Roger Ebert (suite)
But to give the plot its due: "DIVA" really gets under way when the young postman slips his tape into the saddlebag of his motor scooter. Two tape pirates from Hong Kong know that the tape is in his possession, and, since the American soprano has refused to ever allow any of her performances to be recorded, they want to steal the tape and use it to make a bootleg record. Meanwhile, in a totally unrelated development, a young prostitute tape-records accusations that the Paris chief of police is involved in an international white-slavery ring. The two cassette tapes get exchanged, and "DIVA" is off to the races.
One of the movie's delights is the cast of characters it introduces. Andrei, who plays the hero, is a serious, plucky kid who's made his own accommodation with Paris. The diva herself, played by Wilhelmenia Wiggins Fernandez, comes into the postman's life after a most unexpected event (which I deliberately will not reveal, because the way in which it happens, and what happens, are enormously surprising). We meet others: A young Vietnamese girl who seems so blasÅz in the face of Paris that we wonder if anything truly excites her; a wealthy man-about-town who specializes in manipulating people for his own amusement; and a grab bag of criminals.