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© DR -QUELQUES JOURS EN SEPTEMBRE (2006)
17/11/2012 11:04
Quelques jours en septembre
est un film franco-italo-portugais réalisé par Santiago Amigorena en 2006.
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© DR -QUELQUES JOURS EN SEPTEMBRE (2006) p2
17/11/2012 11:19
Sarah Forestier
Résumé1
1er septembre 2001. Elliot, un espion américain, décide de disparaître alors qu'il détient une information cruciale. Dans le même temps, il cherche à revoir sa fille Orlando, qu'il a abandonnée dix ans plus tôt.Irène, une amie de longue date, doit organiser la rencontre à Venise en compagnie de David, le fils adoptif d'Elliot. Mais c'est sans compter sur la présence de William Pound, un tueur sans scrupule et poète à ses heures.
*Un film qui dans l'ensemble a été plutôt mal reçu...Ben moi j'aime beaucoup ce film
j'ai même trouvé une poignée de gens plutôt d'accord
La critique des spectateurs d'ImDB
A Stylish, Engrossing Tale form the European Front Before 911
Author: gradyharp from United States
13 September 2007
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Quelques jours en septembre (A Few Days in September) is an intelligent, classy little film that boasts not only a unique story as written and directed by Argentinean Santiago Amigorena, but a fine cast of both seasoned and fresh young actors who capture our attention and hearts as they progress through Europe on a mission that has a lot to do (in 2001) with September's indelible imprint on the world. It is a film that contains biting humor, black humor, love interests, and bizarre sidebars that make the final moments of the movie all the more troubling.
Irène Montano (Juliette Binoche) is an agent in Paris who is somehow connected to secret intelligence in making a meeting with one CIA agent Elliott (Nick Nolte) who holds top-secret information that could change the world... Irène is instructed by cellphone to look after Elliott's estranged French daughter Orlando (Sara Forestier), who loathes the father that deserted her when her mother died, and Elliot's young son David (Tom Riley) from the US who adores his father and has come to Paris to see him. Various meeting places between Irène (accompanied by Orlando and David) and Elliot are aborted until finally the three are told to travel to Venice for a definite meeting. This all takes place between September 5th and September 10th and it is soon suggested that the elusive Intelligence Service Elliott hold information that will impact the world.
As the three characters progress through the streets and cafés of Paris and of Venice they are stalked by a very odd assassin William Pound (John Turturro) who divides his time among reciting poetry, in cellphone consultations with his psychiatrist, killing people and planning the assassination of Elliott. While Orlando and David are at first at odds, separated by language and by disparate feelings about their shared father, the presence of Irène joins the two in friendship and more while acting as a guide and escort through the dangers that lie constantly before them. It is not until the last few minutes of the film that we actually meet Elliott (Nolte) and in these few minutes not only are there changes that occur in the estranged relationship between Orlando and Elliot, but also rapid fire events that breathlessly lead to the moments before the shattering events of 911 in America.
Cinematographer Christophe Beaucarne captures all of the allure of Paris and Venice while keeping the focus of the film intense with well-lighted spaces and camera angles. Laurent Martin has found the right mixture of music types to fit the various moods of the film - from amorous to innocent to terror. The film is in both English and French (subtitled in English) and it is refreshing for a groups of actors to move so graciously between the languages. Binoche is in peak form, creating a fascinating woman whose role is so very pivotal to the entire story.
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John Turturro adds another character role to his repertoire and provides most of the dark humor that peppers the film. Nolte is strong in his small role, but it is the pleasure of watching newcomers Tom Riley and Sara Forestier, so adroit at being natural, that adds to the success of the movie. While the topic of the film (911) is still difficult to assimilate, this version of how Europe was responding and the suggestion of how our own CIA had prior information make for a seamlessly exciting way of filling in some of the holes that remain to be examined. Strongly recommended on all levels.
Grady Harp
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© DR -QUELQUES JOURS EN SEPTEMBRE (2006) p3
17/11/2012 11:22
Résumé Wiki
Quelques jours avant le 11 septembre 2001, différents personnages se retrouvent à Venise pour s'entrecroiser dans une ambiance sulfureuse où règne un sentiment pré-apocalyptique.
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Pretty cool
Author: Jadestone3471641 from United States/France
11 October 2006
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I am an American student studying in France right now, and this is the first foreign film I've seen here. It was a great movie, and was easy to follow for a person with minimal French experience (one of the main characters is American, and whenever the other two main characters are around him they have to speak English, a plus since it helps you catch up on all the french bits you didn't get!). It did have a few artful elements, a few gruesome visuals, but it worked. The use of poetry, silence, out-of-focus visuals, etc. was great, it made the feel of the film better than I had expected. Intreaguing storyline, great characters. All in all, I recommend the film.
A spy thriller well build and acted.
Author: michel-crolais from France
19 September 2006
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An American spy, named Elliot who possesses very secret pieces of information, give an appointment in Paris to three people that are his daughter Orlando that he has not seen since ten years, his adopted child, David and a female faithful friend who has formerly worked with him, Irene. But an implacable killer, William Pound, is pursuing him, and the meeting has to be deleted and transferred to Venice where will be the dramatic ending. This movie is very well acted, particularly by Juliette Binoche and the atmosphere is very interesting. The only reproach I can do is that the director uses too much the same proceeding for the photographic effects, such blurred image. It seems that the movie will not be seen on television set or DVD.
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© DR -QUELQUES JOURS EN SEPTEMBRE (2006) p4
17/11/2012 11:30
John Turturro
Fiche technique
Titre : Quelques jours en septembre
Titre anglais : A Few Days in September
Réalisation : Santiago Amigorena
Scénario : Santiago Amigorena
Directeur photo : Christophe Beaucarne
Musique : Laurent Martin
Producteurs : Paulo Branco et Santiago Amigorena
Distribution : Gemini Films
Durée : 112 min
Sortie : 2006
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That's the question: Are Americans human beings?
Author: lastliberal from United States
24 January 2009
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The only thing remotely exciting in the first half of this movie was if and when the sexual tension between Irène (Juliette Binoche) and David (Tom Riley) would end in a tryst between the sheets before one or both of them were killed by William Pound (John Turturro), a poetry spouting psycho.But then, David's half-sister Orlando (Sara Forestier) appears to hate him and all Americans so much that they will end up together. Who knows? There sure isn't anything else going on as we wait to see if Elliott (Nick Nolte) knows about 9/11 Quelle surprise! The winner is..., and it only took 85 minutes of the movie to get there! The conversations between Irène, Orlando and David kept the movie interesting until the predictable end.
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© DR -QUELQUES JOURS EN SEPTEMBRE (2006) p5
17/11/2012 11:33
En bas (droite) Tom Riley
Cast
Juliette Binoche : Irène Montano
John Turturro : William Pound
Sara Forestier : Orlando
Tom Riley : David
Mathieu Demy : Le jeune banquier
Saïd Amadis : Le vieux banquier
Magne-Havard Brekke : Igor Zyberski
Joël Lefrançois : Le concierge de l'hôtel
Alexis Galmot : Le serveur
Jean-Luc Lucas : Le contrôleur
Roberto Moro : Le gardien du palais
Julien Husson : L'homme à la cigarette
Nick Nolte : Elliott
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Fantastic threesome
This is not really a spy thriller, despite its appearance. This is the story of the fantastic threesome told stylishly (and sometimes mischievously, verging on black humour) as they romp merrily through Paris and Venice. The spying stuff and the pre-911 intrigue are only for providing a convenient stage for the characters to play on. And don't expect anything remotely resembling the intricate web of espionage you see in Syrianna. "A few days in September" is actually quite simple, if you strip away the clever disguises. But all this is very entertaining business.
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The threesome is an ex-spy (now a "spy trainer") Irene taking a young woman from France and a young man from America on a happy excursion through Paris and Venice to meet their father Elliot, a mysterious figure. Orlando and David, who meet for the very first time in their lives, are only step-siblings, with no real blood relations, and you can sense where that is going, despite their initial animosity, the sure sign of a budding romance. When Orland was a little girl, her mother was killed and Elliot left his daughter in Europe as he was recalled to the States. No wonder she hates him. Back home, he married David's mother, and his new step-son adores him.
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The story opens after Elliot had been sent back across the Atlantic on some secret mission. Where does Irene come in? A certain secretive party, wanting to meet the ever elusive Elliot for a secretary reason, works through Irene. Elliot finally gives his consent, on condition that Irene brings both his son and daughter to see him at the meeting. Complicated? Not really. Just add a weird assassin William Pound persistently lurking behind the three for an ultimate clean shot at Elliot. There you have everything you need to know, more or less.It is not easy to fit this movie into a nice little niche. Most of the movie is constructed around the trail of the threesome, chasing after one after another aborted meeting with Elliot.
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The fact that all these happen through picturesque Paris and Venice is of course delightful. In this movie, we have playful wit, amusing character clashes (you can guess between whom), adventure, tasteful romance and character development. Parallel to that is a character that might have come out of "Pulp fiction", one William Pound who evokes William Blake's ominous "Tiger, tiger burning bright" during a bloody killing, and an assortment of other poets on other similar occasions. He also gets telephone consultation from his shrink on a regular basis. (David, incidentally, is another lover of poetry, and we learn later that he acquired the taste from his step-father.)
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There is a connection with 911 - the entire duration of the movie, as the title intimates, is from the 5th to the 11th of September, 2001, and no one needs to be particularly clever to guess that therein lies the secret of Elliot's elusiveness. There is even the expected discussion on why people hate Americans, but it is not meant to have any depth. At the end of the day, this is a witty, stylish, entertaining movie, seasoned also with a few pinches of black humour. No, not pretentious. You can be pretentious only when you are serious. But serious this movie certainly is not.
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The director seems to have a penchant, for this movie at least, for out-focus shots. Here, they works on two levels. First, they create a special mood of mild intrigue and suspense. But they are also POVs of Irene, who wears eye-glasses. When she takes them off, it is as if she is inviting the audience to join her in taking a break from the excitement of the espionage world to enjoy the beauty of Venice through a mist that enhances your imagination.
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It is delightful to see Binoche in an uncharacteristic role, a cool (like, in teenage language) ex-agent trying to out-maneuver seasoned adversaries and baby-sit the pair of young people at the same time, and all this while not forgetting to enjoy herself. Sara Forestier ("Hell", "Perfume: the story of a murderer") plays taciturn Orlando who seems to have a perpetual toothache, which is understandable in view of an experience in her traumatic childhood.
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But she can be sweet, once her defense is broken down by the easy humour of David. Unknown British actor Tom Riley plays American young man David with the right mix of charm and awkwardness. If he were a little more flamboyant, he could remind you of Hugh Grant. John Turturro ("Oh Brother, where art thou") brings to the movie another dimension, as the eccentric assassin, but you will have to switch on your black humour frequency to get the most out of his performance.
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Not top-billed, but must be mentioned, is inimitable Nick Nolte. This superb actor seems to be the best choice when you have a character that appears only in the last 15 minutes but will fill the screen when a huge presence is needed. If you've seen "A beautiful country" (2004) you'll know what I mean. It's also interesting to note that Binoche and Nick were both in "Paris je t'aime", in separate segments.
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