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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
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  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

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    Origine : 75 Paris
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    ©-DR- LARGO WINCH (2008) p14

    16/08/2014 12:02

    ©-DR- LARGO WINCH (2008)  p14


    The adopted son
    7/10
    Author: jotix100 from New York
    2 May 2011

    *** This review may contain spoilers ***

    Some titles, such as the one for this film, can be baffling. Not having any idea this production was based on a successful comic book that has been quite popular in France, we had no inkling what to expect, but the prospect of watching Miki Manojlovic and Kristin Scott-Thomas in the same picture was a deciding factor. As far as how authentic the adaptation is, unfortunately, not having read the source material, it would be one's own guess.

    The film is full of action. It takes the viewer to a lot of places, covering a lot of territory. The selection of Hong Kong as the place where the action takes place proves to be an exciting destination, especially the last sequence where Largo, the hero of the story has a sort of show down with the man commissioned to kill him.

    Directed by Jerome Salle, who also contributed to the screenplay with Julien Rappeaneau, works well as a thriller that takes the viewer to a number of interesting locations.The film is helped by the brilliant cinematography of Denis Rouden and the music score by none other than Alexander Desplat, a busy man working in movies today.

    In finding Tomer Sisley for the title role, Mr. Salle found a young actor that is pleasant enough to involve the audience. The wonderful Miki Manojlovic plays the self made billionaire that adopted Largo to be the heir to the empire he built. Kristin Scott-Thomas shows why she is one of the best actresses working today. The multi-national cast speaks in different accents and languages. The picture will not disappoint lovers of the genre.






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