La critique de Roger Ebert (suite)

The film opens with an unusual touch: The villains are not fantastical fictions, but real. The North Koreans have for the time being joined the Nazis as reliable villains, and Bond infiltrates in order to--I dunno, deal with some "African Conflict Diamonds," if I heard correctly, but I wasn't listening carefully because the diamonds are only the MacGuffin.

They do, however, decorate the memorable cheekbones of one of the villains, Zao (Rick Yune), who seems to have skidded face down through a field of them at high impact. A chase scene involving hover tanks in a mine field is somewhat clumsy, the hover tank not being the most graceful of vehicles, and then Bond is captured and tortured for months.