Superbly observed microcosm
10/10
Author: chazzy-3 from Suffield, CT
10 May 2000
Mr. Klapisch continues to mark himself as one of the finest directors of his generation; with simple means, he tells tales which stick close to the bone of contemporary life, and he knows his territory quite well. This French family could not ring more true, and it is in the subtleties - such as the scenes of the "successful" son who is nonetheless hounded by the biting criticisms of his family - that Klapitch really distances himself from his contemporaries.
There is little of the long-windedness or preciousness of some of the current flock of young directors, and his films never glibly mock their characters, which can leave more chilling - or uplifting - conclusions towards the end of their tales. It seems that every time a movie is adapted from a play people seem to harp on its "theatricality" - almost as a matter of course - yet this film works quite well on the screen,and the visual qualities of the storytelling are numerous, while the cinematography is superb throughout.
I must also add that, despite the fact that we are discouraged from reacting to existing comments on this page, the comments of the reviewer from Dublin, Ireland are among the most ludicrous I have seen on these pages; Un Air de Famille - it is a superb title in French - is one of the finest films to come out of France in the last decade.
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13 out of 13 people found the following review useful:
witty, funny, no vulgarity: all that a good comedy can (and must) be
9/10
Author: dbdumonteil
9 January 2005
The movie "Cuisines et Dépendances" (1993) had revealed Jean Pierre Bacri/Agnès Jaoui's original talent. Here, "un air de famille" (1996) which is once again an adaptation of a play written by the duo constitutes a kind of extension and especially a clear improvement for them. This movie made by Cédric Klapisch is very superior to the first quoted movie although "Cuisines et dépendances" is a worthy work. The meeting Bacri-Jaoui-Klapisch shines to delivers a stunning flick. It is difficult to tell because it is so rich and crowded with incident that it would take several pages to sum it up.
So, to tell you the main reasons that justify the vision of this film, I will go to the essential. 3 things confer to the movie a strong appeal. First, the scriptwriters have the remarkable gift to make sparks fly from the single cue and to let what is left unsaid and the suggested leak out. Dialogs are also their best weapon to revamp the middle-class' image but also to harm the characters' meanness and faults. This last feature enables to Bacri and Jaoui to distinguish themselves in the French comedy. It is their recognizable stamp to disclose certain faults that we have inside us but which we really don't want to admit. In this way, it is quite easy to identify with the characters. We have a little "air de famille" with them.
But "un air de famille" is also worth for Klapisch's accurate making with an outstanding work on the lighting effects. The lighted café contrasts with the dark restaurant in the background of the scenery. Moreover, the split of the family amazingly answers to the dreary aspect of the scenery. Little by little, the film becomes a stifling In Cameratempered by a few sequences which relate childhood memories. In another extent, there's another strong point from Klapisch: the directing of actors which is flawless and well studied. Personally I think it is a real treat to see Jean Pierre Bacri coming and going in his café, with his sullen look.
Beside him, Catherine Frot is irresistible in her role of silly woman while Jean Pierre Darroussin is the sole stable character in the middle of this family which is slowly breaking up. He also tries to bring his support and comfort to the members. "Un air de famille" is a smart and ferociously funny movie. Jean Pierre Bacri and Agnès Jaoui rank among the finest comical authors of the nineties and Cédric Klapisch can without problem join the group of the best French film-makers of his generation. Don't miss this movie which will give you another image of the French comedy.