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©-DR -SWORDFISH p2
02/02/2012 04:32
Sites externes
Showing all 72 external sites
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Official Sites
Miscellaneous Sites
- AveoftheStars.com
- brandchannel - brandcameo, product placement
- Cine.gr (Greek)
- CineMagia.ro Info - (Romanian)
- CINeol (Spanish)
- DVD-Forum.at - Schnittbericht (German)
- DVDwolf
- Film in America
- Film.Com.Tr - Synopsis and Pictures (Turkish)
- Filmbericht.de (German)
- Filmfehler Forum (German)
- Filmreporter.de (German)
- HotFlick.net
- IGN More Movies - articles
- IMCDb.org: cars, bikes, trucks and other vehicles seen in this production
- Indiemoviez (Spanish)
- Intuitor
- KillerMovies
- MattFind.com - Reviews, trailer, pics, info
- More - Pictures, Short Review (German)
- MovieMaze.de (German)
- MovieMeter (Dutch)
- MovieNet.nu (Swedish)
- moviepilot.de (German)
- Moviereporter.net (German)
- movies.ch (German, French, Italian)
- New Video Film-Lexikon (German)
- Rotten Tomatoes - Articles, Synopsis, Multimedia, and Forum
- ScreenWEEK (Italy)
- SoundtrackCollector - Soundtrack Information
- Spielfilm.de - Filminfos (German)
- Stopklatka.pl (Polish)
- Swordfish gets stuffed and mounted at Scoopy's movie house
- Tepasmas.com - Trivia & Facts (Spanish)
- tvfilm (Hungarian)
- Uncut (German)
- Urban Cinefile (Australia) Hugh Jackman - Special Streaming Video Presentation
- Urban Cinefile (Australia) Hugh Jackman Interview
- Yahoo Movies
- Zelluloid.de (German)
Photographs
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©-DR -SWORDFISH fin
02/02/2012 04:36
Trivia
Showing all 30 items
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Halle Berry agreed to the topless scene - ostensibly for an extra fee of $500,000 - because she wanted to overcome her fear of doing nude scenes. This was on top of her initial fee of $2 million.
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The car that Gabriel drives is a British-made TVR Tuscan. The car is not sold in the United States because of its emissions levels.
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The opening scene of Swordfish is the most complicated visual effect in Warner Brothers history. It was shot using Matrix-like effects (Matrix (1999)) by Frantic Films of Winnipeg, Manitoba, Canada. The effect has so many composites in it that the producers and director of the film could not determine what was real and what was created by computer.
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John Travolta turned down the part of Gabriel a total of six times. He changed his mind when he heard director Dominic Sena's take on it.
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The dramatic explosion at the start of the film was captured using 135 synchronized still cameras.
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Rudolf Martin plays Axl Torvalds, a hacker of some renown in the film. The character is named after Linus Torvalds, a "hacker" in real life, who wrote Linux Kernel, the original code for the open source computer Operating System named after him, Linux. Axl and Linus are both Finnish.
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When Gabriel is recruiting Stanley he mentions "Vernam encryption." In real life Gilbert Vernam worked at Bell labs in the early 1900s and patented a special cipher that was eventually proved to be "uncrackable."
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The film was withdrawn from cinemas shortly after the terrorist attacks on New York City and Washington DC on 11 September 2001, due to a scene involving an exploding building.
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The actors were all reacting to blank computer screens. The graphics were added later.
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When Stanley and Agent Roberts are reviewing their past dealings Roberts accuses Stanley of hacking into the US government's Carnivore system and Stanley claims he did it because the government was illegally spying on US citizens' emails. This plot line was likely considered a far-fetched notion to viewers of a movie that was released months before the 9-11 attacks and more than a year before real-life government spying of the kind described in the movie was exposed.
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Unlike many Hollywood movies, the amount of the ammunition in firearms is depicted correctly. During the chase sequence, Gabriel fires a total of 89 shots from M249 Squad Automatic Weapon, which carries a 200 round box.
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At one point during Stanley's attempt to hack into the Department of Defense database, his screen shows six numbers that appear to be IP addresses. (The first is 213.225.312.5.) The numbers between decimal points in an IP address, called "octets", are decimal representations of 8-bit numbers (8 binary digits of either 0 or 1). Therefore, the range of decimal numbers for an octet is 0 to 255, because 11111111 in binary is 255 in decimal. The IP addresses on Stanley's screen each contain one octet higher than 255 (such as 312 in the first example), which is apparently the filmmakers' way of ensuring that no one's real IP address appeared.
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6 TVRs were imported especially to be used for Gabriel's car.
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The helicopter is a Sikorsky S-64 Skycrane (CH-54 Tarhe). It is now being used to fight bush fires across Australia.
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The original screenplay draft had a very different take on the Gabriel Shear character. He was first written as a mercenary whose plan for the stolen DEA funds had him joining forces with military and intelligence figures and planning to destroy corrupt politicians, and had several lengthy monologues in which U.S. agents listened to him and then joined his crusade on the spot. While the funding/covert war angle was maintained, Skip Woods later remade Gabriel Shear into a patriotic agent who seeks to destroy world terrorists, and who kills the Senator and his aide for trying to kill him and stop his plans.
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Helga's tall blonde friend is played by Natalia Sokolova, Playboy's Playmate of the Month for April, 1999.
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2600 'The Hacker Quarterly' magazine was approached by Warner Bros. for permission to use their magazine and name in the film. WB was suing 2600 at the time for linking to the DVD deciphering program DeCSS. The magazine said no.
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The office scene at the end, opens with a receptionist walking across the room with a pot of coffee, right before the bus crashes through the windows. The girl in that role is Erin Bradshaw. She was hired to work as a Production Asst. on the movie after walking up to the production trailer one day, and asking if they had openings. On the last day of shooting...the girl who was originally cast to play that part was stuck in traffic. The Asst Director called over to production, for "that blonde PA to get to set...STAT" when she arrived on set, they asked her to be the part of the receptionist in the movie.
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The scene in which the school bus is swung was actually shot by hiring a group of people to sit in a bus, in front of a blue screen, while they swung the bus from a crane. According to the stunt coordinators, the same effect could have been portrayed for half the cost.
Hugh Jackman had to take stunt driving classes to prepare for his role in Swordfish.
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Zach Grenier's character Bill Joy is named after the co-founder and former chief scientist of Sun Microsystems, Bill Joy.
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In the scene where Axl Torvalds arrives at the airport, the customs officer checks his passports: one is a German one and the other a Finnish passport.
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Trailers, television commercials, and print advertisements for the film all contained "passwords" which allowed viewers to play a contest game on the film's official website. A password also appears in the closing credits. (See "Crazy Credits").
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Most of the cast have starred in films based on Marvel comics: Hugh Jackman and Halle Berry played Wolverine and Storm in the "X-Men" films. John Travolta later played Howard Saint in "The Punisher". Don Cheadle played Colonel James Rhodes in the "Iron Man" sequels. Vinnie Jones would go on to play Juggernaut in "X-Men: The Last Stand" working again with Hugh Jackman and Halle Berry and Zach Grenier would later play Mr. Sherman/Rafke in "Fantastic Four: Rise of the Silver Surfer".
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This is the second film in which John Travolta makes a reference to the film "Dog Day Afternoon." In the opening scene, he discusses the film in great detail. And in "Saturday Night Fever," he impersonates Al Pacino's "Attica!" chant from the film. Coincidentally, Swordfish was released in 2001 and in Saturday Night Fever, "2001" is also the name of the disco where he dances.
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Hugh Jackman and Halle Berry previously starred in "X-Men" and would later work together again in the sequels.
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Spoilers
The trivia item below may give away important plot points.
The climax was originally intended to be an airport shootout.
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©-DR- BASIC de John McTiernan,(2003)
02/02/2012 05:57
Basic
est un film américano-allemand réalisé par John McTiernan, sorti en 2003.
lien vers la fiche complete IMDb http://www.imdb.com/title/tt0264395/?ref_=fn_al_tt_1
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Résumé
Un groupe de Rangers, emmenés par le sergent West, manque le rapport après un entraînement dans la jungle de Panama. Se rendant sur les lieux en hélicoptère, le colonel William Styles, commandant du camp de Rangers, n'en récupère que deux, dont un blessé et les ramène à Fort Clayton, où ils seront interrogés par le capitaine Julia Osborne. Mais Styles n'a pas confiance en elle et fait appel à son vieil ami et ex-camarade ranger Tom Hardy, agent de la DEA soupçonné de corruption, afin de mener une enquête officieuse avec le capitaine Osborne.
Cast (partiel)
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Fiche technique
Canada, États-Unis : 28 mars 2003 France : 28 mai 2003 Belgique : 9 juillet 2003
Production
Développement
Afin de garantir l'authenticité de son intrigue, John McTiernan a fait appel au sergent-chef Charles Fails, engagé comme conseiller technique. Celui-ci avait déjà travaillé sur d'autres thriller militaires comme Tigerland de Joel Schumacher et À armes égales de Ridley Scott[2].
Casting
Enquêteur de la Drug Enforcement Administration (DEA) dans Basic, John Travolta mène une nouvelle fois l'enquête au sein de l’armée américaine, comme il l'avait fait quatre ans plus tôt dans Le Déshonneur d'Elisabeth Campbell de Simon West. Par ailleurs, sa sœur, Margaret Travolta, interprète ici le rôle d'une infirmière.
Basic marque les retrouvailles du cinéaste et du comédien Samuel L. Jackson, qui avaient déjà tourné ensemble en 1995 sur Une journée en enfer, ainsi que celles de Jackson et Travolta, célèbre duo du Pulp Fiction de Quentin Tarantino[2].
Si tous les comédiens de Basic ont dû subir une formation de rigueur, John Travolta s'est, pour sa part, particulièrement bien préparé : entraînement six jours sur sept pendant les trois mois précédant le tournage, ce qui lui permit de perdre une douzaine de kilos, stage intensif au bataillon du et régime spécial pendant toute la durée des prises de vue. bataillon du et régime spécial pendant toute la durée des prises de vue.
Tournage
Le tournage s'est déroulé du 26 novembre 2001 au 4 avril 2002[3] à Fernandina Beach et Jacksonville (en Floride), ainsi qu'au Costa Rica et Panama[4].
Le tournage de Basic s'est principalement déroulé sur les lieux mêmes de l'action du film, à Panama. Les scènes cruciales de l'exercice en forêt ont, elles, été tournées sur un ancien terrain d'aviation de Jacksonville, en Floride, transformé pour l'occasion en jungle tropicale avec l'ajout d'une centaine de palmiers et de 400 à 500 autres plantes aux chênes déjà présents sur le terrain. Pour reconstituer la tempête censée frapper la jungle pendant l'exercice militaire, l'équipe des effets spéciaux de Basic a eu recours à six ventilateurs géants dispersés sur le plateau. La pluie torrentielle était, elle, amenée par neuf réservoirs fixés aux arbres et connectés à une citerne pouvant fournir jusqu'à 2 800 litres d'eau par minute[2].
Réception critique
Dès sa sortie en salles, Basic a rencontré un accueil critique négatif dans les pays anglophones : 21% des 142 commentaires collectés par le site Rotten Tomatoes sont positifs, pour une moyenne de 4,2/10[5], tandis qu'il obtient un score de 34/100 sur le site Metacritic, basé sur 33 commentaires collectés[6]. En revanche, il obtient un bon accueil en France, puisqu'il obtient une moyenne de 3/5 sur le site AlloCiné, pour 16 commentaires collectés[7].
Bande originale
Erreurs factuelles
- Dans plusieurs scènes où John Travolta et Connie Nielsen sont dans un Hummer H1, Connie Nielsen est au volant et elle fait semblant de tourner le volant selon la route... le volant reste immobile, elle laisse ses mains glisser dessus.
- Lorsque le lieutenant Julia rentre dans l'hôpital, on peut voir en haut à droite le micro du tournage.
- Lorsque le sac à dos de Pike lancé par le Sergent West touche le pied de la falaise, on peut apercevoir la main d'un technicien à gauche de la scène.
Notes et références
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©-DR- BASIC p2
02/02/2012 06:01
Connie Nielsen;pour moi le seul intérêt
de ce film à dormir debout
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Sites externes
Showing all 81 external sites
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Official Sites
Miscellaneous Sites
- @ N-Zone Interview with John Travolta for "Basic"
- Abandomoviez.net (Spanish)
- About Dramatic Movies - Photos, Credits, Trailer, Websites
- AMCtv.com - Basic Trivia Game
- AMCtv.com - Story Notes Trivia for Basic
- BioscoopAgenda (Dutch)
- Box Office Mojo
- Box Office Prophets - Synopsis and Comparison Chart
- Celluloid Dreams (German)
- Cinefilo (Spanish)
- Cinema.Com
- Cinemafantastique - Cast, news, videos
- CinéAnnales (French)
- Clevver - Movie Info, Trailers, Posters, Photos
- Coming Soon!
- DVD-Forum.at - Schnittbericht (German)
- DVD-Forum.at - Schnittbericht (German)
- DVDwolf
- Film.Com.Tr - Synopsis and Pictures (Turkish)
- Filmbericht.de (German)
- FilmDeCulte.com (French)
- FilmStew.com - Interview with John Travolta and director John McTiernan.
- filmz.de - Info, Links, Comments (German)
- Hollywood Stock Exchange - movie info
- IGN FilmForce
- IMCDb.org: cars, bikes, trucks and other vehicles seen in this production
- JoBlo.com: Pictures, Synopsis, Posters, Info...
- KillerMovies
- LaButaca.net (Spanish)
- Lovefilm.se (Swedish)
- MattFind.com - Reviews, trailer, pics, info
- MattTrailer.com - Trailer, teaser, pics, wallpapers
- Moive Mom Review
- Mooviees!
- Movie Mania
- Moviemans DVD-Kritik (German)
- MovieMaze.de - (German)
- MovieMeter (Dutch)
- Moviereporter.net (German)
- movies.ch (German, French, Italian)
- New Video Film-Lexikon (German)
- Sinemafanatik.com Preview (Turkish)
- SoundtrackCollector - Soundtrack Information
- Spielfilm.de - Filminfos (German)
- Stopklatka.pl (Polish)
- Tepasmas.com - Trivia & Facts (Spanish)
- yakobusan.de - Info & pictures (german)
- Zelluloid.de (German)
Photographs
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©-DR- BASIC p3
02/02/2012 06:05
| Index |
285 reviews in total |
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Anything But Basic...
"Basic" takes a lot of plot twists through the steamy jungles of Panama. They are often impossible to follow. No, literally. Impossible. As in they literally do not piece together. You can try to analyze them, but when you do, you find out there is nothing really to be analyzed. But the film, by confusing and tricking the audience, makes it appear as if something is there, which is almost as good as if something really is there. Therefore, the movie, though frustratingly difficult to follow at times, is entertaining. Confused yet? Yeah, that's what the movie will make you feel like.
The film opens up in a rain-drenched Panama jungle at night on an Army training mission headed by Sergeant West (Samuel L. Jackson). Most of the film--ALL of the film, for that matter--takes place at night, during a rainy hurricane, and adds to the nonexistant plot. What is so intriguing is that the plot isn't really there, but the writer tries to manifest one, and we feel as if we are staring at some nonexistant, material wad of words and flashbacks and images thrown together in a blender, the writer hoping for it to come out smelling of roses. But I already went over that, didn't I?
Flash forward to the next day. An Army chopper picks up two men from the training mission, one injured and one very much alive. The injured man, Kendall (Giovanni Ribisi), is sent to a hospital, and the alive man, Dunbar (Brian Van Holt) is sent in for questioning by the very sexy and very Southern Osborne (Connie Nielsen). Dunbar refuses to speak to anyone except a Ranger. So in comes Ranger Tom Hardy (John Travolta) to piece together the events surrounding the death of Sgt. West and his team.
The writer of "Basic," James Vanderbilt, has so many twists and turns that the film is impossible to keep up with. I like movies like these, where you see different characters telling their version of one event, but the mistake Vanderbilt makes is that he overuses the plot flashbacks in the middle of other events. It becomes hard to seperate present from past and what's real from what's not. So many revelations happen that I feel like I'm in the middle of the writer's mind, as he comes up with new ideas and tries to squeeze them in time after time after time. There is a limit to how many times you can use "surprise" revelation endings. Vanderbilt uses three of four in a row, piled on top of each other, time after time after time. Just as we think the plot twists are done, and we start to smile because we think we might finally understand the basis of the plot, something else happens, and we zoom in suspensefully on John Travolta's face as he, along with the audience, realizes something. Which leads me to something else.
The end of the film leaves more open than concluded. So many plot holes are never ironed out. With the ending being the way it is, you can look back at certain events and think, "Why did that surprise (so-and-so)," and "Why did that event happen as it pays no relevancy to the plot?" The answer to all this? Simple: It's called audience manipulation, and James Vanderbilt uses it a lot. He throws the audience a bone to keep them happy, continues with something else, throws another bone, and when it's all done and over, we're choking on all these bones and he doesn't realize it. Interesting how he said he named his character Tom Hardy after the Hardy Boys. If I recall, the Hardy Boy novels, which I was an avid reader of at one time, usually revealed a lot at the end. "Basic" tries to, but does not.
The film has an excellent director at its helm, John McTiernan. A man who chooses his projects carefully and wisely and, unfortunately, sometimes horribly ("Rollerball" was exceptionally bad). But "Die Hard" and "Predator" are two of my all-time favorite action films, "Predator" being my all-time favorite "alien" movie. Who wants McTiernan to return to his roots and film a "Predator 3"? It would be good, but don't count on it. Like I said, he chooses wisely, and if I assume correctly, he's the kind of director who doesn't like to return to old projects.
"Basic" confused me, but after the film was over and my mind was in a knot trying to figure out all the different plot twists, I realized how much fun I had being duped by this film. I laughed to myself as I came to realize that this movie has a paper-thin plot, and the filmmakers all tricked us by taking so many twists and turns and throwing so many confusion bones at the audience and making us believe that the underlying plot of the film was something deep. I really enjoyed this movie, even if I still don't really understand it fully. Then again, I don't think you're really supposed to.3.5/5 stars -
*
Man, I can't believe I almost overlooked this because the major film critics panned it. Basic is seriously good and the kind of mystery/suspense story I don't see anywhere near enough of. I enjoyed every minute of this movie. I couldn't figure it out and was surprised at the end. For me, it doesn't get much better in the entertainment department than a movie like Basic. John Travolta does what John Travolta does best, playing a wise guy better than anyone, and Connie Nielsen delivers a great little performance and she's hot to boot. This movie has an amazing number of plot twists and the pacing is quick so try to keep up with it. I loved it!
*
Author: bob the moo from United Kingdom 15 February 2004
Infamously cruel Sergeant West takes his unit into the Panama jungle on a training exercise. Two days later two of his men return and report the rest dead. When the base investigator makes no process, the base commander calls in shamed DEA agent Hardy. The investigation continues well with both of the two men telling their stories, however Hardy finds that the stories contradict themselves and that the truth is much, much more complex than first appeared.
For the majority of this film everything goes the way you expect it to, but yet it all still works reasonably well. The plot twists in several ways as each contradiction brings out a bit more truth in the overall tale. It is filled with dramatic interrogation scenes which, although clichéd, do still serve to be reasonably gripping. However at some point, and I can't say exactly when it happens, the sheer volume of twists and the leaps we are expected to make simply become too much for the quality of the material and it more or less collapses in on itself.It isn't that the twists are too much of a stretch, it's that they are too much of a stretch for this film. Usual Suspects has massive twists that bewilder and require big jumps, but that had the acting and script to back it up.
Here the same isn't true, the script doesn't do a good enough job of gradually revealing a story to us just to twist it; instead it just seems to be constantly changing the foundations to the point that I felt I was on quick sand rather than a base where the walls kept moving (if you get my meaning). What I'm saying is that the story didn't set itself up well enough to provide killer twists, instead it was constantly pulling small then bigger twist after twist - to the point where I was expecting the next one before it arrived. Not to unfairly compare, but Usual Suspects gradually added layers rather than twists as it builds to a climax. Basic just keeps twisting but eventually gets to the point where it overstretches itself and the twists lose their impact.
The dramatic tone suffers for this reason and, after a good start it all too quickly loses it's impact. Travolta tries hard and for the most part he does OK, but his slick character loses it towards the end, and his final `winks' are not easy to understand. I got the feeling that he didn't understand his character anymore that I did. Jackson gives a better performance in flashback although his character is pretty much a basic sergeant-major cliché, until the ending goes and ruins a fair amount of what he had done up till that point. Nielsen is pretty good but gives a masculine performance in a masculine film. The support cast is actually pretty good although Ribisi damaged his reputation with me by doing some sort of weak effeminate spoof character.
Diggs, Holt, Daly and Sanchez all do pretty well and their solid flashback sequences help the interrogation to be more dramatic.Overall this film is too twisty and some of them really demand jumps that are just not made possible by a script that doesn't do enough to help the audience out. It still manages to be pretty dramatic and enjoyable for at least the first half, but the final third demands too much and twists too much for the material to cope with. Not as awful as other reviews lead me to expect but it collapses alarmingly fast towards the end.
*
Author: Daniel Feit from New York 2 September 2003
*** This review may contain spoilers ***
Despite all the horrible reviews written of "Basic," I decided to give it a chance as a rental because director John McTiernan has made several of my favorite movies. Admittedly, I haven't seen a good one of his since "Thomas Crown Affair" (a remake), but I hoped "Basic" would work on some enjoyable level.
It starts off quite well. John Travolta and Connie Nielsen are investigating a murderous incident at an Army base, and both of their witnesses are untrustworthy. Their stories go back and forth, eventually painting a picture of what "really" happened. It's all been done before, I suppose, but it's fun to watch.
Unfortunately, the movie derails late in the picture. After what seems like a perfectly good ending (I won't elaborate, but you'll see), the movie just keeps going. All of a sudden what "really" happened was fake, here's what "really" happened, or did it? The conclusion of the film is an absurd reversal of (nearly) every premise of the film. I half expected one of the characters to reveal themselves to be an alien or a vampire or some other Tales From the Crypt/Twilight Zone nonsense ending.
Much like "The Recruit," the script doesn't know when to quit with all the reversing. Thanks to the masterpiece film, "The Usual Suspects," now every dopey mystery has to have "the big surprise." And you can do that once, maybe twice in a story. But you can't press that "reset button" five or six times! If I spend 90 minutes watching a film, I've got to know that at least part of that story "really happened." You can't wash it all away with "that guy was lying." No wonder Entertainment Weekly titled their review "Trashomon."
P.S. If you watch the film on DVD, there is a really funny extra segment with the screenwriter. Besides reading his own writing on camera, he explains with incredible arrogance how original his story and characters were. So pompous it's hilarious!
*
Author: icemanrr from Lisbon, Portugal 20 May 2005
now a days, you see a movie and in the middle of it, you already know the ending, so it's really refreshing to see that 'basic' defies that! i was really having a blast, was loving it, and when the end came i was blown away, but for only one second, because then the brain kicked in, and realize that the plot was wrong, didn't made sense! there were so many twists (and i love that in a movie) that even the editors got confused, if that ending was meant to be, than there were things that happened earlier on, that don't make sense, that are just wrong.
despite all that i liked the movie, i enjoyed't when i was watching and even more when i came out of the theater room and debated with my friends, trying to make sense on why some scenes happened, i bought the DVD only to get to the sad conclusion that i was right and there's something wrong with the story. if only the story would have matched, it would be, one of my favorite action movies!
*
Author: chet19 from l.a. 28 July 2003
I'm still shaking my heads hours after seeing this lousy movie. First of all, the acting was great. End of compliments. It's one of those movies where something mysterious happens. By way of flashback, we see one soldier's version of the story, and then another soldier's. But then Soldier #1 changes his story to defend himself against what #2 had said. The writer/director at this point hope to get you to go, "Hmmmm, now THIS is getting interesting.
I wonder what REALLY happened out there?" At this point, you really do wonder. But then both soldiers change their stories, they implicate a doctor who tells (then changes) HIS story. They implicate a colonel who tells(then changes) his story. Then both soldiers, for the 42nd time, change their stories. By this point, you'll be like "Who the hell cares what happens." You'll no longer wonder...you just won't care. It's a good thing that you don't care what happens, because the ending makes no sense whatsoever.
*
Author: x111b3825 from Nowhereman, Norseland 22 February 2004
There's a whole lot of deep analysis going on here, but in the end, since so many others have analyzed this to death, I would recommend just watching it with an open mind and seeing if you find it entertaining.I thought it original to a point, well acted out, and while predictable on a couple points, for the most part, leaving me wondering when we would find out the absolute truth of what the heck was going on...Maybe later I will put something more in depth here, but for now, beware of the critics and their "plot holes," because in the end, aside from a couple very small glitches, this was pretty well done.
*
Author: mjw2305 from England 23 December 2006
Basic engages your attention pretty early on and keeps you guessing throughout with the twists and turns in the storyline and its refreshingly unexpected ending.As you would expect Travolta and Jackson are both superb, as is Connie Neilson. The characters build well, the writing is very solid, and the story is quite original.All in all 'Basic' is a good thriller that is a little complex and confusing for the casual movie fan. Definitely worth watching, but not a classic 7/10
*
Tagged by many critics as overly predictable despite trying to be the complete opposite, BASIC is nevertheless a strong, original and entertaining film.
The cast, from big names John Travolta and Samuel L. Jackson to lesser-knowns Connie Nielsen and Taye Diggs, ably unravels the mystery surrounding the disappearance of a reviled army sergeant during a hardcore training outing. The episode is recounted in as many ways by as many witnesses, an interesting method that has worked so well in other films such as COURAGE UNDER FIRE. It may all seem confusing at first, but gifted director John McTiernan gradually weaves everything together, though perhaps not as seamlessly as one would ideally prefer.
BASIC is not without its flaws, but they are not as glaring as one might think from professional reviews, or even many of the comments on this website. Its originality is welcome at a time when so many films follow the same cookie-cutter formula.
*
Even though I had some doubts about this movie before watching it, I definitely wanted to give it a try. There were several reasons for that. One of those reasons is because Samuel L. Jackson plays an important role in it. That man on his own is already reason enough to watch a movie, but I also knew that it was directed by John McTiernan, who also made "The Hunt for Red October", "The 13th Warrior" and "Die Hard: With a Vengeance". Three movies that I've seen and liked very much. The only one that didn't really do it for me was "The Thomas Crown Affair", but with an average of three out of four, I could only hope for the best with this movie.
"Basic" starts with showing us how army sergeant West takes six of his special troops on a training mission into the Colombian rain forest, from which only two return alive. When the rescue mission arrives, they see one soldier killing another and carrying a wounded comrade. As soon as they are back on the base, the interrogation of Dunbar - one of the two survivors - starts. But he refuses to talk to anyone else than another Ranger who he doesn't know yet. That's where former Ranger and current DEA agent Hardy comes in. He is able to get a confession out of Dunbar, but as he digs deeper, he only finds more and more prove of contradictions and illegal practices...
This is one of those movies that you have to watch when you can keep your mind to it from the beginning until the end. If you think that you'll need to take a break in between, you better don't even start watching it because the entire story is so confusing and so many plot twists make it almost impossible to watch it, unless you can keep focused. But don't think that this means that this movie isn't any good. It's especially thanks to the many twists that I kept watching, because the interrogation scenes and the 'action scenes' on the base didn't always do it for me.
What I also liked about this movie was Samuel L. Jackson's performance. He was really nice as the tough sergeant West. You could see that the man enjoyed playing this role. John Travolta wasn't bad either, but I've already seen him play better roles.Overall this isn't a bad movie. Thanks to the mysterious story and the many twists it is hard to keep track, but when you are able to do so, you'll have fun watching it. Still, not everything about this movie was that strong and that's why I give this movie a 6.5/10. It isn't the best movie in the genre, but could have been a lot worse than this.
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