Goofy gangster fun

Author: octopusluke from Denmark
17 April 2013

--Review originally published at www.theframeloop.com--

Jam-packed with lofty art-house endeavours, CPH PIX Film Festival proves it has a soft-spot for feel good cinema with presentation of Adam Leon's impressive, Kickstarter funded debut, Gimme the Loot.

Presented by The Silence of the Lambs' director Jonathan Demme, the SXSW favourite is a platonic relation ship comedy about a pair of aspiring, Bronx-based graffiti artists, Sofia (Tashiana Washingthon) and Malcolm (Ty Hickson). Discovering that a rival gang has trashed their turf, the pair hatch a plan to 'bomb the apple', AKA to tag the New York Mets' Home Run Apple at Citi Field stadium. It's a tough, nonsensical mission – the likes of which have been attempted in real life for the last twenty years, to no avail – but one that our teenage whippersnappers think they have the prowess to conquer. But first they need to raise $500 as a bribe for a guard at the ballpark.

And so sets off a picaresque pursuit for the dollar. Candidly shot across New York's Bronx and Manhattan neighborhoods (presumably without production permits), they hoist in a little help from their small-time gangster buddies for a series of heists and loots. Apparently anything sells in New York, so the savvy Sofia pawns off half empty spray cans, second-hand cell phones and used Nike sneaks while, a few blocks away, the scrappy Malcolm goes rogue with a pot dealers' weed and sells the stash to rich BoHo chick, Ginnie (Zoe Lescaze, looking much like a young Sissy Spacek). Invited in for a little tomfoolery, the inexperienced Malcolm is instantly besotted with her, but it won't stop him from swiping her extensive jewellery collection.

Allegedly taking influence from Raymond Abrashkin's iconic 1953 Coney Island classic Little Fugitive, writer-director Leon tells the featherweight story with tremendous zeal and a curiously observational approach, that is more akin to the French New Wave than the typical American indy. His New York is not of the resplendent Woody Allen persuasion, nor that of Scorsese's foggy urban sprawl. If anything, Leon presents the city like the warts-and-all melting pot that it really is, which is once again reflected in the diverse soundtrack's blend of R&B, experimental rock and original East Coast hip-hop.

While the graffiti surface story stinks of adolescent desperation, it is very much a red herring to the real story of oblivious teenage angst and love. Their first starring roles, newcomers Washington and Hickson have an exuberant chemistry together, which makes their covertly flirtatious banter and naturalistic prattling all the more charming, and the stagnated climax at the very least tolerable.

Gimme the Loot is somewhat of a rarity. Nonjudgemental of his protagonists, Leon's debut is a sweet natured gangster flick which neither glorifies thug life nor condemns it. It's slight, knowingly goofy filmmaking – the likes of which are so rare in modern, message-laden cinema - and proves the young débutant, his impressive cast and cinematographer Jonathan Miller as promising future talents.

--Review originally published at www.theframeloop.com--

Gimme the Loot

Author: politic1983 from United Kingdom
22 January 2014

*** This review may contain spoilers ***

Sometimes, it's not always good to read too much about a film before you go to see it. When entering the cinema, I was already at the point of expecting a film with some good graffiti action, with a plot thrown around it. But, as the film went on, I became more and more disappointed.

The plot is simple: Adam Leon starts with a clip from 'All City Hour', in which writers talk about tagging the Mets' apple at Shea Field, sorry Citi Field. Seeking revenge on a rival gang, two writers, Sofia and Malcolm, look to make a name for themselves by achieving this very feat. Needing $500 for a blind eye to be turned to gain access to the stadium, the pair take to the streets to try and hustle up the money.

What follows is a two-day journey around the city in a similar style to 'Kids', as the duo repeatedly struggle to raise the cash. This is where my expectations went missing. What I'd read about the film made me expect a lot of graffiti, a bit of a tagging war and maybe a bit of Notorious B.I.G.. Instead, the film is more about the failings of the two leads – and for me, this is the film's failing.

The two leads, Sofia, played by Tashiana Washington, and Malcolm, by Ty Hickson, don't particularly live up to their image: Sofia, while described by Malcolm as being hard and tough, spends a lot of her time naively getting scammed and played for a fool by people of all ages, with whiney shouting her only reaction; Malcolm, among fellow taggers, seems to command respect and sometimes fear, as if he got the juice – to use a Nineties phrase – though again spends much of the film foolishly, coming across as a bit of an idiot. Being that this is such a character- led story, it needed some stronger characters.

Though, with this, perhaps Leon is trying to create more realistic characters, full of flaws and inconsistencies, making them seem like the ordinary idiots you know. With the cast and director not having the longest careers in film on their CVs, there is a slightly amateurish feel throughout, that gives it a charm, but also some drawbacks. 'Gimme the Loot' is not a bad film, and has its moments, though by the end it's not wholly satisfying and leaves one feeling of 'gimme a little more.'

politic1983.blogspot.com

Good Slice of Life

Author: Dfree52 from United States
26 March 2012

Ne pas lire si vous n'avez pas vu le film

I just saw this yesterday in NYC at MOMA, invited by a friend. This is a good effort by first time director (and screen writer) Adam Leon.

(The Following Contains Spoilers)

It follows a young (late teen age to early twenties) pair of graffiti artists efforts to make the big time by 'bombing' the NY Mets Big Apple Homerun attraction at Citifield. Bombing means to graffiti it. The problem is they need to raise $500 to bribe a security guard. Their efforts are further complicated by a lack of planning and a mixture of dumb/bad luck.

The young duo are Malcolm (Tysheeb Hickson) and the tomboyish, street tough Sofia (Tashiana R. Washington). We follow them throughout the hot summer days of the Bronx, downtown Manhattan and Queens as they try to reach their goal.This is told in a straightforward, stripped down style by director Leon. It's refreshing in it's not hokey or trying to make a statement. It's done so with a great deal of humor as both leads are endearing.

It's also not a coming of age tale. The characters act and react within their world and since they know little else the time we spend with them is their norm. Also of note is Zoe Lescaze as Ginnie; the fleeting object of Malcolm's desire.All of them, Leon, Hickson, Washington and Lescaze are very talented and it's hoped that this is a fine jump off to successful careers.

Blackthorn est un western hispano-bolivo-français, réalisé par Mateo Gil et sorti le 1er juillet 2011.

Résumé
Dans les années 20, un Butch Cassidy âgé (Shepard) se cache en Bolivie sous le nom de James Blackthorn. Contrairement à la légende, il n’est pas mort dans une fusillade en 1908 et a refait sa vie comme éleveur de chevaux. Apprenant la mort d’Etta Place (en), complice de ses années de banditisme aux côtés du Sundance Kid, il décide de se rendre aux États-Unis à la recherche de son fils inconnu. À la suite de la rencontre avec un voleur (Noriega), il perd ses économies. Les deux hommes font route ensemble, tous deux traqués, notamment par un ancien détective de l’Agence Pinkerton (Rea)…