thin, short, refined
Author: thomasbuster from vienna, austria
3 October 2003
'Heaven' is a wonderfully subtle film, full of refined camera work and scarce in dialogue. It stands as a good representation for the 'X Filme' project that Tom Tykwer co-heads, which aims to create films both new and thought-provoking as well as successful in their theater runs.At roughly an hour and a half, 'Heaven' is a cinematic triumph that nudges open the gates to the philosophy and psychology of the lone man or woman along with those of society on the whole. It takes place in Italy, but Tykwer himself stated in an interview that really it could have been shot in any number of places with the message remaining the same.
'Heaven' is a thinly-scripted, in-depth commentary on issues prevailing throughout the modern world. Drugs, sex, sexuality, identity and the fibres that make up humans as a race are what this film revolves around: it is not a film for tourists or spectators. The excellent performances of Giovanni Ribisi and Cate Blanchett (apart and together) should only be missed if you are mainly looking for external adventure and action. Though it shares its part in weapons, scheme and drama, 'Heaven' is not blockbuster material: it is art material.
Obviously, from the summary of this review, I consider _Heaven_ perhaps the most beautiful film I've seen. As a writer and professor, I still consider film my foremost love of all the arts. In consequence, I've seen thousands of films--and those include nearly every one of the hundreds which are considered the greatest in the medium.After multiple viewings, I place Heaven at the top. The direction and cinematography are both remarkable, the story utterly compelling, and the performances--especially Cate's--beyond compare.
It is actually the overwhelming power and beauty of Cate that's the core of the film's art. It's not just "acting," but the combination of unearthly beauty, top-tier cinematography, *and* her talent that makes this a level above Streep, Dench, Bergman, Hepburn, and any other great at their absolute best.I suppose it's hard to imagine the existence of a full level beyond what we consider--previously--to have been the most beautiful and artful female performance on screen. But that level is here, and it's clear.
**spoilers**
This is one of Blanchett's most under-rated pieces of work. Not only stunning in it's visual and directing effects, but it has a screenplay that is hard to beat. Blanchett and Ribisi have perfect chemistry and the intense storyline is there from the beginning. I can't believe some of these usercomments said that the movie was slow-paced. Huh? The last half hour or so wasn't as dramatic as the first half, but its obvious why...they are forming their connection. There is still the intense worry that they will be caught, but I personally was more interested in seeing them form and discover their love for one another despite the stressful circumstance.I recommend this to anybody who wants to see a unique yet still stunning movie.
A believer in coincidence might say that it could be a coincidence that every movie I've seen involving Cate Blanchett has been very, very enjoyable. I, on the other hand, consider it to be a matter of her great performances [along with those of her fellow actors, of course]. But she is the one common denominator. Whether it be drama, comedy, period pieces or whatever, you can always count on an outstanding performance from this lady. And Heaven is no exception. I can't quite label her the "Best Actress" of her generation but she's certainly in the top 3, in my opinion. And, as is usually the case, a fine performance by Giovanni Ribisi [her co-star in another movie, The Gift]. I rated this movie as a 10. Check it out and see if you agree and, even if you don't, you won't be disappointed.
This movies changes gears throughout and draws the audience in. Unlike many American directors, Mr. Tykwer gives us a non-formula film detailing the duplicity of good and evil. The bad/good guy (woman) is a murderer by choice-accident? It requires the audience to think of consequences and actions. Part cautionary tale, chase film, mystery, with love and redemption, the film is emotionally moving and beautifully photographed, especially the ending with the helicopter ascending into the sky (heaven?).
Mr. Tykwer scored a big hit in Germany with his previous "Run, Lola Run". The similarities with Heaven are the main character is female and stacked up against the odds, as with "The Warrior and the Princess" which has a fantastic symbolic ending. Howcome it takes a German male director to portray females as real heroic figures without being typical action-cartoonish representations?
Author: ewa-3 from United States
24 October 2002
Far from a plot-driven film, "Heaven" forces you to keep remembering that the heroine has killed four completely innocent people as a result of a poorly planned and executed attempt to assassinate a drug lord. All of this takes place under the credits. By the time the movie itself has started, the viewer is faced with some very sticky ethical and moral questions.Blanchett's character, an English teacher in Italy, realizes that she cannot forgive herself for her actions but must face the consequences. She does, brilliantly, and with the help of Giovanni Ribisi, playing a young caribinieri officer who (almost) falls in love with the prisoner the first time he sees her.
The movie looks and sounds great. The score, often played by just a piano and violin, is terrific. Many of the scenes toward the end of the movie are shot in the sun drenched countryside of northern Italy (Lombardy) and the shots from the beginning of the movie, overhead and looking straight down at the red-topped roofs of an Italian town, are stunning.There are a few shots that call attention to themselves--one in particular, when the lovers run from a house, across a field and wind up under a large tree. Looking at it, one is aware that it could only have been shot from a helicopter--although it may also refer (in advance) to the rest of the movie.
Author: Nolf_ from Hanover NH USA
2 August 2004
This film was brilliant. Upon finishing it, I felt like I was in a trance that I still haven't "woken" up from. The pictures, the music, and the acting were so great, and the theme that Heaven deals with, the relationship between coincidence and fate, is so interesting and so well done here. The last scene is beautiful, and I remember praying to God to not allow this movie to ever end. Also, what I love about this film is that even though the protagonists aren't the typical definition of "good", "pure", or "morally correct", I still found myself rooting for them to escape the police and for their love to blossom even more.This movie is full of magic and even after a year of viewing Heaven, it hasn't lost any of it. It will stay with me forever and ever.Ten out of five stars.
Author: msdawntreader from Santa Fe NM, USA
22 June 2003
I loved this movie, found it mesmerizing. It has all the elements of your basic thriller but with an entirely different implementation, making it subtle, profound, uplifting and unexpected. Cate Blanchett is fabulous. Just see it!
Author: Donnie Zuo from Beijing, China
23 March 2007
*** This review may contain spoilers ***
At first watching I immediately knew that it'd be one of my all-time favorites. I sat and meditated in the darkness all through the night with Arvo Pärt's starlike notes repeating (I finished the film at 2:00 a.m.).
Heaven, a word too simple and widely used to impress, receives its most unusual meaning in this film.
She was reduced to distrusting in sense, justice and life, but was given the sole choice to lean on him. He forsook the bright future lying ahead, craving for the only chance to be her Adam. They had nothing in common except determination. One cannot keep flying higher and higher, but they did.
Cate was one of my favorite actresses until this film drew her out of the squad and made her the one and only beyond all my favorites, which is due to her excellent acting plus Tom Tykwer's directing and Kieslowski's script.She cannot be categorized as a typical beauty, but her appearance is so gorgeously formed that every part of her face and every inch of her skin is so expressive and informative. She's got all the emotions and powers inside her body, and she never failed to overwhelm me by her role in any movie I've seen.
This is not the first time I heard Arvo Pärt's "Für Alina" and "Spiegel im Spiegel" in a movie, but this is the first time I felt the trinity of the film, the music and me.When the notes from "Für Alina" sparsely stroke like the stars twinkling in the night sky and the space cam floating above the crowded city, I gave away all the trivial feelings and thoughts and as if told to go through a storm following this tranquility.However, I was still over-thrilled by the ending. **(spoiler)Watching their helicopter ascending and hearing Arvo Pärt again**, my chest shivered and my tears silently flowed into rivers.
We don't bother to think about what comes after the ending. I bet everyone knows at a certain height the helicopter would finally malfunction and collapse and they would fall down to the ground. There'd be remains and blood, and those policemen would clear the scene and joke on this crazy criminal couple.
They just didn't care anymore. They've done their parts to fight reality and they knew they were doomed to lose, but they demonstrated their ultimate sarcasm and despise by crucifying themselves to a world understood but not trying to understand.
Sky and earth; hope and desperation; romance and reality; intelligence and ignorance; doubts and determination; justice and morality...All these contrasts in this film are too sharp to bear. My tears vaporized; my body stiffened; my mind was in a trance. I felt grateful and shamed as if they were crucifying themselves for the sake of all of us who have so limited capacity of action in this disappointing world.
I was lucky enough not to have a lover by my side when watching it because after the film I'd possibly dump him anyway for the shames and compromises we will suffer and a heaven we can never strive for --- like some Andre Gide's character.We don't dare to do what Philippa and Filippo did, and this is the truth with which the film penetrated right through my heart.
Really, it is the kind of romance of moral paradoxes and redemption that requires too much of an individual to enjoy. I was overwhelmed and exploited. As for Krzysztof Kieslowski, it must've taken him one dream or more of all human beings to die. And it's worth it.
Cate Blanchett was awesome in this film, playing off of Giovanni Ribisi, who ain't chopped liver. You may remember him as the medic in Saving Private Ryan, or Charlotte's ignorant husband, John, in Lost in Translation.Blanchett is one of those rare actors that become their character and you forget they're acting, which has to be the ultimate success for a actor. I can barely think of any others that pull this off; Nicole Kidman, Gary Oldman. Yes, Ribisi also. There are others. For Gary Oldman, at least, I think it may have worked against him if you consider fame a measure of success. He's so good you seldom recognize him as Gary Oldman. He's always his character. Come to think of it, considering Ribisi in his roles he's in the same boat.
Heaven was a great film. It's an incredible story and goes uphill from there. It's one of films you'll only find on late night cable or an indie channel. Incredibly underrated. It's a very touching and powerful story. It's timely in dealing with the official law enforcement paranoia over terrorism and the propensity to call someone a terrorist as a means to quickly legitimate brutal obtuse disregard for the human soul. Although, this aspect is a mere sideline to the plot.
The film is a superb story by Krzysztof Kieslowski and Krzysztof Piesiewicz; directed by Tom Tykwer. Heaven was the first of a trilogy, Heaven, Hell and Purgatory. But, Kieslowski unfortunately died before completing the last of them. Hell or L'Enfer as it's titled, is highly rated and apparently as touching a story as Heaven.Heaven takes place in Italy but quickly reverts to English dialog making it an interestingly international piece.
