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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
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  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

    Garçon (73 ans)
    Origine : 75 Paris
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    © DR -INTERVISTA de F.Fellini (1987) p3

    20/12/2012 18:28

    © DR -INTERVISTA de F.Fellini (1987)  p3


    Fiche technique
    Réalisation et scénario : Federico Fellini
    Production : Ibrahim Moussa
    Photographie : Tonino Delli Colli
    Montage : Nino Baragli
    Décors et costumes : Danilo Donati
    Musique : Nicola Piovani
    Pays :  Italie
    Langues : italien - japonais - anglais
    Dates de sortie :
    France : 18 mai 1987 (Festival de Cannes)
    Italie : 28 septembre 1987

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    Elegiac "rememberance" of times past, great companion piece to "Amarcord"

    Author: roger-212 from United States
    26 May 2005

    An elegiac look-back by the Maestro on where his films were shot (Cinecitta), Intervista has the most meta-fictional plot devices Fellini's used yet. It features Fellini himself, shooting a film "recounting" a location (as in "Roma") but here he is more forefront. --The rather casual stream-of-consciousness meandering of the happenings hearkens to"Amarcord,"which is similar to this,with a wistful look back on the past, with fascists bus rides, buxom women, etc. "Intervista" truly seems like an alternate draft of "Amarcord" with Fellini personally added. --The "young Fellini" going on an interview, being shot by Fellini during an interview in present day, and the playful and insistent 3rd-wall being broken every so often.

    And of course Marcello and Anita as themselves. For fans of Fellini, this is an absolute must-see. Its reflection on his work, himself, and making films makes it one of the most playful, subversive, and autobiographical films in Fellini's late career.(Originally a t.v. production, it displays a smaller scale that can only be attributed to the budget (too bad) and a need to make things "play" on a smaller screen. Although very similar to "A Director's Notebook", another filmic essay (that was a rough draft for "Roma"), this one is more assured and stands on its own. )






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