A Sad Story Of An Aging Cowboy Who Must Adapt To A Changing West
10/10
Author: Steve Richmond (sfwr@earthlink.net) from Brea, Ca. USA
4 November 1999

Monte Walsh is one of my favorite Lee Marvin films.(il me faut bien avouer qu'à mon avis,il a joué dans beaucoup trop de films médiocres voire carrément mauvais-CAT BALLOU p.ex est une daube absolue) In this sad western, Lee plays a seasoned cowboy who must adjust to a changing West. Starring with Marvin are Jack Palance , who shows us a different side other than the heavy. Jeanne Moreau is wonderful as Marvin's girl. You will also enjoy the score and the singing of Mama Cass Elliott. It is a sensitive, touching story.

Bittersweet Celebration of the American Cowboy
10/10
Author: Bob-45 from Savannah, GA
6 October 2008

When "Monte Walsh" appeared in 1970, I avoided it like the plague. "Who wants to see a movie about the end of an era?" I asked myself, conveniently forgetting how much I loved "The Man Who Shot Liberty Valance." So, nearly 30 years later, Turner Classic Movies gave me the opportunity to correct what might have been a mistake. Had I erred in 1970? Well, yes and no. Yes, because "Monte Walsh" now joins my list of one of the five best westerns ever made; and, no, because at the tender age of 21, I would not have appreciated this masterpiece; which, in these especially troubled times, seems more relevant than ever.

According to TCM host, Robert Osborne, William Fraker directed only 4 films during his distinguished career, preferring his role as director of photography. If "Monte Walsh" is any example, then director Fraker missed his calling; as, "Monte Walsh" boasts outstanding ensemble acting, unusual unless the director is especially gifted. Many in this cast give the best performances of his or her career, particularly Jim Davis and Mitchell Ryan.

"Monte Walsh" should be the role for which Marvin is remembered, as "Chet" should be the role to remember Jack Palance. It's a joy and a privilege to watch Marvin and Palance interact, even more enjoyable than Marvin and John Wayne in their frequent pairings. The first two thirds of "Monte Walsh" is largely upbeat, even in the hard times portrayed, while the final third left me both numb and aching.

"I won't p**s on 30 years of my life," is one of the many profound quotations in "Monte Walsh." It defines Monte's code of honor; a decent, loving and honorable man unwilling to compromise who he is. I give "Monte Walsh" a "10".

Elegy to the west.
10/10
Author: CarolHeron (FilmFreak) from Trenton, NJ
30 September 2004

Here's a case of Palance putting in a great supporting role like he has done so often, a truly selfless actor with a great humility.

Seldom does an actor allow himself to look as pathetic as Palance does in his performances. This is a great film, primarily due to the metaphor near the end where Marvin tries to tame a horse, frustratingly attempting to control the nature of all things around him. The austere writing and stilted acting lend to the overall tone, creating an elegiac western greatly under-appreciated in its time. One of those small, offbeat movies awash in a decade of so many sparkling little films, each challenging the strictures of Hollywood. I loved it.

One of Lee Marvin's best performances.
10/10
Author: PWNYCNY from United States
21 September 2009

When considering the acting career of Lee Marvin, the movie Monte Walsh must be included as an example of Lee Marvin at his best, Mr. Marvin gives a powerful, compelling and moving performance as an aging cowboy who has to deal with change. So strong is his performance that he carries the entire movie, which, given the outstanding supporting cast, including Jack Palance, Jeanne Moreau, Jim Davis and Mitchell Ryan, is saying a lot.

The story contains drama and pathos without becoming melodramatic or stagy and includes some spectacular cinematography which captures the essence of the open range. What makes this movie particularly wonderful is its unpretentious dramatization of relationships between people with whom the audience can relate and what happens to them as they try to adjust to a disappearing way of life. As the open range gave way to the fenced in ranches, an entire way of life disappeared. This movie is about what that change means to people and how it effects their lives.