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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
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  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

    Garçon (73 ans)
    Origine : 75 Paris
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    ©-DR- INTERSTELLAR de Christopher Nolan (2014) p15

    10/12/2015 04:12

    ©-DR- INTERSTELLAR de Christopher Nolan (2014)  p15


    Trivia

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    http://www.imdb.com/title/tt0816692/trivia?ref_=ttexrv_ql_trv_1

    Early in pre-production, Dr. Kip Thorne laid down two guidelines to strictly follow: nothing would violate established physical laws, and that all the wild speculations would spring from science and not from the creative mind of a screenwriter. Christopher Nolan accepted these terms as long as they did not get in the way of the making of the movie. That did not prevent clashes, though; at one point Thorne spent two weeks talking Nolan out of an idea about travelling faster than light. 

    To create the wormhole and black hole, Dr. Kip Thorne collaborated with VFX supervisor Paul J. Franklin and his team at Double Negative. Thorne provided pages of deeply sourced theoretical equations to the team, which then created new CGI software programs based on these equations to create accurate computer simulations of these phenomena. Some individual frames took up to 100 hours to render, and ultimately the whole CGI program reached to 800 terabytes of data. The resulting VFX provided Thorne with new insight into the effects of gravitational lensing and accretion disks surrounding black holes, and led to him writing two scientific papers--one for the astrophysics community and one for the computer graphics community.
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    For a cornfield scene, Christopher Nolan sought to grow 500 acres of corn, which he learned was feasible from his producing of Man of Steel (2013).The corn was then sold and actually made a profit.
     
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    Steven Spielberg, who was attached to direct the film in 2006 and hired Jonathan Nolan to write the screenplay, chose other projects instead. In 2012, after Spielberg's departure, Jonathan Nolan suggested the project to his brother Christopher Nolan.
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    The majority of shots of the robot TARS were not computer-generated. Rather, TARS was a practical puppet controlled and voiced on set by Bill Irwin, who was then digitally erased from the film. Irwin also puppeteered the robot CASE, but in that instance had his voice dubbed over by Josh Stewart.
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    Composer Hans Zimmer was instructed by Christopher Nolan to make a unique score: "It's time to reinvent. The endless string [ostinatos] need to go by the wayside, the big drums are probably in the bin." Nolan did not provide Zimmer a script or any plot details for writing music for the film and instead gave the composer "one page of text" that "had more to do with [Zimmer's] story than the plot of the movie".
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    The method of space travel in this film was based on physicist Kip Thorne's works, which were also the basis for the method of space travel in Carl Sagan's novel "Contact", and the resulting film adaptation, Contact (1997). Matthew McConaughey stars in both films.
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    The giant dust clouds were created on location using large fans to blow cellulose-based synthetic dust through the air.
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    Christopher Nolan cast Matthew McConaughey after seeing his performance in Mud - Sur les rives du Mississippi (2012). It was an "ideal moment" for Nolan when they landed a Texas native, McConaughey, for the lead role: "I'm thrilled for him right now. I didn't know how much potential he had until I saw 'Mud', not just as a leading man but in sheer acting talent." He remarked that in McConaughey he "needed an everyday man who can experience these extraordinary events".
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    Anne Hathaway suffered from hypothermia while filming in Iceland due to the fact that her astronaut suit was open while filming scenes in the icy water.
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    According to Dr. Kip Thorne, the largest degree of creative license in the film are the clouds of the ice planet, which are structures that probably go beyond the material strength which ice would be able to support.

     






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