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© DR- HORS D'ATTEINTE de Steven Soderberg (1998) p7
01/01/2012 14:50
Trivia
Showing all 34 items
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During their DVD commentary, director Steven Soderbergh and writer Scott Frank reveal that the actors ad libbed several memorable lines in the script. Don Cheadle wrote the line, "in a situation like this, there's a high potentiality for the common motherfucker to bitch out."
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Hors d'atteinte (1998) is one of George Clooney's favourite films on his resume. He said "It was the first time where I had a say, and it was the first good screenplay I'd read where I just went "That's it." Even though it didn't do very well box-office wise-we sort of tanked again-it was a really good film."
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The mug shot of George Clooney's character Jack Foley (of which Karen says "He doesn't even look like that") is the mug shot of Clooney's character Seth Gecko from Une nuit en enfer (1996).
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Sandra Bullock almost got the part of Karen Sisco but Steven Soderbergh was against it. He said: "I spent some time with Clooney and Bullock, and they actually did have a great chemistry. But it was for the wrong movie. I'm sure they could do a movie together. But not an Elmore Leonard movie." Clooney and Bullock appear together in 2013 movie Gravity (2013)
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When Jack sees the photo of Karen's father, he remarks that he has a "cop's face". In real life, Dennis Farina, who plays Marshall Sisco, is a former Chicago police officer. As an actor Farina has had several roles as a cop.
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Steven Soderbergh saw this film as a conscious decision on his part to climb out of the arthouse ghetto. He had to do a film like this because half the business was still off-limits to him.
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The exterior of Ripley's mansion is that of an actual house. The interior was a set. The owners of the mansion liked the look so much that they asked for the plans of the set.
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The trunk scene was shot 45 times. However, none of these takes were used in the final cut, as the test audience dislike the long single take. The scene as it appears in the movie was a re-shoot. The original long take is available on the DVD extras.
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At the time of its release, the only major motion picture to feature two different actors who have played Batman, Michael Keaton (in an uncredited role) and George Clooney.
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Steven Soderbergh shot the initial scene between Karen and Foley in a trunk because he liked the forced intimacy it generated between the two strangers. Before the scene was over, he knew they had spent enough time in each other's heads that the intimacy between them was real now. And that can only lead to love. Which is why the film works.
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The elderly man who gets into the elevator with Jack and Buddy (when Karen sees Jack at Buddy's apartment building) is Philip Perlman, producer Danny DeVito's father-in-law.
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Foley appealed to George Clooney because as a boy, his heroes in crime films were always the bank robbers. He liked "the Cagneys and the Bogarts and Steve McQueen. The guys who were kind of bad who you rooted for. And when I read this I thought this guy is robbing a bank but you really want him to get away with it."
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Miramax Films owned the rights to the Ray Nicolette character due to the fact that Jackie Brown (1997) went into production first, that film's director, Quentin Tarantino felt it was imperative that Miramax not charge Universal for using the character. This move gave Universal Pictures enough leeway to use the film's character free of charge from Miramax. Michael Keaton''s limited appearance as Ray Nicolette was a much more substantial element of Jackie Brown (1997).
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The snow falling outside of the hotel where Jack and Karen have a drink was computer generated.
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Lopez's Karen Sisco and Clooney's Jack Foley ranked #4 on Moviefone's 'The Top 25 Sexiest Movie Couples'. [May 2008]
The scenes at Glades were filmed at Angola Prison in Louisiana where 500 real cons were used as extras.
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The Polaroid photo of Jack Foley that Adele shows to Karen was taken outside a Star Waggon, an on-set cast trailer, by Steven Soderbergh.
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In November 2008, Entertainment Weekly magazine ranked Hors d'atteinte (1998) as #1 in their list of sexiest movies ever.
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Maurice's comment to the Midge the maid - "...you're gonna be a dead Hazel..." - is most likely a reference to the television show of that name. The show Adèle (1961) starred Shirley Booth and ran from 1961 - 1966.
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Jennifer Lopez trained for 10 weeks with a real FBI agent, learning how to shoot sniper rifles.
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Jennifer Lopez had to screen test for the part of Karen Cisco. The scene chosen was the intimate one between Lopez and George Clooney in the trunk of a car, enacted on a couch at Clooney's home. Lopez later joked that that was her only brush with the casting couch.
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George Clooney claimed that he was four pages into reading Scott Frank's screenplay when he was convinced that he had to appear in the film.
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Initially Steven Soderbergh was going to turn down the chance to direct this film. He had another project lined up which he wanted to make even though he really liked Scott Frank's screenplay and the idea of working with George Clooney. Universal head Casey Silver was determined to get Soderbergh on board and was able to persuade the director by telling him that an opportunity like this doesn't line up very often. Soderbergh quickly realized that Silver was right.
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Titled in Brazil as "Irresistible Passion".
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© DR - HORS D'ATTEINTE de Steven Soderberg (1998) p8
01/01/2012 14:57
Distinctions et récompenses (source Wiki) Nomination aux Oscar du meilleur montage et meilleur scénario adapté en 1999.
Distinctions et récompenses(source IMDb)
Showing all 14 wins and 9 nominations
Academy Awards, USA 1999
Nominated Oscar |
Best Writing, Screenplay Based on Material Previously Produced or Published Scott Frank
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Best Film Editing Anne V. Coates
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ALMA Awards 1999
Won ALMA Award |
Outstanding Actress in a Feature Film in a Crossover Role Jennifer Lopez
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American Cinema Editors, USA 1999
Boston Society of Film Critics Awards 1998
Broadcast Film Critics Association Awards 1999
Nominated Critics Choice Award |
Best Picture
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Casting Society of America, USA 1999
Edgar Allan Poe Awards 1999
Golden Trailer Awards 1999
Won Golden Trailer |
Best Music
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MTV Movie Awards 1999
National Society of Film Critics Awards, USA 1999
Online Film & Television Association 1999
Won OFTA Film Award |
Best Writing, Screenplay Based on Material from Another Medium Scott Frank
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Online Film Critics Society Awards 1999
Southeastern Film Critics Association Awards 1999
Toronto Film Critics Association Awards 1998
Writers Guild of America, USA 1999
Won WGA Award (Screen) |
Best Screenplay Based on Material Previously Produced or Published Scott Frank |
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© DR - Jennifer Lopez - ANGEL EYES
01/01/2012 17:57
Lien vers la fiche complete du film http://www.imdb.com/title/tt0225071/?ref_=fn_al_tt_1
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Critique (par Nicolas)
Sharon Pogue est officier de police et fière de l'être. Mais son engagement et sa détermination cachent difficilement un vide affectif dans sa vie privée. En effet, outre le manque cruel d'amis, sa famille ne lui a jamais pardonné d'avoir fait arrêter son père violent. Une nuit, alors qu'elle est à la poursuite d'un suspect, elle tombe dans une embuscade. Surgit alors un mystérieux inconnu, qui va lui sauver la vie. Fascinée par son côté mélancolique et réservé, elle va tenter d'en savoir davantage sur ce beau ténébreux, se faisant appeler Catch (Jim Caviezel).
Mais à qui sont donc ces yeux d'ange ? Après la projection, c'est une des questions que l'on peut se poser, puisque le titre n'a rien à voir avec le scénario. Parle-t-on donc du regard de Jennifer Lopez ? Peut-être, bien qu'il y ait peu de rapport avec ce film moralisateur et surtout légèrement soporifique.Sharon, flic de Chicago, sauve la vie d'une personne coincée dans un accident de la route. Un an plus tard, elle est elle-même sauvée d'une mort certaine par Catch, un homme mystérieux qui va s'immiscer dans sa petite existence de fille esseulée...
Rébarbatif. Ennuyeux. Soporifique. Après la séquence de l'accident, on est parti pour un film de 3 heures qui pourtant en dure moins de 2. Allez comprendre. La faute à deux personnages tourmentés qui se tourmentent l'un l'autre et presque larmoyants, à des seconds rôles aussi étoffés que s'il avait été créé pour Le Groupe de France 2, et au rythme du scénario qui ferait presque penser à une partie d'échecs. Un scénario qui n'a d'ailleurs rien d'extraordinaire, et qui n'offre aucun rebondissement. Une fois que l'on sait que Catch est l'homme qui a sauvé Sharon dans le passé (c'est à dire une fois les dix premières minutes passées), on sait tout.
Il y a une morale tout du moins, celle de se dresser devant ses peurs, ses doutes, ses angoisses, ses souffrances, parce que sinon bah on s'en sort pas. C'est ce que vont apprendre les deux nouveaux tourtereaux, mais il leur faudra le temps (la durée du film précisément)...On ressort fatigué, fourbu, les yeux à demi-fermés, de ce mélodrame qui ne vaut pas une demi-cacahuète. L'expression deux heures de perdues reprend tout son sens.
SENS CRITIQUE
Le film commence comme un polar puis passe à la romance mais Luis Mandoki et son scénariste Gerald Di Pego ont chaussé leurs gros sabots. Peu de finesse dans l’enchaînement des scènes. L’ennui nous investit à chaque plan et la plastique de Jennifer Lopez n’y peut mais! (ben quand même au moins ça...enfin cke j'en dis)
Dialogues plats, scènes convenues et prévisibles, dénouement sans surprise, Bref le film rabâche un sujet maintes fois exploré. De plus le film souffre d’une grosse faute de casting : Jim Caviezel n’étant visiblement pas l’acteur de la situation. La musique de Marco Beltrami ne relève guère la sauce. La bonne nouvelle c’est la présence des acteurs exceptionnels que sont Victor Argo et Sonia Braga.(Ah ? c'est une bonne nouvelle...mais céki Victor et Sonia??)
* LA SCENE D’ANTHOLOGIE : Le monologue inepte de Steven « Catch » Lambert devant la tombe de sa femme et de son fils. Un exemple de scène à ne surtout pas imiter.
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© DR - Jennifer Lopez - ANGEL EYES p2
01/01/2012 18:02
Trivia
Showing all 5 items
In the nightclub, Catch and the flute player perform a duet of the song "Nature Boy." This is one of Nat 'King' Cole's greatest hits.
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The scenes in and around Sharon's parents home were filmed at the Playter Farmhouse, a historic building near the Danforth in Toronto, Ontario.
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© DR - Jennifer Lopez -3/ SHALL WE DANCE
01/01/2012 18:06
Jennifer Lo
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