"The step between ecstatic vision and sinful frenzy is all too brief."

Author: Righty-Sock (robertfrangie@hotmail.com) from Mexico
24 June 2007

The film opens in 1327, with a Franciscan monk and his young novice arriving to a remote abbey in the dark north of Italy to participate in a crucial  debate between the emissaries of Pope John XXII and leaders of the Franciscan order, to decide whether the church should take vows of poverty or wealth...

After a series of murders—attributed to the presence of a supernatural force— that are taking place within the cold walls of the godforsaken battlement,  Brother William of Baskerville (Connery) ends up undertaking an investigation to solve the secrets surrounding these unexplainable crimes… All of them bearing blackened fingers and blackened tongues…

What follows, brings William face to face with Bernardo Gui (F. Murray Abraham), the sadistic Grand inquisitor—appointed by the Pope to hunt down  and free the Church of heretics—who sees the abbey enshrouded in a terrifying mystery and the devil roaming behind every foul deed… Gui burns every last suspected devil-worshipper in the village, forcing Baskerville to uncover the truth before innocent blood is shed…

As always, Connery lends dignity, intelligence as the acute and prudent monk who has knowledge, both of the human spirit and the wiles of the evil  one… Connery plays his role with gusto…  Newcomer Christian Slater plays Connery's faithful sidekick, Adso, the youngest son of the Baron of Melk who sure does like to watch his master at  work… One night—expressing fear and confusion— he gets feminine carnal delights from a peasant girl, 'a creature that rose like the dawn, was  bewitching as the moon, radiant as the sun, terrible as an army poised for battle…'

For a moment, Ron Perlman steals the show as the heretical hunchbacked monk named Salvatore who is ugly yet phenomenal… His scenes with  Abraham are stirring…  "The Name of the Rose" is atmospheric, but disturbing at many levels…Some might say, contradictory,leaving plenty of twists and turns unresolved and unexplained, but the film was a smash hit in Europe… Annaud succeeds in capturing the claustrophobia and panic of being truly lost in the  menacing, creepy Dark Ages…