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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
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  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

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    Origine : 75 Paris
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    ©-DR- THE TIN STAR de Anthony Mann (1957) p8

    05/11/2013 19:28

    ©-DR- THE TIN STAR de Anthony Mann (1957) p8







    ©-DR- THE TIN STAR de Anthony Mann (1957) p9

    06/11/2013 04:33

    ©-DR- THE TIN STAR de Anthony Mann (1957) p9


    La critique de Wild West movies
    Scénario traditionnel mais parfaitement mis en valeur par la caméra d'Anthony Mann. Composant une suite de plans aux enchaînements rapides, Mann nous montre une fois de plus son amour de la nature, n'hésitant pas à s'attarder sur le feuillage, la poussière ou les rochers. Henry Fonda incarne un mystérieux cavalier qui, arrive dans une ville, où le shérif local connaît de grosses difficultés pour faire régner l'ordre, en particulier par la faute d'un fermier raciste, décide de venir en aide au jeune policier inexpérimenté.

    Il lui apprend à tirer et à se tenir sur ses jambes au moment de l'affrontement. Mais il lui inculque surtout le sens de l'honneur, le courage et le respect de soi et des autres. Anthony Perkins donne toute sa fougue dans le rôle du shérif mais c'est Henry Fonda qui, dans un rôle en or taillé sur mesure, impose sa stature à ce film très personnel de Mann et qu'il serait urgent de redécouvrir.
     






    ©-DR- THE TIN STAR de Anthony Mann (1957) p10

    06/11/2013 04:49

    ©-DR- THE TIN STAR de Anthony Mann (1957) p10







    ©-DR- THE TIN STAR de Anthony Mann (1957) p11

    06/11/2013 04:59

    ©-DR- THE TIN STAR de Anthony Mann (1957) p11


    As classic as you can get!

    Author: Righty-Sock (robertfrangie@hotmail.com) from Mexico
    30 May 2000

    The contribution made by Henry Fonda to classic Westerns is incredible : he made his point early with "The Oxbow Incident," his potent presence in "Drums Along the Mohawk"... He was excellent as Wyatt Earp in "My Darling Clementine," even better as the stubborn, mistaken lieutenant-colonel in "Fort Apache " a legendary gunman in "Warlock" and the hardened gunfighter-tutor in Anthony Mann's "The Tin Star."

    Fonda plays a solitary-bounty hunter ("I'm not the law. I work inside it for money!") who had once been a sheriff, and who had given up the badge in disgust of the shameful way he had been treated by the citizens in a decisive tragic moment of his life—for which he lost his wife and son...

    Fonda is quiet, sure, polite, sincere and appealing... Teaching Michael Ray, it was clear that he knew not only his guns but human nature... He is human, kind, anxious, worry and tender with the young boy... Anthony Perkins is attractive in his doubts about taking action or decision... He is naïve and innocent, also incompetent for the job of an officer responsible for law and order... He always looks to Fonda for leadership, but he is eager to be a firm sheriff

    The conversation between Fonda and Perkins are the heart of the movie, which deals more with character than Gunplay: "You got to keep cool and have absolute confidence. You lack confidence." "A decent man does not want to kill. But if you're gonna shoot, you shoot to kill." "Study men. A gun is only a tool. You can master a gun if you got the knack. Harder to learn man."

    The film had racism: When Bogardus kills the Indian, in the back, outside the saloon, he says: "No sheriff will disarm a white man for shooting a mingy Indian.You, an Injun lover?"Betsy Palmer plays Nona Mayfield, a woman compelled to live outside the town because she married an Indian: "I'm just so used to everybody hating Indians." The film had also intuition and humor: - Kip Mayfield to Fonda: "Don't I look like a sheriff?" And Fonda replying: "You look more like a sheriff than the sheriff does."

    Abbe Pickett, after being a father for eleven girls and now to a boy, asks: "You sure it ain't another girl?" and the doc replies: "Well, I hope I'm not too old to know the difference." John McIntire is fine as the old doc whose big dream was: "I wish you two to get together."Neville Brand enjoys oppressing, intimidating and persecuting...

    Anthony Mann's "The Tin Star" is strong on location work, tense, realistic, technically competent... The film had dusty action, and a picturesque old town with its bank, hotel, saloon, jail, hanging tree and all the cowardly citizens turned out to watch... With elements of "Shane," and "High Noon," the film is a very good Western, 'as classic as you can get.'






    ©-DR- THE TIN STAR de Anthony Mann (1957) p12

    06/11/2013 05:04

    ©-DR- THE TIN STAR de Anthony Mann (1957) p12







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