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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
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  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

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    ©-DR- DALLAS BUYERS CLUB de J.Marc Vallée (2013) p16

    06/04/2015 07:50

    ©-DR- DALLAS BUYERS CLUB de J.Marc Vallée (2013) p16


    Critique publiée par Eric17 le 22 juin 2014
    Matthew McConaughey m’est toujours apparu sympathique depuis que je l’ai découvert dans le léger et divertissant « En direct sur Ed TV ». Depuis, sa carrière n’a pas suivi un chemin rectiligne et tous ses rôles n’ont pas marqué positivement le septième art. Néanmoins, ces dernières années, l’acteur s’offre une seconde vie sur les écrans. Dans des genres très différents, ses prestations dans « Mud – Sur les rives du Mississipi » et « Magic Mike » ont été unanimement reconnues. Le début d’année a prolongé cet état de grâce avec l’apparition de la première saison de « True Detective » et la sortie en salle de « Dallas Buyers Club ». Sa performance dans ce dernier film a été récompensée d’un Oscar du meilleur acteur en février dernier.

    C’est avec enthousiasme et curiosité que j’ai décidé d’aller voir cet opus réalisé par Jean-Marc Vallée et sorti le vingt- neuf janvier dernier. D’une durée de deux heures, il nous conte l’histoire vraie de Ron Woodroof, victime du SIDA dans les années quatre-vingts. Les projets de biopic n’accouchent pas toujours de chef d’œuvre. Mais le fait le personnage central du film soit inconnu pour bon nombre de spectateurs ne contraignait pas le scénariste à subir des passages narratifs obligatoires car célèbres et symboliques.

    Le site Allociné propose le synopsis suivant : « 1986, Dallas, Texas, une histoire vraie. Ron Woodroof a 35 ans, des bottes, un Stetson, c’est un cow-boy, un vrai. Sa vie : sexe, drogue et rodéo. Tout bascule quand, diagnostiqué séropositif, il lui reste 30 jours à vivre. Révolté par l’impuissance du corps médical, il recourt à des traitements alternatifs non officiels. Au fil du temps, il rassemble d’autres malades en quête de guérison : le Dallas Buyers Club est né. Mais son succès gêne, Ron doit s’engager dans une bataille contre les laboratoires et les autorités fédérales. C’est son combat pour une nouvelle cause… et pour sa propre vie. »

    L’histoire se construit autour du personnage de Ron. Dès les premières images, il nous est présenté comme un beauf machiste, drogué, homophobe et dont la finesse n’est pas la qualité première. Néanmoins, malgré ses nombreux défauts, il dégage un charisme et une aura qui le rend finalement attachant. Le talent de son interprète n’est pas étranger à ce sentiment. L’ouragan qui vient bouleverser sa vie fait son apparition très vite. Il apprend qu’il est séropositif. Nous sommes en 1986. L’espoir n’existe pas. La mort sera rapide. La douleur et la colère du malade est complexe. En effet, la peur de mourir cohabite avec le fait d’être associé à une « "maladie de PD". Cette souffrance transpire de l’écran et m’a touché malgré les incohérences et l’absurdité choquante de certains propos du personnage principal.

    La mise en place des jalons de l’intrigue est remarquable. Immédiatement, je me suis senti plongé dans la vie de Ron et pleinement impliqué dans son destin tragique. Le film transcrit bien la force qui habite le personnage principal. Il refuse de se laisser abattre et est prêt à tout pour survivre. L’histoire entre alors dans sa deuxième phase durant laquelle Ron découvre que des médecines alternatives permettraient de prolonger l’espérance de vie des personnages atteintes du VIH. La notion d’énergie du désespoir prend alors tout son sens.

    Rapidement, il se rend compte que les produits coûtent chers et demandent une logistique sérieuse. Ils sont en effet interdits aux Etats-Unis car non homologués par les instances médicales. Il décide alors de mettre en place une structure visant à vendre ces médicaments à d’autres malades afin de financer sa propre médication. Ainsi est né le Dallas Buyers Club. Le souci pour Ron est que l’essentiel de sa clientèle se compose d’homosexuels qu’ils méprisent au plus haut point. C’est ainsi que sa survie dépend de personnes qu’ils considèrent jusqu’alors comme des sous-hommes. C’est aussi ici que naît son amitié complexe, riche et émouvante avec Rayon, un transsexuel séropositif.

    Leur relation est un des atouts indéniables du film. A aucun moment elle ne tombe dans le pathos ou l’excès mais à tout moment, j’ai été touché par ses deux personnes que seule une mort promise a su rapprocher. La performance de Jared Leto et Matthew Mc Conaughey est un modèle du genre et m’a marqué pour longtemps en tant que spectateur…En montant sa petite entreprise dans sa chambre d’hôtel, Ron fait naître une micro société aux abords de ce motel. Les « clients » se multiplient et Woodroof devient à la fois vendeur et médecin du fait de sa gestion individualisée des prescriptions. Cela permet à bon nombre de seconds rôles d’exister participant ainsi à la crédibilité de l’ensemble.

    Comme souvent dans les films américains, chaque protagoniste aussi bénin soit il était brillamment interprété. Tout apparaît réel et aucune situation de malade ne nous laisse indifférent. On s’attache à chaque petite bribe d’espoir et on s’effondre quand les mauvaises et irrémédiables nouvelles s’enchainent. Le film n’est pas caricatural dans l’opposition entre médecine traditionnelle et méthodes alternative. En effet, Ron crée un lien fort avec la doctoresse locale qui gère les malades à l’hôpital. Cette dernière est interprétée par Jennifer Garner qui, tout en sobriété et retenue, déclenche une véritable empathie à son égard. Elle est tiraillée entre son administration dans laquelle elle veut croire et les progrès qui semblent découler du commerce de Ron.

    Son personnage, bien qu’en retrait de Woodroof et Rayon, est indispensable à la réussite du film. Par contre, les industries pharmaceutiques et les grandes instances d’éthique médicale ne sortent pas grandies loin de là.Pour conclure, cet opus est un petit bijou. Je l’ai trouvé en tout point remarquable. Le personnage principal, les protagonistes secondaires, l’atmosphère, les décors, les dialogues… Rien n’est à jeter. De plus, tout au long des deux heures, les émotions se succèdent à un rythme effréné et ne nous laissent indemnes à aucun moment. Je ne peux que vous conseiller de guetter un futur passage de cet opus à la télévision. Vous ne regretterez pas le voyage…

     






    ©-DR- DALLAS BUYERS CLUB de J.Marc Vallée (2013) p17

    07/04/2015 04:20

    ©-DR- DALLAS BUYERS CLUB de J.Marc Vallée (2013) p17


    Critique publiée par cinephile2413 le 14 avril 2014
    Quelle bonne idée de montrer au cinéma l'époque où le virus du SIDA était un gros point d'interrogation, où seul les homosexuels ou encore les drogués pouvaient choper cette saloperie Un excellent film, porté par d'excellents acteurs qui on bien mérité leurs Oscars pour le coup. Une histoire forte, vraie, on passe vraiment un bon moment même si le thème semble un peu difficile de prime abord. Film pas trop long ni mélodramatique. Allez-y sans hésiter.Et à noter les pertes de poids de Matthew McConaughey et de Jared Leto sont, dans ce film, aussi impressionnantes que leurs performances.L'article sur son site :

    http://cinephile2413.skyrock.com/3211518159-Dallas-Buyers-Club.html






    ©-DR- DALLAS BUYERS CLUB de J.Marc Vallée (2013) p18

    07/04/2015 04:26

    ©-DR- DALLAS BUYERS CLUB de J.Marc Vallée (2013) p18


    Critique publiée par Jonowww le 3 février 2014
    Le Dallas Buyers Club, c'est le club des séropos, ceux qui ne veulent pas se laisser abattre en 1987, en attendant que les nouvelles molécules fassent leur preuve avant d'être FDA approved. Et Ron, c'est le patron du club, tandis que Marc Bolan abreuve le film d'une bande son d'époque qui sonne juste avec une péloche tout juste sortiedes eighties et des moustachus aux pointes bien aiguisées."I like your style doc!"Le personnage de Mc Conaughey est particulièrement bien développé. Ce texan redneck qui fait du rodéo et complètement homophobe se retrouve plongé dans l'univers des faggots en pleine chasse au sorcières.

    Le ton est juste, le ton est bon: son rôle aurait pu être celui d'un héroïque texan découvrant la voie de la sainteté tout en découvrant sa maladie, il aurait pu être celui d'un pourri qui se fait du pognon pognon pognon comme on le voit souvent dans les scénars holywood. Mais non, il est bien écrit et il est bien joué. Mc Conaughey est complètement défiguré par le rôle qu'il a voulu interpréter, il incarne majestueusement le lucky luke à la tatane qui pique!

    Ray c'est Rayon ou Leto. Mr Mademoiselle a l'habitude jouer les rôles qui piquent à force. C'est le trav' qui donne à Ron l'envie de tenter l'aventure du Dallas club. Il sortirait d'un film d'Almodovar sans les lunettes à filtre rainbow que ça ne m'aurait pas pas surprise. C'est lui le lien entre Ron et la communauté gay, le lien entre Ron et le doc.En fait, je pourrais détailler tous les rôles de ce film qui donnent la part belle aux seconds rôles des séries de ces dernières années, les deux rôles les plus intéressants les plus développés sont ceux de Ron et Ray. Ils forment le couple le plus atypique de ces dernières années au ciné, ce qui est particulièrement plaisant.

    Car c'est cela qui détonne: ce film est atypique parce qu'il ne se perd pas dans les excès, ni dans les détails inutiles, ni même encore dans la morale ou dans le surtrop de sexe. On ne nous épuise pas de procès, ou de remords parce que la police passe son temps à perquisitionner le cowboy. Non.Il raconte. Un gars face à un choix, mourir ou combattre. L'industrie pharmaceutique est fâcheuse mais elle n'est pas The Evil Devil Ever, and so is FDA! Ouf. Merci.

    Les choses sont quand même expliquées et de façon très subtile. Et puis le gars est un peu con, mais suffisamment "peu" pour s'en rendre compte et changer... un peu. Pas trop.La réal, c'est pareil, elle est bien montée (comme un canasson au rodéo, hein pas le gars). La péloche est teintée mais on est pas aux puces hypstero-vintage. Bravo. C'est fin. Y'a bon.






    ©-DR- DALLAS BUYERS CLUB de J.Marc Vallée (2013) p19

    07/04/2015 18:23

    ©-DR- DALLAS BUYERS CLUB de J.Marc Vallée (2013) p19


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    ©-DR- DALLAS BUYERS CLUB de J.Marc Vallée (2013) p20

    07/04/2015 18:29

    ©-DR- DALLAS BUYERS CLUB de J.Marc Vallée (2013) p20


     

    Index 313 reviews in total 

     

    *

     

     

    Evokes an Era most will not care to remember

    10/10
    Author: whirrrrl from Canada
    24 November 2013

    Much has already been written about Matthew McConaughey and Jared Leto's astonishing transformations, and brilliant performances. Solid and true, yes. They both deserve enormous accolades, Golden Globe and AMPAS-worthy, for these transformations and the effort of their craft. But I think the true heroes of this project are the Producers who took a chance on such dicey subject matter. Some reviews hail the project as "A Crowd Pleaser," and yet, you realise, these are TRULY marginal characters, and not entirely likable, as some have already said, in an Era (1970s-1980s early AIDS crisis) that is nearly forgotten in this age of HIV exposure-as-a-managed-care-condition, rather than a death sentence, as it was between 1979-1995. As much as this could be a feel-good film for the discovery and pioneer of protease inhibitor cocktails, it is a compelling character study of a time of crisis that has not been well-captured or documented adequately in quite some time. BRAVO to the Producers of this movie for giving this project the Greenlight, because the sexually-active youth of today would never know the Plague and tragedy that preceded their coming-of-age without a reminder like this.

    *

    A Facisnating True Story with Gritty Realism and Excellent Performances
    9/10
    Author: Rebel_With_A_Cause_94 from United States
    20 November 2013

    One of the best films I've seen this year! A raw, gritty, and incredible true story about a HIV diagnosed man who went to extraordinary lengths to survive at a time when the AIDS epidemic was at it's worst.Matthew Mc Conaughey who lost a significant amount of weight to play the role gives the performance of his career along with Jared Leto who's equally as good here. The two give quite possibly the best performances I've seen in a film all year in which I actually forgot I was watching actors in a film and instead felt as if I was watching real people. There's no doubt they will both receive nominations for Best Actor and Best Supporting Actor.

    While this kind of story does feel a bit familiar overall, it's excellent screenplay and sense of realism along with the excellent performances make up for it. While it's defiantly not easy viewing and a bit of a downer to watch, it's a truly inspiring (and important) true story and one of the years best films.McConaughey has been made out to be a bit of a laughing stock after starring in a series of really mediocre films. His recent performances however, have shown that the man truly is one of the best actors working in the business right now. Dallas Buyers Club is only further proof of this.

    *

    I like Your Style
    7/10
    Author: David Ferguson (fergusontx@gmail.com) from Dallas, Texas
    11 November 2013

    Greetings again from the darkness. It's not unusual for an actor or actress to alter their physical appearance for a movie role. Sometimes those changes become the story: Robert DeNiro in Raging Bull and Christian Bale in The Machinist are two that come to mind. Regardless of the transformation or make-up, what really matters is the performance and the character. Just ask Eddie Murphy (Norbit) or Gwyneth Paltrow (Shallow Hal). In The Dallas Buyers Club, we actually get two incredible transformations that lead to two stunning performances.

    Matthew McConaughey and Jared Leto each lost approximately 40 pounds for their respective roles as Ron Woodroof, the redneck, three-way loving, alcoholic, drug-addicted electrician/rodeo cowboy; and Rayon, the sensitive, street-savvy, would-be transsexual so desperate for a kind word. Their physical appearance will startle you more than once, but is quite effective in getting across the struggles of those infected with HIV virus in the 1980's. The numbers impacted exploded and the medical profession was ill-equipped to properly treat the patients.

    This is based on a true story and a real life guy (Woodroof) who became a most unlikely beacon of hope for AIDS patients. Woodroof fought the medical industry, Pharmaceutical companies and the government (FDA, DEA, IRS). It's impossible to miss the message and accusations that most of these had a single goal of increasing profits, rather than curing the disease. And that's where the story lags a bit. Michael O'Neill and Dennis O'Hare are the faces of greed and bureaucracy, while Jennifer Garner, Leto, and Griffin Dunne represent the side with a heart. Woodroof seems to be a guy who just doesn't want to die, sees a business opportunity, and even learns a little bit about humanity along the way.

    There have been numerous other projects that deal with AIDS, including: Philadelphia with Tom Hanks and the recent documentary How to Survive a Plague. This may be the first with a protagonist who is simply unlikeable, despite his passion and strong survival instincts. McConaughey doesn't shy away from the homophobic personality and cruel manner of speech that Woodroof possesses. We never doubt his frustration at those controlling the big picture, but we never really see him connect with those his brash tactics help.

    McConaughey is on a dream run as an actor right now, and it certainly wouldn't be surprising to see him garner an Oscar nomination. But it would be a mistake to chalk that up to his losing so much weight - he really delivers a character that we won't soon forget. And let's not overlook Mr. Leto, who has been away from acting for 4 years touring with his band. He is a remarkable talent and a true screen presence. Compare this role to his Mark David Chapman in Chapter 27. It's not just the range of weight, but moreso the range in acting that so impresses.

    Also worth noting here is the outstanding cinematography of Yves Belanger. This movie is shot in a way that brings out the intimacy of the moments, while not losing the big picture. Director Jean-Marc Vallee (The Young Victoria) and co-writers Craig Borten and Melisa Wallack work together for a solid foundation, but it's McConaughey and Leto that we will most remember ... and of course, the pics of the great Marc Bolan on the wall. www.MovieReviewsFromTheDark.wordpress.com

    *

    Review: Dallas Buyers Club
    8/10
    Author: lucasnochez from Canada
    11 November 2013

    *** This review may contain spoilers ***

    Since before the start of the new millennium until just after 2010, Matthew McConaughey's body of work was just that, a body that worked well on the screen for so many of the aimless, brainless onslaught of romantic/comedy disasters, in which he played the lead. In 1996, McConaughey played Jake Tyler Brigance in Joel Schumacher's A Time To Kill. Hailed as the best performance of his career, it seemed like, critically, that was the closest the actor would get to any praise. In 2011, McConaughey took the lead in Brad Furman's The Lincoln Lawyer, a by-the-number crime/mystery, where, McConaughey was able to flex some of his acting muscles as opposed to abdomen muscles.

    Since then, in what has been the most sudden and misunderstood acting turn in recent memory, McConaughey has reinvented his career and is continuing to be casted as a serious actor with serious acting skills. While the Texan acting inspiration has remolded his career in a time span that puts to shame that of Downey Jr. and Travolta, one of McConaughey's unflinching signature acting staples is his bold and proud Texan accent. And while I can't really imagine how a cowboy like himself was cast in Christopher Nolan's upcoming science fiction Interstellar, McConaughey and his accent were surely a match made in heaven for his role as the slowly weathering and dying HIV/AIDS patient Ron Woodruff. For Dallas Buyers Club, McConaughey and his accent worked exceptionally well.

    Quebecois director Jean-Marc Vallee helms McConaughey as Ron Woodruff; a rugged, homophobic, ultra- macho, bull-riding, money throwing, playboy with no accord to anyone. Woodruff, a money hustling, chance taking electrician juggles his fortune, his luck, his women, and his job to make ends meet and live a somewhat fulfilling life. It isn't until an unexpected accident at work that leaves Woodruff hospitalized, giving him no choice but to make a difference in his life and the lives of many others. Upon learning of his recent HIV positive diagnostics and short thirty day life expectancy time span, Woodruff, reluctant to die, uses his hustling, smooth-talking, greasing ways to secure him a new, untested medicine to prolong the spread of HIV, the FDA (Food and Drug Administration) approved AZT.

    After consuming an uncontrolled amount of AZT, the only legal drug that was available at the time in the United States, all the while, still abusing his substances, Woodruff has a close encounter with death. Coming to the morbid realization that the ATZ was depleting his longevity, he enlists the help of a disgraced doctor (Griffin Dunne) and together bring unapproved anti-viral treatments to the U.S illegally. What starts off as a simple economic money tapping market venture, Woodruff, along the way, comes to the realization that his efforts to help others, are actually working.

    Enlisting the help of fellow HID/AIDS victim Rayon (Jared Leto), the two start the Dallas Buyers Club, an alternative treatment centre for paying members that pits Woodruff in a gestating face-to-face with the FDA and other pharmaceutical companies. As the clientele grows thanks to Rayon's introduction to the biggest HIV/AIDS demographic, homosexuals, Woodruff has a revelation that not only changes his opinion of gays but also is a deep and dark look of sexual discrimination in the south of the U.S in the 1980′s. Dallas Buyers Club is a film dependent on the skills of its actors physical and mental performances. Aside from McConaughey's drastic forty pound weight loss, supporting actor Jared Leto dropped a hefty amount of weight to play the utterly convincing transsexual Rayon.

    Veering far away from Christian Bale comparisons in his eerie and grotesque turn as Trevor Reznik in Brad Anderson 2004′s indie The Machinist, the two leads in the Dallas Buyers Club abandon physical spectacle in exchange for allowing their on-screen presence to give a candid, historical accuracy of HIV/AIDS patients, and the brutal struggle they faced against a deadly and unforgiving epidemic in the United States in the 1980′s. Dallas Buyers Club is McConaughey's best role yet. Fierce, trashy and edifying, the actor substitutes humility for profanity, glamour for wretchedness, and the light-hearted for the heavy and unapologetic. Finally, McConaughey joins a club of actors that he should be proud to be a part of.

    Although the year's lead actor category is going to be a full one at this year's Academy Awards, the Supporting Actor category will have a clear winner. Unrecognizable, subtle and submerged into the role, their is no deny or ignoring the raw talent Leto brings to the role of Rayon. His previous efforts as a dedicated method actor, either gaining a large amount of weight or shedding weight with a wink of an eye, Leto's dedication to the craft is showcased in Dallas Buyers Club, and will surely be rewarded. Dallas Buyers Club is a morally, heavy-hitting drama with lasting effects.

    Dramatizing the social discrimination of gays in the South of the United States and the condition of many low-income, trailer-park living American residents, the film raises the questions whether or not AIDS/HIVS and other fatal diseases are fairly treated within government fine print and whether the main goal of such large and powerful companies is wealth, or health. Gritty, raw and compelling, Dallas Buyers Club is a powerfully dramatic based on a true story. Woodruff was a simple man, whose unfortunate condition brought forth an incredible man who's zest for life inspires others.

    Ron Woodruff definitely rode the bull in life; challenging the powerful FDA, pharmaceutical companies and notions that were instilled in his since birth. Thankfully for us, Vallee, McConaughey and Leto ride the film into a place in our hearts, in an overly sexualized, passionate display of what it's like to die "with your boots on"; dirty, gritty and with a fighting chance.

    *

    Matthew McConaughey...A STAR IS BORN
    10/10
    Author: tica tshmi from Park City
    24 November 2013

    At times Mr. McConaughey's acting abilities may have been in question, but doubtless there has always been a genius just waiting to explode. And explode it does in Dallas Buyers Club. Given a fully explored and developed character, he is the centrifugal force of the engaging plot of an American tragedy, seamless direction, lively dialogue and creme de la creme supporting actors. This actor, who proves he can blur the lines between acting and real, rises to the ranks of Dustin Hoffman, Sean Penn, Al Pacino, Robert DeNiro, our Grand Pere, Jack Nicholson, and his own idol, Paul Newman. Unquestionably, he deserves a spot in Academy Awards for Best Actor. At long last, given the opportunity, he has proved to possess truly exquisite talent; to be an actor's actor, worthy of study, deep respect, even awe. He skillfully brings to life an oddball cowboy character to the level of hero, and mesmerizes the audience at every single breath, by every stretch of his emaciated gorgeous heart, soul and body. Shirts off to Matthew McConaughey, and may you never doubt his abilities again.

    *

    The best movie I've seen in years.
    10/10
    Author: robert-259-28954 from United States
    4 December 2013

    After watching this film, I've run out of glowing superlatives to describe it. First of all, a word on Matthew McConaughey. I've always thought of him as a relative lightweight in the film world, the sexy leading man best designed for selling tickets and little else. I am happy to report that I was mistaken. Sadly, horribly mistaken. From the very first frame of this amazing movie, I was so amazed at his physical transformation that it took a half an hour just to adjust my eyes to the frail creature I saw before me. But it was real, just as his stellar performance both illuminated the way I look at the entire AIDS epidemic and the toll it takes on humanity, both gay and straight.

    This film happily avoided all previous clichés and typical treatments of the subject matter, transcending every other film I have seen regarding HIV/AIDS. For so long I have decried the serious lack of great film for ADULTS, with seemingly everything out today designed for pre-pubescent teenaged boys interesting in nothing more than mindless video games and moronic super hero sequels. As with many memorable independent films, this gem was elevated to heroic status with the incredible acting of McConaughey, in concert with the amazing Jaret Leto, providing the perfect foil to his perfect, character-driven role.

    Every, single reason for going to the movies is present in the glorious truth and humanity of this landmark effort, a "must-see' for anyone seeking superior acting in profusion. If there's a God in heaven, Matthew and Jaret should both win the Academy Awards for Best Performance by a Leading Man, and Best Supporting Actor. Each actor went far beyond mere "acting" in this film, becoming so entirely immersed into character that they stopped acting and just BECAME. Don't miss this important and moving film.

    *

    Outstanding movie about important themes.
    10/10
    Author: PWNYCNY from United States
    26 November 2013

    This movie is wonderful. It contains all the elements of a great movie. It has a strong script, excellent acting, compelling themes and terrific cinematography. This movie contains what is probably Matthew McConaughey's best performance. He carries the movie. He is in just about every scene. The movie deals with several themes - AIDS, terminal illness, government regulations, response to crisis, change of life issues, homosexuality, promiscuity, personal responsibility, and capitalism. All these themes are treated forthrightly.After watching this movie, one should come away with a better understanding and appreciation of the issues raised. But although the movie touches on themes that have political implications, it is first and foremost a drama. Although the movie takes some literary license, such as frank depictions of sickness and drug abuse, none of it is gratuitous. That is, it adds to the story.

    *

    Great Story, Excellent Performances
    8/10
    Author: Slasher_Lover23 from United States
    6 December 2013

    After being diagnosed with HIV, electrician Ron Woodroof (Matthew McConaughey) learns he only has 30 days left to live. After getting an illegal supply of AZT, Ron finds that this isn't doing anything to help him. Eventually fleeing to Mexico, Ron learns of and begins to take a particular drug that hasn't been approved in the U.S. When he finds that this drug is improving his health, Ron sees an opportunity. After smuggling the drugs across the border, Ron, and another HIV patient named Rayon (Jared Leto) begins selling the drug to other citizens with the virus. During the process, Ron battles the medical field and the law in order to prove how beneficial his buyer's club is.

    Based on the true story of the real Ron Woodroof, Dallas Buyers Club follow one man's actions on his mission to survive and how he started a revolution in a time when HIV/AIDS was a major issue. The story itself, not only is interesting, but it doesn't contain a dull moments. It filled with dramatic elements with dashes of comedic moments. It also features characters that we come to find ourselves close to. Every one of which gets their own time to shine. The film does jump around quite a bit, but it does so for the sake of the story and the events that are to come, and through every major point in Woodroof's life and battle with HIV.

    Among the cast is Matthew McConaughey who easily gives the performance of his career as the blunt and clever Ron Woodroof. McCoaughey conveys different aspects of Woodroof with such ease. There are moments where he portrays Woodroof as being tough as nails, but then he can instantly shift gears into his emotional side. The comic relief aspects also come off completely natural. Jennifer Garner stars as Woodroof's female doctor friend Eve Saks. Garner does a fine job of giving off her charm as she always does, but with this performance we see the conflict her character is battling between her career and doing what is right. But the one actor who stands out the most is Jared Leto as the cross-dressing Rayon.

    Leto provides not only a lot of the major comic relief, but he also brings the heart of the story. We are shown Rayon as this carefree, happy-go-lucky character, but eventually we are shown just deeply affected this disease brings him emotionally, and Leto brings all of this to the table flawlessly.Dallas Buyers Club is completely deserving of all of its Oscar buzz. From its powerful story, to its outstanding performances by the two leading males. Whether or not it is or isn't nominated for the 2014 Oscars, it is a film that has to be seen.My Rating: 8/10

    *

    A brilliant performance
    9/10
    Author: Howard Schumann from Vancouver, B.C.
    17 November 2013

    At the beginning of the AIDS epidemic in the early 1980s, patients were advised to wait. In the six years following the first recording of the AIDS outbreak in 1981, more than 40,000 people in the U.S. died while waiting. In response to the clamor for action on the AIDS crisis, then Vice President George H.W. Bush has been quoted as saying "If you want change, change your behavior." Roger Ebert recalls, "Politicians did not want to be associated with the disease. Hospitals resisted admitting victims, and when an AIDS victim died, some health-care workers would place the body in a black garbage bag. Funeral homes refused to accept the corpses."

    As described in David France's documentary How to Survive a Plague, activists such as the New York-based organization ACT UP began to protest against the government's callous indifference, challenging the FDA to change their drug approval procedure and the pharmaceutical companies to lower their prices and speed up their research process. In addition to the organized group protests, individuals also did their part and the determination of one unlikely crusader, electrician Ron Woodroof (Matthew McConaughey), a homophobic "good ol' Texas party boy," is the centerpiece of Jean Marc-Vallée's gritty and hard-hitting Dallas Buyers Club.

    Written by Craig Borten and Melisa Wallack and based on real events, it is the story of Woodroof's personal struggles after being diagnosed with AIDS and his efforts to spread public awareness of the disease and help reduce the suffering and extend the lives of AIDS patients. As the film opens, the heterosexual, drug-using and unabashedly promiscuous Woodroof receives the bad news from his doctors that he only has thirty days to live. Reacting with vitriol, he storms out of the hospital, cursing and making homophobic slurs while accusing the staff of making the wrong diagnosis.

    After thoroughly researching the disease, however, and accepting the idea of his serious illness, Woodroof hears of a clinical trial for the new drug AZT, the only legal drug that was available at the time in the United States. His attempt, however, to become one of the participants is denied and he has to purchase the drug surreptitiously from an orderly. Unfortunately, he soon finds out that the dosage of AZT he is taking is toxic and his condition worsens. Refusing to give up, he visits an unlicensed American doctor (Griffin Dunne) in Mexico who has had some success with alternative treatments such as vitamins and protein-based anti-viral drugs.

    Smuggling non-FDA approved experimental and alternative medicines into the U.S., he creates a business that allows him to distribute the drugs free of charge to AIDS patients who pay a monthly membership fee to join his Dallas Buyers Club, one of many such clubs that sprang up around the country. Woodroof is assisted in his venture by the drug-addicted transsexual Rayon (Jared Leto), a fellow patient that he met during his hospitalization. Though the film's depiction of Rayon does little to break the gay stereotype, their mutual engagement in helping AIDS victims helps Ron see his business partner in a different light than on their first meeting.

    With the help of a sympathetic doctor, Eve Saks (Jennifer Garner), Rayon and Woodroof work together while dodging Food and Drug Administration enforcers and the wrath of the pharmaceutical companies. In one of his best efforts, Matthew McConaughey, who lost 40 pounds for the movie, delivers a brilliant performance as the emotionally volatile but basically decent Woodroof. Though ultimately, not all alternative drugs proved to be useful, Woodroof and Rayon's determination in the face of powerful interests helped paved the way for development of new treatments, even though it took until the late 90s to come up with one that was fully effective. As a result of their efforts and that of countless others, HIV is no longer the death sentence it once was.

    *

    Two shining performances
    8/10
    Author: (majic-5) from United States
    7 December 2013

    Other reviewers have ably reviewed this film, so I'll just say that this small gem is the best film I've seen so far this year. Both lead actors give sparkling performances, and in scenes where they share the screen, you might need sunglasses to handle the sun-bright intensity.

    Of note is that this entire film was shot in only 23 days and Leto, in particular, said in an interview on the Daily Show, that he didn't have much time to rehearse, making the performance even more impressive. The only detraction was Jennifer Garner. She barely projects the authority of a nurse, let alone a doctor, even though female doctors in the 70's (and maybe today) were second-class citizens.






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