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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
  • 103 commentaires postés
  • 1 visiteur aujourd'hui
  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

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    Origine : 75 Paris
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    © DR -MENSONGES D'ETAT de Ridley Scott (2008) p13

    19/10/2013 06:58

    © DR -MENSONGES D'ETAT de Ridley Scott (2008) p13


     

    Kingdom of Heaven: 1000 years on...
     
    Author: Till Noever from Brisbane, Australia
    9 October 2008
    Films involving 'current events'--particularly those relating to anything happening in the Middle East and Terrorism--tend to be soaked in the writers', producers' and director's politics,which usually end up very much in-your-face and spoil the film,because you suddenly lose the story and drown in the preaching and proselytizing.
     
    Ridley Scott, who has already addressed the West-East/Christianity-Islam issue in a previous film, 'Kingdom of Heaven', this time bit the bullet (instead of the sword) and continued KoH's story about 1000 years later. 'Body of Lies' is very much a Ridley Scott movie and this translates into the film's politics as well. Thing is, you can't leave politics out of a political movie; and so what do you do? Well, here's a newsflash for the poli-preachers on all sides: it's possible to have it all, and just watch Ridley Scott do it. Just like KoH, it's all about even-handedness and realizing that (1) every side in a conflict has a point of view, which, to itself, is perfectly valid; and (2) every side has people you'd probably like and some you really wouldn't, (3) the way to peace lies with understanding (1) and (2); and not with having just one point of view, no matter how righteous it may appear.Both, Islamophobes and Islamophiles--or those on the extremes of any aspect of the political spectrum--will probably find ample elements to dislike about this film. Others of a more moderate and even-handed disposition will find much to like and appreciate.
     
    All of this, rather profound, stuff is wrapped up in a gritty Ridley Scott production and direction, that keeps your full attention for its full 2+ hours. Leonardo DiCaprio has really grown up and cast off his annoying persona, which was so prominent in just about all his movies; until 'Blood Diamond' came along. Russell Crowe is basically a secondary character, eclipsed almost completely by DiCaprio and Mark Strong. The latter has come a long way since I first saw him in the BBC production of Jane Austen's 'Emma'. The gentle and understated romance element provided by Golshifteh Farahani as 'Aisha' provided a nice contrast to the testosterone-soaked male world in which this drama plays out.
     
    The movie confirms what I've known for a long time: Ridley Scott apparently can do no wrong.
     





    © DR -MENSONGES D'ETAT de Ridley Scott (2008) p14

    19/10/2013 07:00

    © DR -MENSONGES D'ETAT de Ridley Scott (2008) p14







    © DR -MENSONGES D'ETAT de Ridley Scott (2008) p15

    19/10/2013 16:55

    © DR -MENSONGES D'ETAT de Ridley Scott (2008) p15


     

    Who Can You Trust?
     
    Author: wkup
    2 October 2008
    Does trust go out the window in the time of war? It's the question the audience may ponder during the course of this film where it seems that even those on the same team aren't always working in each other's best interests.
     
    Leonard DiCaprio stars as Roger Farris, a CIA agent who is seeking to capture a terrorist in Jordan. Farris is in constant contact with Ed Hoffman (Russell Crowe), a US government official with no respect or time for Farris' calls to work with Jordanian officials to solve their case.
     
    After a mishap jeopardizes Farris lead, he teams up with Hani (Mark Strong), a charismatic and enigmatic, Jordanian covert operations official.What follows is the push and pull between the three men's methodology on capturing the terrorist.While "Body of Lies" is definitely a product of a post-911 world, it does not feel like the numerous post-911 political thrillers such as "Syriana" due to it's subtlety. It's more of spy thriller with a cautionary tale on America's foreign relations mixed in.
     
    One minor complaint is the pacing of the film.There are a few stops and starts as Farris deals with the reality of the effectiveness of his enemies. As he adjusts his plans it feels as if the story starts back from the top.But the performances are excellent from DiCaprio; who is the only actor his age who could tackle this role with the any type credibility and depth. Crowe and Strong, down to Golshifteh Farahani as Aisha, the nurse DiCaprio is drawn to and especially Oscar Isaac who plays Bassam, DiCaprio's go-to guy for information.





    © DR -MENSONGES D'ETAT de Ridley Scott (2008) p16

    19/10/2013 17:03

    © DR -MENSONGES D'ETAT de Ridley Scott (2008) p16







    © DR -MENSONGES D'ETAT de Ridley Scott (2008) p17

    19/10/2013 17:20

    © DR -MENSONGES D'ETAT de Ridley Scott (2008) p17


     

    Engaging, intelligent
     
    Author: jemps918 from Philippines
    11 October 2008
    V. well-made; everyone from the cast and crew pulled their own weight in Body of Lies.
     
    Director Ridley Scott's genius shines through what could have been another unpalatable, trite topic of the US' relations with the Middle East and terrorism. He expertly unravels the story of CIA operative Roger Ferris (Leonardo DiCaprio) who is assigned to flush out an evasive terrorist who is blowing up public places all over the world.
     
    Ferris is increasingly frustrated with his boss Ed Hoffman (Russell Crowe)'s impatience and double dealings, which more than once puts himself in jeopardy, challenges the trust he is trying to build with Jordanian leader Hani (Mark Strong) and his budding romance with the pretty Palestinian nurse Aisha (Golshifteh Farahani).
     
    DiCaprio just keeps getting better and better as he is now more able to lose himself in a role and successfully shed the pretty. Crowe does well in an understated but dangerously quiet role as a Washington-based puppetmaster.The versatile Italian-Austrian Andy Garcia- lookalike Strong is fantastic as the powerful Hani, while Farahani's face lights up the screen and turns in a memorable performance as well.
     
    The attention to detail in this movie is just awesome; the action sequences are not over the top but satisfactory enough to not lose the main storyline despite the complex thread of subplots. Overall, an engaging, intelligently-made film.





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