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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
  • 103 commentaires postés
  • 1 visiteur aujourd'hui
  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

    Garçon (73 ans)
    Origine : 75 Paris
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    ©-DR-PLAY IT AGAIN SAM -Woody Allen (1972) p7

    16/04/2014 12:33

        ©-DR-PLAY IT AGAIN SAM -Woody Allen (1972)  p7


    one of Woody's best
    8/10
    Author: Robert D. Ruplenas
    24 June 1999

    Perhaps Woody's best effort in his 'neurotic schlep' persona. The script is a comic whirlwind, with too many brilliant scenes to enumerate (I can't resist mentioning the blind date's arrival - the desperate preparations and the pathetic introduction are funny but painful, in that we have all been in that position; his demonstration of authentic Chinese rice-eating technique is another classic). The device of the imaginary Bogart alter ego works well, especially in the climactic scene with Diane Keaton. In my book this ranks with Sleeper, Manhattan, and Annie Hall as Woody's best films.






    ©-DR-PLAY IT AGAIN SAM -Woody Allen (1972) p8

    16/04/2014 12:46

        ©-DR-PLAY IT AGAIN SAM -Woody Allen (1972)  p8


            External Reviews
           Showing all 39 external reviews





    ©-DR-PLAY IT AGAIN SAM -Woody Allen (1972) p9

    16/04/2014 15:51

    ©-DR-PLAY IT AGAIN SAM -Woody Allen (1972) p9


    Viva : égérie Wharolienne

    *

    *

    *

    See "Casablanca" First
    Author: (w2amarketing@yahoo.com) from Pennsylvania
    24 September 2002

    My first and foremost thought about this movie is that you MUST see "Casablanca" (1942) first, for two reasons:

    First, "Play it Again, Sam" contains not only archival footage from the 1942 classic, but numerous dialogic and other references which would be lost on someone who hasn't seen "Casablanca."

    Second, and more important, is that the surprise ending of "Casablanca" is revealed in the *very first scene* of "Play it again, Sam."

    Beyond that, "Play it again, Sam" is probably second only to "Annie Hall" among the Woody Allen / Diane Keaton films. Woody fans will enjoy the neurotic, psychosexual ramblings of the central character, which are typical of his movies, as well as the numerous elements of physical comedy, which are not as common in Woody Allen films. And watch for the scene in the art gallery -- it's a classic!






    ©-DR-PLAY IT AGAIN SAM -Woody Allen (1972) p10

    16/04/2014 15:54

    ©-DR-PLAY IT AGAIN SAM -Woody Allen (1972) p10


    Woody pizzaïolo






    ©-DR-PLAY IT AGAIN SAM -Woody Allen (1972) p11

    16/04/2014 16:01

    ©-DR-PLAY IT AGAIN SAM -Woody Allen (1972) p11


    Hilarious Woody Allen romp
    9/10
    Author: The_Void from Beverley Hills, England
    28 June 2005

    I'm a big fan of Woody Allen. While his films often have something wrong with them, you can always count on a good time and a laugh while you're watching - and that's certainly what you get here! Woody Allen films are always best when Woody himself stars in them; his neurotic persona is a great base for laughs, and he certainly delivers in this film!

    For some reason, Woody Allen chose not to direct this film himself and Herbert Ross has got that job. Due to the cast, and Woody's script, however, this is very much another Woody Allen flick, no matter who is in the director's chair. This film also features the first screen pairing of Allen and Diane Keaton, who would, of course, go on to make Allen's masterpiece 'Annie Hall', along with Tony Roberts, who also co-stars here.

    The plot of the movie plays out like a tribute to Casablanca, and it sees recently dumped Allen falling in love with his best friend's wife, all the while under the watchful eye of the great Humphrey Bogart, whom he sees in his daydreams. The humour in this film is awesome and also amazingly funny. Scenes that see Woody Allen blunder his way through dates are hilarious, and Allen's dialogue is at its dry and witty peak.

    The scene in which he tells of a fight he had with two 'hairdressers' being an excellent example of his writing. Allen tends to play the same sort of character in all of his films, and the one here shows him doing that again. This would be a problem, if he weren't so amazingly good at it. As the man festers in his own pathos; we can really believe it, and this gives the film a great sense of believability and also offers up a prime example of Allen acting at his best.

    The film isn't a complete one-man show, however, as the underrated Tony Roberts, along with Diane Keaton also give grand performances. The movie tributes in the film are many, with most pointing to the great Casablanca-and this is a good thing as far as I'm concerned. On the whole, this is an intelligent, entertaining and hilarious movie from one of cinema's best comedians. Highly recommended!






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