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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
  • 103 commentaires postés
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  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

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    ©-DR-ITALIAN FOR BEGINNERS de Lone Scherfig (2001) p10

    10/04/2014 16:57

    ©-DR-ITALIAN FOR BEGINNERS de Lone Scherfig (2001) p10


    Dogma For Beginners
    Author: mmq007
    12 March 2002

    This is a pleasant and entertaining little movie and it was fun seeing new faces and styles. The story is interesting and relevant. The people believable and charming. I enjoyed getting to know them as they got to know each other. the film employs a delicate approach to such topics as death, impotence, God and loneliness. I wasn't always enthralled. A couple of scenes dragged a bit and my attention began to wander. The woes and goals of some characters lacked originality. The situations have been depicted many times in many movies. None the less, I was never bored, never annoyed and did not feel slighted as the viewer.

    An impressive cast and tight direction keep the show moving efficiently and provide a dependable vehicle for the delivery of the intended results in a satisfying manner. What surprised me was the number of cinematic conventions incorporated into a project that reportedly meant to avoid them. I claim no authority on the Dogma 95 movement, but I understand they aspire to strip a movie of as many mainstream cliches as possible. Standard story elements and cinematography are not what the filmmakers wish to present.

    One of the conventions they frown on is the artificial insertion of background music. Yet this movie does use such incidental music in one scene, in a very traditional format. It's even an old, familiar tune. Like "Rock Of Ages" at a funeral or "Take Me Out To The Ballgame" when we see Yankee Stadium. And for an approach expected to break with tradition, there is an awful lot of happily ever after in the resolutions to the various conflicts.

    The average looking actors and the less than beautiful scenery add greatly to the believability. The fun they, and in turn, we have with it offsets any flaws in the production But it's going to take more than a hand held camera and a Scandinavian accent to overcome 100 years of accepted film technique. But I enjoyed the show and if they keep trying, I'll keep watching.






    ©-DR-ITALIAN FOR BEGINNERS de Lone Scherfig (2001) p11

    10/04/2014 17:11

    ©-DR-ITALIAN FOR BEGINNERS de Lone Scherfig (2001) p11


            External Reviews
            Showing all 95 external reviews





    ©-DR-ITALIAN FOR BEGINNERS de Lone Scherfig (2001) p12

    10/04/2014 17:19

    ©-DR-ITALIAN FOR BEGINNERS de Lone Scherfig (2001) p12


    A Delightful Romance in Dogma 95
    8/10
    Author: Claudio Carvalho from Rio de Janeiro, Brazil
    10 May 2004

    In Denmark, six lonely persons are having Italian classes sponsored by the City Hall. Jørgen Mortensen (Peter Gabtzler) is a shy hotel manager who has a crush on Giulia (Sara Indrio Jensen), a young Italian woman who works in an Italian restaurant and is secretly in love with him. Olympia (Anette Støvelbæk) is a clumsy clerk of a candy shop, who lives with her sullen father and is in love with Andreas (Anders W. Berthelsen), a young widow priest recently arrived in town.

    And the hairdresser Karen (Ann Eleonora Jørgensen), whose mother is an alcoholic woman, who loves Hal-Finn (Lars Kaalund), an incompetent and aggressive bar manager of the hotel where his best friend Jørgen Mortensen works. I am not a fan of Dogma 95 movies (the movement which uses handheld camera, natural light and sound and no special effects), but in this delightful romance the actors are so spontaneous that indeed it works.This unconventional love story, with euthanasia, common people, losers in general, Danish persons speaking Italian, is actually a great romance. My vote is eight.


    --------------------------------------------------------------------------------

    8 out of 10 people found the following review useful:
     


    Trivia
    Showing all 8 items

    -Zentropa Productions have acknowledged plot similarities to Maeve Binchy's novel "Evening Class". Binchy was not credited in the original release as Zentropa had determined they were not in breach of copyright, but after Binchy's representatives approached them they paid compensation and added a credit for her in later releases.
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    -The tennis match we see on TV is an archive footage showing Swiss player Martina Hingis vs. Spanish player Conchita Martínez.
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    -The film complies with several aesthetic principles of Dogme 95, including use of hand-held cameras and natural lighting.
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    -Is the highest grossing Danish film ever, especially due to a successful run in the American cinemas.
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    -Director Lone Scherfig has said that the positive effect of the Dogme 95 rules can be felt instantly in the writing process, specifically in the way you have to use your imagination to make a film work under their limitations.
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    -Dogme 95 co-founder Lars von Trier was critical of Lone Scherfig making a romantic comedy with a resolved ending, but Scherfig insisted that she would make the film according to her own sensibilities.
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    -With its gross of $4,544,753 it is the highest grossing Danish film at the American box office. The record was previously held by Le festin de Babette (1987).





    ©-DR-ITALIAN FOR BEGINNERS de Lone Scherfig (2001) fin

    10/04/2014 17:24

    ©-DR-ITALIAN FOR BEGINNERS de Lone Scherfig (2001) fin


    La réalisatrice Lone Scherfig

    *

    *

    *

    Nominations
    Berlinale 2001: Ours d'Or
    Bodil 2001: Meilleur film (Lone Scherfig),
    meilleur acteur (Anders W. Berthelsen et Peter Gantzler) et
    meilleure actrice (Ann Eleonora Jørgensen et Anette Støvelbæk)
    Prix du cinéma européen 2001 : Meilleur film (Ib Tardini)
    Robert Festival 2001: Meilleur acteur (Anders W. Berthelsen),
    meilleure actrice (Anette Støvelbæk),
    meilleure photographie (Jørgen Johansson),
    meilleur réalisateur (Lone Scherfig),
    meilleur montage (Gerd Tjur),
    meilleur second rôle masculin (Lars Kaalund et Lene Tiemroth) et
    meilleur second rôle féminin (Lene Tiemroth)
    Goya 2003: Meilleur film étranger (Lone Scherfig)

    Distinctions

    Récompenses
    Berlinale 2001: Prix du jury de l'Ours d'Argent (Lone Scherfig),
    Prix FIPRESCI (Lone Scherfig),
    Prix du jury œcuménique (Lone Scherfig)
    Prix du jury des lecteurs de "Berliner Morgenpost" (Lone Scherfig)
    Bodil 2001: Meilleur second rôle féminin (Lene Tiemroth)
    Festival de Paris 2001: Prix du public (Lone Scherfig)
    Robert Festival 2001: Meilleur scénario (Lone Scherfig),
    meilleur second rôle masculin (Peter Gantzler) et
    meilleur second rôle féminin (Ann Eleonora Jørgensen)

     






    ©-DR-L'AMOUR DURE TROIS ANS de Frédéric Beigbeder (2012)

    11/04/2014 12:47

    ©-DR-L'AMOUR DURE TROIS ANS de Frédéric Beigbeder (2012)


    Un film que j'ai apprécié pour
    1/ Louise Bourgoin que je ne me lasserai pas de regarder.Son personnage est indispensable:
    elle porte le film sur les épaules et 
    2 / F.Beigbeder dont j'aime bien les bouquins.POINT.

    *

    *


    L’amour dure trois ans est un film réalisé par Frédéric Beigbeder sorti le 18 janvier 2012. Le film est une adaptation du roman épo du mm nom de Beigbeder.

     

    Résumé
    Marc Marronnier, critique littéraire le jour et chroniqueur mondain la nuit, vient de divorcer d’Anne. Il est sûr à présent que l’amour ne dure que 3 ans. Il a même écrit un pamphlet pour le démontrer mais sa rencontre avec Alice va ébranler toutes ses certitudes.


    Cast
    Gaspard Proust : Marc Marronnier
    Louise Bourgoin : Alice
    Elisa Sednaoui : Anne
    Bernard Menez : Le père de Marc
    Anny Duperey : La mère de Marc
    Thomas Jouannet : Le prof de surf
    Christophe Bourseiller : Le curé
    Valérie Lemercier : Francesca Vernesi
    Joey Starr : Jean-Georges
    Jonathan Lambert : Pierre
    Frédérique Bel : Kathy
    Nicolas Bedos : Antoine
    Pom Klementieff : la fiancée du père
    Jules-Édouard Moustic : le gourou
    Victoria Olloqui : Ines
    Chloé Beigbeder : la jeune surfeuse
    Frédéric Beigbeder : le soldat russe (non crédité)
    Valérie Kirkorian : la divorcée
    Alain Kruger : le médecin

    Et dans leurs propres rôles :
    Michel Legrand, Marc Lévy, Michel Denisot, Ali Baddou, Ariane Massenet, Pascal Bruckner, Alain Finkielkraut, Thierry Ardisson, Paul Nizon, Jean-Didier Vincent, Nicolas Rey, Emma Luchini, Alain Riou, Philippe Vandel.

     


    Fiche technique
    Titre : L’amour dure trois ans
    Réalisation : Frédéric Beigbeder
    Scénario : Frédéric Beigbeder, Christophe Turpin et
    Gilles Verdiani, d'après le roman
    L'amour dure trois ans de Frédéric Beigbeder
    Production : Michael Gentile, Alain Kruger,
    Genevieve Lemal et David Pierret
    Société de production : EuropaCorp
    Société de distribution : EuropaCorp Distribution (France)

    Musique : Martin Rappeneau
    Pays d'origine :  France
    Genre : Romance, comédie
    Durée : 1h38 minutes
    Date de sortie : France : 18 janvier 2012






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