What makes this film different than, and superior to, A Civil Action, is its sense of balance. Erin's home life is not neglected; Soderbergh shows how her growing obsession with the case - something that is finally earning her respect - forces her to sacrifice important moments with her children. For example, in one of the movie's most poignant scenes, she learns that she missed the first word spoken by her infant daughter. She also becomes deeply, emotionally involved in the plight of the people of Hinkley, California, learning the names, phone numbers, and case histories of more than 600 people by heart.

Often unfairly denigrated by some critics because of her propensity for starring in crowd-pleasing romantic comedies, Julia Roberts may have finally found a role that will earn her some respect. With a performance that shows off both her comic and dramatic aptitude, Roberts brings the title character to life with a zest and intensity that may surprise viewers who have pigeonholed her into the Runaway Bride mold.

This is not the first time Roberts has shown that she has unexpected range, but it may be the first time many people will recognize it. Meanwhile, Albert Finney, who is universally revered as a top actor, seems far more energetic here than he has in a number of recent roles. As a foil for Roberts, Finney is wonderful. Their scenes together crackle with electricity, and it's a joy to see this kind of male/female interaction where there is absolutely no hint of sexual attraction. The characters and situations are strong enough that this element is unnecessary.

It would have been easy for Soderbergh to have allowed Erin Brockovich to descend into manipulative melodrama, but he resists that path of least resistance. There are no big courtroom scenes, no over-the-top speeches, and no moments of tear-generating catharsis. Instead, this film is smart, savvy, funny, and, at times, poignant. The characters and situations are more vivid than those presented in most legal thrillers, and the fast-paced plot never loses the audience's interest. In short, Erin Brockovich is a winner - the kind of movie that viewers crave during such a bleak season of cinema. It's a reminder of the impact that a truly good motion picture can have.