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 CINEMA :Les blessures narcissiques d'une vie par procuration
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CINEMA :Les blessures narcissiques d'une vie par procuration

VIP-Blog de tellurikwaves
  • 12842 articles publiés
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  • Créé le : 10/09/2011 19:04
    Modifié : 09/08/2023 17:55

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    Origine : 75 Paris
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    ©-DR-L'ANGE EXTERMINATEUR de Luis Bunuel (1962) p22

    27/02/2014 08:12

    ©-DR-L'ANGE EXTERMINATEUR de Luis Bunuel (1962) p22


    The Human Condition
    10/10
    Author: LeandraZZZ from United Kingdom
    12 September 2006

    I just saw this for the first time yesterday. Although the movie was made in 1962, it was a very grainy print, and I am assuming that this was deliberate - it looked as though we were looking at something from the 1920s. I liked this; it was all part of it. This was an amazing movie - and amazingly prescient - a metaphor for the human condition (not just the upper classes), our life on this planet, and how fragile it all is (the slightest pressure on resources, the slightest dislocation, and the whole edifice crumbles).

    The room they did not want to leave is this planet earth and our life on it. The guests are a metaphor for all of us, and we are very, very attached to life. When we are having a wonderful time, for sure we don't want to leave life and the planet - and even when we have made the most terrible mess of it (because we don't want to leave) and the whole thing has degenerated into fighting, bickering,destruction, hunger, thirst - we STILL don't want to leave.

    In the movie, as in the cycle of life, it is not until there is a reprieve when everything suddenly clicks back into how it was (reincarnation?)that they are able to leave. They go back to the Church - but that is no answer either, because the whole same thing happens over again. At the end, the sheep all go to the church - "lambs to the slaughter" (and English phrase - I am English).

    It is an interesting parable for today's world: the rich (First World countries?) take for granted food and water -- until they experience the loss of it firsthand themselves (the Third World?), and then all the social castes and 'mores' which they (we) have built up, crumble - they fight each other, they hallucinate, they hunger, they thirst. Later, even once they are free of the room, we see fighting in the streets of the city, with troops firing on the civilian population. The movie was made in 1962: does any of this sound familiar in today's world of 2006 ?






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