Trivia
Showing all 15 items
 
-The argot French slang word, "Rififi" is defined loosely as trouble/violent conflict/a brutal show of force, usually in reference to chest puffing and macho tough guy posturing by thugs and criminal element of Paris.

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-For the scene where Jo and Mario inform Tony of their intent to "knock over" the Mappin & Webb, the crew placed a table and three chairs in front of a phony window frame in the middle of the street to create the illusion that they were sitting in a cafe across the street from the jewelers.
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-Dassin, aiming for a dark and gloomy film with deep greys as the lightest it would get, refused to film on beautiful sunny days. This supposedly caused much frustration amongst the producers, no doubt because of the prolonged shoot which they saw as unnecessary.
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-Dassin also claims that he was brought in on the project because of his situation (the Hollywood blacklist). The novel's characters were all North Africans and at the time France was experiencing much trouble with Algeria. This was seen as possibly inflammatory so the producers wanted an American director to soften it by making them Americans instead. Dassin asked if they'd considered simply making them Frenchmen. They had not.
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-Writer/director Jules Dassin portrayed Cesar only because the actor that was hired encountered contract problems just prior to filming.
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-The much imitated heist sequence is over 32 minutes long and contains not a single line of dialogue or music. The production crew and composer Georges Auric thought it would be a disaster to have such a long sequence sans dialogue. Auric insisted that he allow him to write a grand piece of music for the scene and he eventually did on his own. Later Dassin played the part for Auric twice, once with the score, once without. Auric turned to him and admitted, "Without the music".
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-In the 1972 robbery of the United California Bank, a group of thieves used Styrofoam adhesive to spray inside of an alarm box. This effectively stopped the arm of the alarm from ringing much like the technique used within the film.
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-Mexican authorities pulled the movie from theaters after multiple burglaries were committed employing methods similar to those shown.
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-L'Age D'or, the club in the film, was named after Luis Buñuel's film of the same name. Production designer Alexandre Trauner worked on both films.
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-Dassin claims his reasoning for the lengthy silence was realism. He explains that this also reinforces their astonishing teamwork under stress and that these men can, and carry these tasks out with no need for words. They work in a state of complete silence where any sound (like Jo bumping the piano) was their mortal enemy. Note that Cesar wears ballet slippers during the heist.
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-The film was made on an extremely small budget (so small that Dassin claims people do not believe him when he tells them the amount), which is why so many desperate (himself included) or inexperienced people were hired for the production. The director claims that he was so broke at the Cannes film festival in 1955 (where he won the Best Director prize for the film) that, while watching one of the producers play the casinos, he had to ask for some money to bet. He then asked on what date had they began filming Rififi? When informed of the date (the 18th), Dassin put all his money on 18 and won. He says that his family managed to live off this money for a while.
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-The argot slang that the novel was written in was incomprehensible to writer/director Jules Dassin, so much so that he had to have his agent who suggested it, read it to him. The producer initially refused because he had been courting a woman for some time and had "plans" that night. Dassin told him that he'd lost his woman and that he had to come over and read it to him (which he did). When he finally understood the story he claims that he was "shocked" by its content (the story involves necrophilia, amongst other things) and was prepared to tell Henri Bérard that he didn't want to do the film.

What changed his mind was his blacklist-induced poverty. He then cut Auguste Le Breton's novel down to a story of a heist (which was only a small element of the actual story). Le Breton was infuriated and came to Dassin and asked, "Where is my book?". Dassin explained the situation to him, but Le Breton ignored him and simply repeated "Where is my book?" until eventually drawing a pistol and placing it on the table as a threat. Dassin claims that the threat of violence over such a matter and the appearance of Le Breton was so ridiculous that he simply broke out with laughter. Le Breton then laughed and the two got along fine, despite the disagreement.
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-The jewels stolen during the heist were genuine ones loaned by jeweler Jean Dusausoy, on condition they would be protected by the police.

Photo du bas gauche : Fernand Sardou : un truand joueur de cartes.-

Photos du haut droite : Rien à voir - affiche Japonaise DU RIFIFI CHEZ ...LES FEMMES

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Récompenses

Prix du meilleur réalisateur et nomination à la Palme d'or,

lors du Festival de Cannes 1955.

Prix Méliès en 1955

Prix du meilleur film du Syndicat français

des critiques de cinéma 1956.

Cast

Mélanie Laurent : Chloé
Justin Bartha : Jack
Valérie Benguigui : Myriam
Yvon Back : Didier
Billy Boyd : Rufus
Maurice Bénichou : le Réceptionniste de l'Hôtel Favard
Géraldine Nakache : Josée
Dorothée Berryman : la Mère de Jack
Jackie Berroyer : le Père de Chloé
Eric Berger : Jérôme
Arié Elmaleh : Pedro
Jeanne Ferron : la Femme de chambre de l'Hôtel Favard
Jessica Paré : Liza
Joséphine de Meaux : l'Hôtesse au sol
Lannick Gautry : Jeff
Andrew Greenough : Pat
Tanya Blumstein : Annette
Jérôme Benilouz : Richard
Mikaël Chirinian : Greg
Charline Paul : Jeanne