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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
  • 103 commentaires postés
  • 1 visiteur aujourd'hui
  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

    Garçon (73 ans)
    Origine : 75 Paris
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    © DR- HORS D'ATTEINTE de Steven Soderberg (1998) p7

    01/01/2012 14:50

     © DR- HORS D'ATTEINTE de Steven Soderberg (1998) p7


    Trivia
    Showing all 34 items
    Jump to: Cameo (1) | Director Trademark (1)
    *
    Michael Keaton reprises his role as "Ray Nicolette" in a small cameo. He originally played him in another Elmore Leonard novel-adapted film, Jackie Brown (1997).
    *
    During their DVD commentary, director Steven Soderbergh and writer Scott Frank reveal that the actors ad libbed several memorable lines in the script. Don Cheadle wrote the line, "in a situation like this, there's a high potentiality for the common motherfucker to bitch out."
    *
    Hors d'atteinte (1998) is one of George Clooney's favourite films on his resume. He said "It was the first time where I had a say, and it was the first good screenplay I'd read where I just went "That's it." Even though it didn't do very well box-office wise-we sort of tanked again-it was a really good film."
    *
    The mug shot of George Clooney's character Jack Foley (of which Karen says "He doesn't even look like that") is the mug shot of Clooney's character Seth Gecko from Une nuit en enfer (1996).
    *
    Sandra Bullock almost got the part of Karen Sisco but Steven Soderbergh was against it. He said: "I spent some time with Clooney and Bullock, and they actually did have a great chemistry. But it was for the wrong movie. I'm sure they could do a movie together. But not an Elmore Leonard movie." Clooney and Bullock appear together in 2013 movie Gravity (2013)
    *
    When Jack sees the photo of Karen's father, he remarks that he has a "cop's face". In real life, Dennis Farina, who plays Marshall Sisco, is a former Chicago police officer. As an actor Farina has had several roles as a cop.
    *
    Samuel L. Jackson and Michael Keaton did their cameos free of charge.
    *
    Steven Soderbergh saw this film as a conscious decision on his part to climb out of the arthouse ghetto. He had to do a film like this because half the business was still off-limits to him.
    *
    The exterior of Ripley's mansion is that of an actual house. The interior was a set. The owners of the mansion liked the look so much that they asked for the plans of the set.
    *
    The trunk scene was shot 45 times. However, none of these takes were used in the final cut, as the test audience dislike the long single take. The scene as it appears in the movie was a re-shoot. The original long take is available on the DVD extras.
    *
    At the time of its release, the only major motion picture to feature two different actors who have played Batman, Michael Keaton (in an uncredited role) and George Clooney.
    *
    Steven Soderbergh shot the initial scene between Karen and Foley in a trunk because he liked the forced intimacy it generated between the two strangers. Before the scene was over, he knew they had spent enough time in each other's heads that the intimacy between them was real now. And that can only lead to love. Which is why the film works.
    *
    The elderly man who gets into the elevator with Jack and Buddy (when Karen sees Jack at Buddy's apartment building) is Philip Perlman, producer Danny DeVito's father-in-law.
    *
    Foley appealed to George Clooney because as a boy, his heroes in crime films were always the bank robbers. He liked "the Cagneys and the Bogarts and Steve McQueen. The guys who were kind of bad who you rooted for. And when I read this I thought this guy is robbing a bank but you really want him to get away with it."
    *
    Elmore Leonard envisioned Jack Nicholson or Sean Connery as Jack Foley when he sold the film rights of his novel.
    *
    Miramax Films owned the rights to the Ray Nicolette character due to the fact that Jackie Brown (1997) went into production first, that film's director, Quentin Tarantino felt it was imperative that Miramax not charge Universal for using the character. This move gave Universal Pictures enough leeway to use the film's character free of charge from Miramax. Michael Keaton''s limited appearance as Ray Nicolette was a much more substantial element of Jackie Brown (1997).
    *
    The snow falling outside of the hotel where Jack and Karen have a drink was computer generated.
    *
    Lopez's Karen Sisco and Clooney's Jack Foley ranked #4 on Moviefone's 'The Top 25 Sexiest Movie Couples'. [May 2008]
     
    The scenes at Glades were filmed at Angola Prison in Louisiana where 500 real cons were used as extras.
    *
    The Polaroid photo of Jack Foley that Adele shows to Karen was taken outside a Star Waggon, an on-set cast trailer, by Steven Soderbergh.
     
    *
    In November 2008, Entertainment Weekly magazine ranked Hors d'atteinte (1998) as #1 in their list of sexiest movies ever.
    *
    Catherine Keener was originally slated for the Karen Cisco role, later taken by Jennifer Lopez.
    *
    The fish tank in Richard Ripley's home has some of the same species from Le monde de Nemo (2003). Albert Brooks (Ripley) voiced a fish in Le monde de Nemo (2003).
    *
    The Bank Customer character in an early scene, credited to the actor Elgin Marlowe, is Mike Malone, Steven Soderbergh's friend and star of his earlier work, Schizopolis (1996).
    *
    Maurice's comment to the Midge the maid - "...you're gonna be a dead Hazel..." - is most likely a reference to the television show of that name. The show Adèle (1961) starred Shirley Booth and ran from 1961 - 1966.
    *
    The first of several George Clooney - Steven Soderbergh collaborations.
    *
    Jennifer Lopez trained for 10 weeks with a real FBI agent, learning how to shoot sniper rifles.
    *
    Jennifer Lopez had to screen test for the part of Karen Cisco. The scene chosen was the intimate one between Lopez and George Clooney in the trunk of a car, enacted on a couch at Clooney's home. Lopez later joked that that was her only brush with the casting couch.
    *
    George Clooney claimed that he was four pages into reading Scott Frank's screenplay when he was convinced that he had to appear in the film.
    *
    Initially Steven Soderbergh was going to turn down the chance to direct this film. He had another project lined up which he wanted to make even though he really liked Scott Frank's screenplay and the idea of working with George Clooney. Universal head Casey Silver was determined to get Soderbergh on board and was able to persuade the director by telling him that an opportunity like this doesn't line up very often. Soderbergh quickly realized that Silver was right.
    *
    Titled in Brazil as "Irresistible Passion".
    *
    Another Batman connection is the film features Michael Keaton in an uncredited cameo, and the film has Danny DeVito as a producer. Keaton played Batman and DeVito the Penguin in Batman, le défi (1992).
    *

    Cameo 

    Samuel L. Jackson:  prisoner at end of film.





    © DR - HORS D'ATTEINTE de Steven Soderberg (1998) p8

    01/01/2012 14:57

     © DR - HORS D'ATTEINTE de Steven Soderberg (1998)  p8


    Distinctions et récompenses (source Wiki)
    Nomination aux Oscar du meilleur montage et meilleur scénario adapté en 1999.

    Distinctions et récompenses(source IMDb)
    Showing all 14 wins and 9 nominations

    Academy Awards, USA 1999

    Nominated
    Oscar
    Best Writing, Screenplay Based on Material Previously Produced or Published
    Scott Frank
    Best Film Editing
    Anne V. Coates


    ALMA Awards 1999

    Won
    ALMA Award
    Outstanding Actress in a Feature Film in a Crossover Role
    Jennifer Lopez


    American Cinema Editors, USA 1999

    Nominated
    Eddie
    Best Edited Feature Film
    Anne V. Coates


    Boston Society of Film Critics Awards 1998

    Won
    BSFC Award
    Best Film
    Best Screenplay
    Scott Frank
    2nd place
    BSFC Award
    Best Director
    Steven Soderbergh
    Best Actor
    George Clooney


    Broadcast Film Critics Association Awards 1999

    Nominated
    Critics Choice Award
    Best Picture


    Casting Society of America, USA 1999

    Nominated
    Artios
    Best Casting for Feature Film, Drama
    Francine Maisler


    Edgar Allan Poe Awards 1999

    Won
    Edgar
    Best Motion Picture
    Scott Frank (screenplay)
    Elmore Leonard (novel)


    Golden Trailer Awards 1999

    Won
    Golden Trailer
    Best Music


    MTV Movie Awards 1999

    Nominated
    MTV Movie Award
    Best Female Performance
    Jennifer Lopez
    Best Kiss
    George Clooney
    Jennifer Lopez


    National Society of Film Critics Awards, USA 1999

    Won
    NSFC Award
    Best Film
    Best Director
    Steven Soderbergh
    Best Screenplay
    Scott Frank


    Online Film & Television Association 1999

    Won
    OFTA Film Award
    Best Writing, Screenplay Based on Material from Another Medium
    Scott Frank


    Online Film Critics Society Awards 1999

    Won
    OFCS Award
    Best Screenplay, Adapted
    Scott Frank
    Nominated
    OFCS Award
    Best Film Editing
    Anne V. Coates


    Southeastern Film Critics Association Awards 1999

    Won
    SEFCA Award
    Best Adapted Screenplay
    Scott Frank


    Toronto Film Critics Association Awards 1998

    Nominated
    TFCA Award
    Best Director
    Steven Soderbergh


    Writers Guild of America, USA 1999

    Won
    WGA Award (Screen)
    Best Screenplay Based on Material Previously Produced or Published
    Scott Frank






    © DR - Jennifer Lopez - ANGEL EYES

    01/01/2012 17:57

     © DR - Jennifer Lopez - ANGEL EYES


    Lien vers la fiche complete du film
    http://www.imdb.com/title/tt0225071/?ref_=fn_al_tt_1

    *

     

    Critique (par Nicolas)

    Sharon Pogue est officier de police et fière de l'être. Mais son engagement et sa détermination cachent difficilement un vide affectif dans sa vie privée. En effet, outre le manque cruel d'amis, sa famille ne lui a jamais pardonné d'avoir fait arrêter son père violent. Une nuit, alors qu'elle est à la poursuite d'un suspect, elle tombe dans une embuscade. Surgit alors un mystérieux inconnu, qui va lui sauver la vie. Fascinée par son côté mélancolique et réservé, elle va tenter d'en savoir davantage sur ce beau ténébreux, se faisant appeler Catch (Jim Caviezel).

    Mais à qui sont donc ces yeux d'ange ? Après la projection, c'est une des questions que l'on peut se poser, puisque le titre n'a rien à voir avec le scénario. Parle-t-on donc du regard de Jennifer Lopez ? Peut-être, bien qu'il y ait peu de rapport avec ce film moralisateur et surtout légèrement soporifique.Sharon, flic de Chicago, sauve la vie d'une personne coincée dans un accident de la route. Un an plus tard, elle est elle-même sauvée d'une mort certaine par Catch, un homme mystérieux qui va s'immiscer dans sa petite existence de fille esseulée...

    Rébarbatif. Ennuyeux. Soporifique. Après la séquence de l'accident, on est parti pour un film de 3 heures qui pourtant en dure moins de 2. Allez comprendre. La faute à deux personnages tourmentés qui se tourmentent l'un l'autre et presque larmoyants, à des seconds rôles aussi étoffés que s'il avait été créé pour Le Groupe de France 2, et au rythme du scénario qui ferait presque penser à une partie d'échecs. Un scénario qui n'a d'ailleurs rien d'extraordinaire, et qui n'offre aucun rebondissement. Une fois que l'on sait que Catch est l'homme qui a sauvé Sharon dans le passé (c'est à dire une fois les dix premières minutes passées), on sait tout.

    Il y a une morale tout du moins, celle de se dresser devant ses peurs, ses doutes, ses angoisses, ses souffrances, parce que sinon bah on s'en sort pas. C'est ce que vont apprendre les deux nouveaux tourtereaux, mais il leur faudra le temps (la durée du film précisément)...On ressort  fatigué, fourbu, les yeux à demi-fermés, de ce mélodrame qui ne vaut pas une demi-cacahuète. L'expression deux heures de perdues reprend tout son sens.

    SENS CRITIQUE

    Le film commence comme un polar puis passe à la romance mais Luis Mandoki et son scénariste Gerald Di Pego ont chaussé leurs gros sabots. Peu de finesse dans l’enchaînement des scènes. L’ennui nous investit à chaque plan et la plastique de Jennifer Lopez n’y peut mais! (ben quand même au moins ça...enfin cke j'en dis)

    Dialogues plats, scènes convenues et prévisibles, dénouement sans surprise, Bref le film rabâche un sujet maintes fois exploré. De plus le film souffre d’une grosse faute de casting : Jim Caviezel n’étant visiblement pas l’acteur de la situation. La musique de Marco Beltrami ne relève guère la sauce. La bonne nouvelle c’est la présence des acteurs exceptionnels que sont Victor Argo et Sonia Braga.(Ah ? c'est une bonne nouvelle...mais céki Victor et Sonia??)
    *
    LA SCENE D’ANTHOLOGIE
    : Le monologue inepte de Steven « Catch » Lambert devant la tombe de sa femme et de son fils. Un exemple de scène à ne surtout pas imiter.

     

     






    © DR - Jennifer Lopez - ANGEL EYES p2

    01/01/2012 18:02

     © DR - Jennifer Lopez - ANGEL EYES  p2


    Trivia

    Showing all 5 items
    Jennifer Lopez insisted that the part of Catch be played by Jim Caviezel even though she didn't even know his name. She had recently been impressed with his performance in La ligne rouge (1998).
    *
    Ben Affleck and Aaron Eckhart were considered for the role of Catch.
    *
    In this film, Jennifer Lopez acts opposite two men who have played Jesus Christ. Jeremy Sisto portrayed Jesus Christ in Jésus (1999) and Jim Caviezel played Jesus Christ in Mel Gibson's La passion du Christ (2004).
    *
    In the nightclub, Catch and the flute player perform a duet of the song "Nature Boy." This is one of Nat 'King' Cole's greatest hits.
    *
    The scenes in and around Sharon's parents home were filmed at the Playter Farmhouse, a historic building near the Danforth in Toronto, Ontario.





    © DR - Jennifer Lopez -3/ SHALL WE DANCE

    01/01/2012 18:06

     © DR - Jennifer Lopez -3/ SHALL WE DANCE


                                                          Jennifer Lo






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