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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
  • 103 commentaires postés
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  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

    Garçon (73 ans)
    Origine : 75 Paris
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    © DR -AS GOOD AS IT GETS de James.L.Brooks (1997) p16

    12/04/2013 09:16

    © DR -AS GOOD AS IT GETS de James.L.Brooks (1997) p16


    Helen Hunt : Formidable dans ce rôle

    *

    *

    *

    *

    As Good as Romantic Comedies Get

    Author: CurtMan@LVCM.com from Las Vegas, NV
    18 October 2004

    "As Good As It Gets" boasts a splendid, delightful combination of wonderful, zesty acting and a remarkably bright and effective screenplay. Jack Nicholson is pitch-perfect as the obsessive-compulsive curmudgeon Melvin Udall, who possesses some of the strangest and most curious tendencies ever concocted by screenwriters; his Udall is so human, so heartfelt, so genuine, and so whimsical and Nicholson perfects him to such a degree that not a moment of his screen time is unwanted or uninteresting: in my valid opinion, this is Nicholson's best performance of his career, and one of the most reverent performances in film history.

    What an engaging, enthralling story: an troubled, insecure man helps a troubled, insecure waitress (troubled and insecure in different respects), and the two form an unlikely relationship from being distant acquaintances (Hunt even exclaims that Nicholson is crazy in their most uncomfortable moment in the film) to practical soul mates (Nicholson to Hunt: "I feel that I'm the only person that knows that you are the greatest woman alive"), through a series of misfortunes, self-explorations, and mutual bondings. Kinnear's character Simon has the distinct purpose in being both the bridge and the divider of Nicholson and Hunt's relationship, and he identifies with his character with compassion and understanding, as he has frequently been wronged throughout his existence.

    The most curious aspect to a story such as this, involving such unduly, diverse characters: a miserable recluse, a zesty, yet insecure waitress, and a sensitive and insightful, yet wronged homosexual, is that in their distinct differences, they share many of the same problems, and these problems eventually bring them all together, although hardly in a civilized manner. I appreciated practically every element in this wonderful, delightful masterpiece of exemplary romantic comedy, in its indelible acting (Oscars well deserved), its whimsical, touching screenplay (This was neons above "Good Will Hunting"'s quality) and its comforting morale, that despite all of the great odds in life which prevent us from being happy, we can perhaps find it within ourselves to take that one important step in reversing our fortunes, in "stopping with taking pills" and to allow our lives, and our desires to shine and be realized, as this story depicts life.

    The best romantic comedy, certainly the best film of 1997, and one of the greatest films of all time, "As Good As It Gets" succeeds in practically every entertaining and endearing cinematic respect. **** out of ****






    © DR -AS GOOD AS IT GETS de James.L.Brooks (1997) p17

    12/04/2013 09:18

    © DR -AS GOOD AS IT GETS de James.L.Brooks (1997) p17







    © DR -AS GOOD AS IT GETS de James.L.Brooks (1997) p18

    12/04/2013 13:21

    © DR -AS GOOD AS IT GETS de James.L.Brooks (1997) p18


    A superior Hollywood piece of sentimentality

    Author: bob the moo
    27 January 2003

    Melvin is a romantic novelist who is a selfish manic compulsive who is rude and insulting to all he meets. When Melvin's gay neighbour is beaten up and robbed, Melvin agrees to look after his dog. The dog gives Melvin something to care about other than himself and his life is approaching normal until his regular waitress has to leave work to look after her asthmatic son and his neighbour wants his dog back. Melvin starts to realise that his life needs others for more than just selfish reasons.

    The big Oscar winner for Jack is recent years is enjoyable if you come to it knowing what to expect. The film is very sentimental but in a good way. The film is gently comic and amusing and the characters (although exaggerated) are winning and involving. The telling is a little long winded at times and the film could have been shorter but it is still enjoyable. It does tip over into sickly sentimentality at times and can be a bit syrupy but it comes with the territory.

    Nicholson is excellent and is the main reason it all works well. His un-PC Melvin is funny but also a character that you can hate and pity on several occasions. Kinnear is good because he is a solid understated character and not hammy or OTT like he can be. Hunt is good but is left with the majority of the syrup and sentiment where the other characters get more share of the laughs. Gooding Jr continues his trend of being good in over the top roles and is funny and happily avoids becoming a flaming gay stereotype.

    Overall this is a sentimental romantic comedy that is typical for the genre. The story wanders to it's point but the good cast, led by a great Nicholson, hold the whole thing together. A superior piece of sentimentality.






    © DR -AS GOOD AS IT GETS de James.L.Brooks (1997) p19

    12/04/2013 13:29

    © DR -AS GOOD AS IT GETS de James.L.Brooks (1997) p19


     

     





    © DR -AS GOOD AS IT GETS de James.L.Brooks (1997) p20

    12/04/2013 13:31

    © DR -AS GOOD AS IT GETS de James.L.Brooks (1997) p20


    Way to go, Jack!

    Author: Star-47 from Naples, Florida
    19 December 1998

    Jack Nicholson is simply phenomenal. Yes, I will give credit where it is due and congratulate Greg Kinnear, Helen Hunt, and Cuba Gooding, Jr, on their fine performances. They are talented. But I am mesmorized by Jack's intricate facial expressions and inflection each time I see this movie.

    Critics panned this movie for being totally unbelievable. I would have to agree-why would Carol fall for Melvin? Why does Melvin change his ways after so many years of acid-tongued insults? I don't know. I know people who disliked the film because Melvin was such a you-know-what. Personally, I love the evil retorts he hurls at any innocent bystander. Maybe it's a sick pleasure, but Nicholson's delivery is perfect and I couldn't help but laugh as he takes on everyone.






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