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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
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  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

    Garçon (73 ans)
    Origine : 75 Paris
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    © - DR - LE 5e ELEMENT de Luc Besson p14

    31/03/2012 08:31

    © - DR - LE 5e ELEMENT de Luc Besson  p14


    Trivia

    Showing all 73 items
    Jump to: Director Trademark (2) | Spoilers (6)
    Luc Besson wrote the original screenplay when he was in high school.
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    The hero Korben Dallas and the villain Jean Baptiste Emanuel Zorg never meet, nor do they communicate in any way. They are, in fact, unaware of each other's degree of involvement.
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    In most shots of Gary Oldman, there is a circle around his head. In fact, a circle in the middle of the frame is a near-constant motif in this film. Bruce Willis, on the other hand, is more often framed by a rectangle or doorway behind him.
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    The language spoken by Leeloo was invented by director Luc Besson and further refined by Milla Jovovich, who had little trouble learning and developing it, as she was already fluent in 4 languages. By the end of filming they were able to have full conversations in this language.
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    The explosion in the Fhloston main hall was the largest indoor explosion ever filmed. The resulting fire almost got beyond control.
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    The flying traffic created by the visual effects team at Digital Domain allowed artists to create personalized license plates. Though never visible in the film, the state slogan printed on all license plates reads, "New York, The F***-You State."
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    When the President tells Father Vito Cornelius he has "twenty seconds" to state his point, Vito talks for exactly twenty seconds.
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    At the time, it was the most expensive film ever produced outside of Hollywood.
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    When composer Eric Serra showed soprano Inva Mula (who dubs the voice of the Diva) the sheet music for the Diva Dance, she reportedly smiled and relayed to him that some of the notes written were not humanly possible to achieve because the human voice cannot change notes that fast. Hence, she performed the notes in isolation - one by one, as opposed to consecutively singing them all together and they digitized the notes to fit the music. There are a few moments when you can hear the differences in the vocal tones of The Diva's voice.
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    Diva Plavalaguna sings "Il dolce suono," an aria from the opera Lucia de Lammermoor. It is one of the most difficult arias because of its length, its soaring arpeggios, and the high F above high C.
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    Bruce Willis ad-libbed the line, "Whoa, lady, I only speak two languages, English and bad English."
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    Luc Besson cast Milla Jovovich as Leeloo, because "Milla has the physical thing, she can be from the past or the future. She can be an Egyptian or a Roman. She can be Nefertiti and she can be from outer space. That was one thing that I liked physically about her."
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    When filming began, the production decided to dye Milla Jovovich's hair from its natural brown color to her character's signature orange color. However, due to the fact that her hair had to be re-dyed regularly to maintain the bright color, Milla's hair quickly became too damaged and broken to withstand the dye. Eventually a wig was created to match the color and style of Leeloo's hair, and was used for the remainder of the production.
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    According to the Ultimate Edition DVD, Prince and Lenny Kravitz were sources of inspiration for the part of Ruby Rhod.
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    Many of the Mangalores aboard the Fhloston Paradise can be seen wearing "combat goggles". This was a practical solution to hide the actors' eyes (which were visible through the masks) and save money on makeup (contact lenses and coloring around the eyes).
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    At US$80 million, the special-effects budget of the film was the highest of its time.
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    Nick Dudman's creature crew created a group of spindly, long-nosed alien garbage collectors that never made it to the final film. In the scenes at the spaceport, there's a huge pile of garbage which has gone uncollected because the garbage collectors are on strike (as explained in some dialogue). These creatures would have been seen amidst the garbage, holding sandwich board signs reading "On strike" if they had made it to the final cut.
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    As Korben and Leeloo approach an intersection in his cab the camera whips forward to reveal to the audience that six police cars are waiting for him ahead. In the far background, behind the police cars, is a chase between a police car and a long black car complete with muzzle flashes to represent gun fire between the two cars. Ever an eye for detail, Luc Besson noticed the embellishment the first time the visual effects shot was reviewed, thought that it was funny and it remains in the final film.
     
    Selected as the opening film for the 1997 Cannes Film Festival.
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    In the future New York City, Central Park is the same size as the real one and is in the same place - but 100 feet in the air.
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    Plavalaguna, Diva's name, is actually composed of two words: Plava and Laguna. "Plava" in Serbian, Croatian, Montenigrin and Bosnian language means Blue (feminine, masculine would be "plav"). "Laguna" in the same languages means lagoon. So her name is Blue Lagoon. (Milla Jovovich also played Lilli in Retour au lagon bleu (1991).)
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    Apparently an uncredited Vin Diesel provided the voice of Finger.
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    The people populating the roofs, decks and windows during the visual effects sequences in New York are actually the artists and employees at Digital Domain who worked on the film.
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    Gary Oldman did this film to repay Luc Besson for part-financing his film Ne pas avaler (1997)
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    Elizabeth Berkley auditioned for the role of Leeloo, but after the failure of Showgirls (1995), studios were reluctant to hire her.
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    Gary Oldman played Zorg as a cross between then-Presidential candidate Ross Perot and Bugs Bunny.
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    The parasites being disinfected from the landing gear of the airplane (bound for Fhloston Paradise) by a team in sealed suits are actually Boglins, the 1980s puppet toys. With them is a Bumble Ball, a battery-operated shaking and vibrating ball covered with rubber knobs.
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    The actor playing the cop in the driver's seat waiting at the McDonald's restaurant (with "65 trillion served" written on it) is Mac McDonald.
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    The only phrases from Leeloo's alien language that are included in the captioning are "mlarta," "big ba-dah big boom," "akta," "seno akta gamat," "san agamat chay bet. Envolet," "danko," "domo danko," and "apipoulai." Everything else appears as Unknown Language or, after it's specified, the Divine Language.
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    When the Mondoshawan aliens appear in 1914 Egypt, the Professor, panicking, says, "A... A... Are you German?" In the German version he says "Sind Sie... hier von der Erde?" which roughly translates as "Are you from here... Earth?"
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    Jean Reno was the original choice for the part of Korben Dallas.
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    Cartoonist Jean-Claude Mézières of 'My Fifth Element' also says that Luc Besson approached him for ideas, telling him: "I want to make a movie based on your visuals. But I am ready to pay you for the work." The nuance is because there has long been a controversy that many elements in the Star Wars series (several aliens, Darth Vader's costume, Leia's golden bikini, Han Solo's carbonite) were lifted almost unmodified out of Valerian (in particular 'L'Empire des Mille Planètes', published in 1971) - of which George Lucas is known to own several original editions, as seen during interviews in his study.
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    One of the Mondoshawan suits can be found at the Planet Hollywood restaurant in downtown Disney in Orlando Florida.
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    Zorg's monologue about destruction creating productivity is actually a classic economics fallacy exposed in "The Parable of the Broken Window" written by French economist Frederic Bastiat in 1850. The full essay is called "Ce qu'on voit et ce qu'on ne voit pas" ("That Which Is Seen and That Which Is Not Seen").
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    Leeloo's full name is "Leeloominaï Lekatariba Lamina-Tchaï Ekbat De Sebat", as sourced by various media including Luc Besson's film diary (The Adventure and Discovery of a Film: The Story of The Fifth Element), a French promotional poster used in subways to advertise the film, and the video game manual. "Lekarariba" is a misspelling based in the script and thus transferred to the video subtitles as well. Leeloo speaks her "second" name with a hard "T" sound.
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    Korben's termination notice reads, in part, "Notice of termination of your contract, effective as of today. Due to violation of codes, HFGY56, 74HVB, 00JGHY, MNH356585, MCNH485757, 0478N - your engagement with this company finishes immediately. For, and on behalf of, ZORG." So it turns out Korben Dallas worked for Zorg when he drove his taxi, though this would have been implied anyway, as in the previous scene, Zorg gave the order for 1 million of his workers to be fired.
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    All but two of the Mondoshawan suits were destroyed after production. The surviving suit now belongs to Nick Dudman.
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    Ruby Rhod was not the original name for Chris Tucker's character, it was Loc Rhod. The original name appears in the script and the movie novelization.
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    Luc Besson, an admitted comic book fan, had two famous French comic book artists in mind for the film's visual style when he started writing the movie in high school. Jean Giraud (Moebius) and Jean-Claude Mézières. Both artists have long-standing comic book series in France. Moebius is best known for "Blueberry" and the (French) Magazine and (US) movie Métal hurlant (1981). Mézières is best known for the "Valerian" series. Both series are still in production today. Moebius and Mezieres, who attended art school together but had never collaborated on a project until Le cinquième élément (1997), started renderings for the film in the early '90s and are responsible for the majority of the over all look of the film, including the vehicles, spacecrafts, buildings, human characters and aliens. However, only Giraud is credited, and even then he wasn't even granted a premium when the movie was eventually produced.
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    Part of the song that the Diva sings is from the opera "Lucia Di Lammermoor", and very often goes by the title "The Mad Song", as it is sung by Lucia just after she murders Arturo (whom she was forced to marry) on their wedding day - Lucia is hallucinating that she has married the man she really loves; Edgardo, her brother's nemesis.





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