sat atop a throne on the Exxon Valdez, and punished his subordinates by slapping them around the face with a wet fish. Subsequent rewrites by David Twohy and Joss Whedon turned the original script into a much more serious action-adventure film.
    *
    The studio's first choice for director was Robert Zemeckis.
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    Gary Busey and Laurence Fishburne also turned down the part of the Deacon.
    *
    Stunt coordinator Norman Howell got hit with compression sickness during filming of an underwater scene and was rushed to a hospital in Honolulu via helicopter. He recovered fairly quickly from the potentially life-threatening sickness and returned to the set a couple days later.
    *
    The four-machine gun chassis in the atoll assault scene is called a Maxon Mount. It is comprised of four .50 caliber Browning machine guns and was used as an anti-aircraft battery during World War II. It also came in a two gun mount which was used upto & in the Vietnam War as a Point Defense Weapon.
    *
    Mark Isham's score was reported rejected because it was "too ethnic".
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    Laird John Hamilton, the famous big wave rider was Kevin Costner's double for many water scenes.
    *
    Costume designer John Bloomfield estimCostume designer John Bloomfield estimated that over 2000 costumes were made.
     
    *
    After completing the lengthy shoot, Jeanne Tripplehorn was unable to go near a swimming pool for months after.





    © DR - WATERWORLD de Kevin Reynolds (1995) fin

    04/01/2012 10:59

     © DR - WATERWORLD  de Kevin Reynolds (1995) fin


    Showing all 5 wins and 7 nominations

    Academy Awards, USA 1996

    Nominated
    Oscar
    Best Sound
    Steve Maslow
    Gregg Landaker
    Keith A. Wester


    BAFTA Awards 1996

    Nominated
    BAFTA Film Award
    Best Achievement in Special Effects
    Michael J. McAlister
    Brad Kuehn
    Robert Spurlock
    Martin Bresin
    USA.


    ASCAP Film and Television Music Awards 1996

    Won
    ASCAP Award
    Top Box Office Films
    James Newton Howard


    Academy of Science Fiction, Fantasy & Horror Films, USA 1996

    Nominated
    Saturn Award
    Best Science Fiction Film
    Best Costumes
    John Bloomfield


    Czech Lions 1996

    Won
    Box Office Award
     


    Golden Camera, Germany 1998

    Won
    Golden Camera
    Film - International
    Kevin Costner
    For Dances with Wolves and The Postman


    Golden Screen, Germany 1996

    Won
    Golden Screen
     


    Razzie Awards 1996

    Won
    Razzie Award

    Worst Supporting Actor
    Dennis Hopper

    Nominated
    Razzie Award

    Worst Picture
    Charles Gordon
    John Davis
    Kevin Costner

    Worst Actor
    Kevin Costner

    Worst Director
    Kevin Reynolds

    With more than a little un-asked assistance from Kevin Costner.

     

     






    © DR - TRUE ROMANCE de Tony Scott / Quentin Tarantino(1993)

    04/01/2012 15:50

     © DR - TRUE ROMANCE de Tony Scott / Quentin Tarantino(1993)


    True Romance est un film américain réalisé par Tony Scott,
    sur un scénario de Quentin Tarantino, sorti en 1993.
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    lien vers la fiche complete du film
    http://www.imdb.com/title/tt0108399/?ref_=fn_al_tt_1
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    Cast
    Christian Slater   : Clarence Worley
    Patricia Arquette  : Alabama Whitman
    Michael Rapaport : Dick Ritchie
    Dennis Hopper  : Clifford Worley
    Gary Oldman  : Drexl Spivey
    Bronson Pinchot  : Elliot Blitzer
    Christopher Walken : Vincenzo Coccotti
    Saul Rubinek  : Lee Donowitz
    Val Kilmer : le Mentor
    Brad Pitt  : Floyd
    James Gandolfini  : Virgil
    Chris Penn  : Nicky Dimes
    Tom Sizemore  : Cody Nicholson
    Ed Lauter  : cpt Quiggle
    Samuel L. Jackson : Big Don
    Franck Adonis  : Frankie
    Victor Argo : Lenny
    Paul Ben-Victor : Luca
    Michael Beach : Wurlitzer

    Fiche technique
    Titre original et français : True Romance
    Titre québécois : À cœur perdu (!!??)
    Réalisation : Tony Scott
    Scénario : Quentin Tarantino et
    Roger Avary (fin du film, non crédité)
    Production : Gary Barber, Samuel Hadida,
    Steve Perry et Bill Unger
    Sociétés de production : Morgan Creek Productions,
    Davis-Films, August Entertainment
    Sociétés de distribution :
    États-Unis : Warner Bros.
    France : Metropolitan Filmexport
    Musique : Hans Zimmer (additionnelle : Mark Mancina,
    Nick Glennie-Smith, John Van Tongeren et Pete Haycock)
    Photographie : Jeffrey L. Kimball
    Montage : Michael Tronick et Christian Wagner
    Décors : Benjamín Fernández
    Costumes : Susan Becker
    Pays d'origine :  États-Unis
    Langue originale : anglais (quelques dialogues en italien)
    Format : Couleurs - 2,35:1 - Dolby Surround - 35 mm
    Genre : Thriller, action, Romance
    Durée : 121 minutes
    Budget : 13 500 000 $
    Dates de sortie :
    États-Unis : 10 septembre 1993
    France : 3 novembre 1993
    Film interdit aux moins de 16 ans lors de sa sortie en France.

     

    Résumé

    Clarence est un vendeur de bandes dessinées de Détroit, amateur de films d'arts martiaux et grand fan d'Elvis Presley. À l'occasion de son anniversaire, il se rend dans un cinéma pour voir une trilogie de films de Sonny Chiba et rencontre par hasard une jeune femme nommée Alabama.Celle-ci est en réalité une call-girl engagée par le patron de Clarence comme « cadeau d'anniversaire » mais c'est le coup de foudre, et ils se marient le lendemain.Clarence décide alors d'aller voir le proxénète d'Alabama, Drexl, pour récupérer ses affaires. Là-bas, la discussion dégénère et Clarence finit par le tuer. Pressé de quitter les lieux, il se trompe en pensant emporter la valise d'Alabama...






    © DR - TRUE ROMANCE de Tony Scott / Quentin Tarantino (1993) p2

    04/01/2012 16:05

     © DR - TRUE ROMANCE de Tony Scott / Quentin Tarantino (1993) p2


    En éditant le texte,je viens d'apprendre que ce film  à été également un échec commercial....
    Ah! ah! ah! j'ai du flair non ?...Moi je l'aime bien ce film. 

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    External reviews (liste partielle)
    Showing all 113 external reviews

    *

    Sites externes (liste partielle)
    Showing all 73 external sites
    Jump to: Official Sites (1) | Miscellaneous Sites (43) | Photographs (19)
    *
    Official Sites

    Miscellaneous Sites






    © DR - TRUE ROMANCE de Tony Scott / Quentin Tarantino p3

    04/01/2012 16:09

     © DR - TRUE ROMANCE de Tony Scott / Quentin Tarantino  p3


    Denis Hopper (Clifford,le pêre de Clarence)

     

     

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    Index 438 reviews in total 


     

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    Enough memorable scenes and talented stars to fuel a half a dozen blockbusters.

    10/10
    Author: Chet Andrus from HiNella, NJ
    8 April 2004



    With at least 12 `starring actors' in character and supporting rolls, half of them legends or mega stars; this Tarantino tale defies a short review. The different levels on which this movie works are impressive. As a love story we begin to believe that the quirky `loser' couple is unconditionally bound together. As a pseudo `film noir' we begin to care about the fate of the central characters. In the suspense/thriller/crime drama mode there are plenty twists and turns to push us to the edge and pull us back just in time. The action scenes are deliciously violent and unlike most other films, this one gives us pinches of humor sprinkled in amidst the mayhem. Even `the King' alter ego is woven in credibly enough to improve our understanding of the Clarence Worley character.

    The plot, albeit original, fresh and mesmerizing, seems somehow secondary to the characters and the characterizations. Any of several rolls could have been performed over the top by what seemed to be an ensemble cast. But director Scott lets the talent go just far enough. Even the remainder of the supporting cast is wonderful; Saul Rubinek in particular does a terrific job as the puffed-up/ego-feeding movie producer. Hollywood missed giving this movie and its cast proper recognition.

    With enough memorable scenes and talented stars to fuel a half a dozen blockbusters, True Romance gives us the `best bang for our buck' in years. The Walken/Hopper scene alone is worth the `price of admission' not to mention the Gandolfini/Arquette and Slater/Oldman match ups. This can only be described as a `wonderfully wicked movie' for its tantalizing content, smart dialog and toothsome violence.Put the kiddies to bed, be prepared for rough language, adult themes and graphic violence and enjoy a `not for the faint of heart' masterpiece.

    Top Notch Pulp....
    9/10
    Author: underfire35 from Chicago, USA
    5 March 2003

    True Romance is a celebration of film. It wallows in every possible seedy contrivance of American crime/action cinema. It is absolutely shameless in its exploitation of excessive violence, over-acting, melodrama, lurid sex, and rampant drug use...I love it. Quentin Tarantino, as I'm sure everyone knows, wrote the story, but it is the in execution that this film pays off. The cast, oh the cast: The lynchpins are Christian Slater and Patricia Arquette. They both give solid performances, which prevents the film from flying off the tracks; they serve as the pilot light. The supporting roles are the gas.

    The Walken/Hopper show down has been oft sighted as the film's best aspect, and this is, arguably, true. Just watch this scene and then watch it again. Sparks actually shoot out of the screen and burn people about the head and shoulders. OK, you've got Val Kilmer as the ghost of Elvis, Brad Pitt as a disgruntled pot-smoking loser, Tom Sizemore & Chris Penn as cops, James Gandolfini (pre-Sopranos) as a reflective hitman, and you've even got Bronson Pinchot (from TV's PERFECT STRANGERS) for God's sake. Did I forget Gary Oldman? Do yourself a favor and rent every single Gary Oldman related project (they're not all good films, but...). Why is Gary Oldman not in every film ever made? Why? I ask you why?

    He has got to be the best actor working today, hands down. As Drexel Spivey, Oldman chews the scenery, digests it, and then expels it from every orifice. Keep in mind that he is an English actor with a normal speaking voice at home in the Royal Shakespeare Company. His performance here is second only to his turn in LEON in blatant over-the-top insanity. Tony Scott, who along with his brother Ridley, has been known to over-direct a film or two, here chooses wisely to basically set up the camera and run. The score by Hans Zimmer adds a bouncy xylophone driven theme to the film and finds the right balance. This a well made, balls-to-the-wall, popcorn throwing, cult classic. In a market dominated with stereotypical characters, this movie avoids that trap by letting the stereotypes flourish with all the grotesque absurdity it can muster. 9/10

    praise to a truly great film
    10/10
    Author: Samuel Hurst from kansas city
    9 February 2004

    "True Romance" is one of those few movies that has it all: Action, romance, drama and brilliant acting. Not to mention TR has an all-star cast, but many contribute their finest work in this film. Oldman, Arquette and Slater arguably give their best performances. Christopher Walken's scene is nothing short of pure brilliance. I loved him in "The Dead Zone" and "The Deer Hunter" as well as his brief appearance in "Pulp". I was happy with the ending, and I'm glad it ended the way it did. We've come to not expect that type of ending anymore. This along with numerous other reasons too long to explain here is why I truly believe "True Romance" is one of the greatest films ever made. Period.

     My favorite movie of all time
    10/10
    Author: gs-web from Paradise, California
    1 September 2004

    True Romance is my favorite movie of all time. The reason I love it so much is that you might think you know what is going to happen, but you are wrong! You don't know what is going to happen next. You're watching this movie and you're in a groove, when suddenly the movie takes a left hand turn and you are heading in the completely opposite direction.

    The acting and directing is fantastic. This is a violent, violent movie, but the violence works. Patricia Arquette is wonderful as Alabama. I am a woman and I don't really want to see another woman's cleavage, but in this movie, the cleavage works. In other words, the sex and violence in this movie don't feel gratuitous, but rather a part of a great plot.Christian Slater is such a great actor. This is a star-studded cast, including Christopher Walken, Brad Pitt, Val Kilmer, Gary Oldman and more. Most people watch this movie and don't even recognize Gary Oldman.

    I've seen this movie about 20 times now and, although I'm no longer surprised by the plot twists, I am still fascinated by the cast, the music, the direction. I like this movie quite a bit more than Pulp Fiction. This film was written by Quentin Tarantino and directed by Tony Scott and came out a few years before Pulp Fiction. If you are really interested in this film be sure and get the DVD with all of the comments from the cast, producers, director, writer, etc.

     Under-rated
    10/10
    Author: (roryhill@jerseymail.co.uk) from Jersey, C.I.
    1 January 2003

    I've seen Reservoir Dogs, I've seen Pulp Fiction & I've seen Jackie Brown, but for me this is Tarantino's best crime caper. Completely engrossing from start to finish, the story of the two lovers who are on the run is not entirely believable, but seriously enjoyable. You get your fill of guns, sex, style and pop-culture, and the usual array of celebrity cameos in a film that seems a whole lot more 'close'. Whereas Pulp Fiction felt like one long trailer, with every line razor-sharp and a load of hip music that made the film go so quickly, True Romance offers you the chance to savour every moment, as the film moves at a (slightly) slower pace. Enjoy the blazing finale, and just wonder how it might have turned out if Tarantino had got his hands on the camera...

    Tarantino's most "personal" writing; Scott gives commendable direction to all-stars
    10/10
    Author: MisterWhiplash from United States
    20 September 2003

    True Romance is the work of two men, known for making movies (as TBS would say) for guys who like movies, and have one of the pick of the litter in the genre from the early to mid nineties. Quentin Tarantino sold his script to fund Reservoir Dogs, and Tony Scott (Top Gun) got picked up to direct. Some have complained that Tarantino should've directed this film, that it's so much his (which I agree with considering the story of the film was taken from his 1987 experimental film My Best Friend's Birthday, which refers to Clarence in this film going to the Sonny Chiba movies) that his own style as a director would've complimented it. It's a nice thought, though that's not what we as the audience are left with, and so with the final product there is much to admire about the style that Scott uses in the film.

    He films Tarantino's script (from a Roger Avary script originally) very much like he's shooting a Hollywood movie (as he knows how to with DP Jeffrey Kimball), with all the cut-aways and editing timing that is expected in a conventional crime-drama-thriller, then by hearing the snapping dialog from the script, and the cast performing them, Scott does become an important piece of making True Romance a success.The story is a throwback to the old 'lovers on the run' formula, among others- Clarence (Christian Slater in one of his finest) is an employee in a comic book store in Detroit, loves kung-fu movies and big guns and such, who gets set up unwittingly with a call girl named Alabama (Patricia Arquette).

    The two fall in love, and Clarence feels confident enough by a certain voice in the back of his head (provided by Val Kilmer) to go and free Alabama for good from her vile pimp and drug dealer Drexl (Gary Oldman in one of the better villain roles of the time). He does, and through a couple of accidents Clarence and Alabama wind up with millions worth in cocaine, and high-tail it to LA to sell it, as the original (mob) owners of the coke follow after, with explosive results.For fans of the actors, in particular the supporting cast, True Romance is one of the treats of treats in modern movies, on par with Pulp Fiction's roster of know-ables: Christopher Walken as a gangster (who would've thought?), Brad Pitt as a stoner roommate, Tom Sizemore and Chris Penn as cops, a few good lines for Samuel L. Jackson, an early plum for James Gandolfini, and my personal favorite of the lot, Dennis Hopper as Clarence's ex-cop father.

    Another thing that makes True Romance one of the (dare I say) most accessible of Tarantino's works is that a viewer who might not know this is his work on first viewing (this was me a few years ago, sad to say) will stay tuned through the whole thing if it's on TV just because of the star power; indeed, before Oldman's Detrix is introduced into the film, TR seems to flow like it'll be a romantic drama with light overtones. All I can say is by the end of this film, you will see that good taste can prevail no matter how much bloodshed gets on the screen, or how many obstacles get in the way of love (and Elvis!).

    Tony Scott vs Quentin Tarantino. The winner? Us!
    Author: Infofreak from Perth, Australia
    4 June 2002

    Cynical, seen-it-all-before smart ass that I am, I can't but help love 'True Romance'! On paper it looks like a sure fire recipe for disaster. A typically hip pop-culture saturated Quentin Tarantino script directed by schlockmeister Tony Scott, the man responsible for rancid Simpson/Bruckheimer "blockbusters" like 'Top Gun' and 'Days Of Thunder'. But some how it really works! The movie is especially helped by a dynamite cast, one of the most impressive in many years.

    Possibly only Julian Schnabel's underrated biopic 'Basquiat' can rival its mixture of star power and cult faves. Slater, Arquette, Walken, Hopper, Oldman, Kilmer, Penn, Sizemore, Jackson, Rapaport, Gandolfini, Argo, Corrigan, etc.etc. These are many of the finest actors working today. Add them to an electric story of love on the run, jam packed with amusing, highly quotable dialogue and plenty of action and laughs, and you have yourself a genuinely entertaining update of a classic 70s drive-in movie. 'True Romance' is a wild ride not to be missed!

    If that's true, then tell me, 'Am I Lying?'
    9/10
    Author: t1n02112 from United States
    9 November 2004

    Required viewing. A modern masterpiece. The scene between Christopher Walken and Dennis Hopper is absolutely classic(the last last line is what I quoted in my summary). A 'learn how to be cool' movie. It's funny, thrilling, sarcastic. He's got an imaginary friend...and it's ELVIS! The juice of Tarantino. The birth of Scaggnetti (and Tony Soprano.)Quotes are all over this flick. 'Do I look like a beautiful blonde with big tits, and a ^$#%#@ that tastes like ice cream?.....then why are you lying to me?" Choose a f$$$ing lane! Don't give me the finger,I 'll have you f###ing killed!"

    "I always liked you Clarence...." "The first time you kill somebody, that's hardest one....the second one ain't no f##### mardi gras, but it's still hard. The third one....you level off. ...Now I do do it just to watch there expression change.", James Gandolfini (Pre-Sopranos) showing raw talent as a cold-hearted killer. Brad Pitt hitting the bong and talking to shotgun wielding mafiosos with Soundgarden in the background..."You wanna hit?"....chick-chick(shotguns) "Ok, Well, you go down Santa Clara for a while, then turn left, and keep driving for a while...."

    It's true romance... He kills her pimp, and she takes a Royal beating for him. BUT the movies's not over. You have to have pulled some crazy s*** in your life to totally appreciate this movie, but it is awesome."When you get out in two years you'll be so in touch with wife needs cuz you'll know what's like to get f##### up the a##!"...Scagnetti"If it's anything this last week has taught me, is that it's better to have a gun and not need it, than to need a gun and not have it.""Tell me I'm the dumbest motherf##### you've ever seen, or I'm gonna pump two into your face right now!" ...Clarence

    Non-stop action. Ups and downs. Irony, and a realistic ending. Cameos...up and coming actors... it's all here. And most of all, "True Romance", which I believe is a totally accurate title. Absolutely brilliant. A movie you can watch many times.You have to see this outstanding piece of work.

    Romeo and Juliet for the 90s
    Author: Erik A. Riveros (eriveros@nb.com) from Manhattan, New York
    27 April 2000

    True Romance has everything necessary to create art on celluloid. From the writing expertise of Quentin Tarantino to Tony Scott's brilliant directing to its cast of gifted actors, the movie is all that one would hope for.

    Beginning in Detroit and ending in Mexico, a loner that never really made his mark on the world meets a call girl who falls as deeply in love with him as he does with her. Filled with drugs, gangsters, Hollywood and of course romance, the movie's story becomes only stronger as the movie goes on.

    With exceptional performances by Dennis Hopper and Christopher Walken (the scene they share is without equal), Gary Oldman and Christian Slater, the action and violence only help to develop the plot and accentuate it's intricacies. Its superb ending has since been imitated - by Tony Scott's own Enemy of the State for one - but never as cleverly.A must see for any movie lover.

    The Gun Had A Trigger
    8/10
    Author: daveisit from Melbourne, Australia
    7 December 2000

    I cannot ignore the influence Quentin Tarantino's script had over the style of direction in "True Romance". The scary part is, if Tarantino had directed, it probably would have been even better. The sacrifice he made ended out being well worth it though. The good acting from a strong cast completed this great movie. Christian Slater's wardrobe however, steals the show. 8 out of 10.

     






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